In the decade after World War II, one entrepreneurial family helped thousands of people buy into the American dream of owning a home, not just any home, but a good one, with all the modern conveniences. The Levitts--two brothers, William and Alfred, and their father, Abe--pooled their talents in land use, architecture, and sales to create story book town with affordable little houses. They laid out the welcome mat, but not to everyone. Levittown had a whites-only policy. This is the story that unfolded in Levittown, PA, one unseasonably hot summer in 1957 on a quiet street called Deepgreen Lane. There, a white Jewish Communist family named Wechsler secretly arranged for a black family, the Myers, to buy the little pink house next door. What followed was an explosive summer of violence that would transform their lives, and the nation. It would lead to the downfall of a titan, and the integration of the most famous suburb in the world. It's a story of hope and fear, invention and rebellion, and the power that comes when ordinary people take an extraordinary stand.
Carved from eight square miles of Bucks County farmland northeast of Philadelphia, Levittown, Pennsylvania, is a symbol of postwar suburbia and the fulfillment of the American Dream. Begun in 1952, after the completion of an identically named community on Long Island, the second Levittown soon eclipsed its New York counterpart in scale and ambition, yet it continues to live in the shadow of its better-known sister and has received limited scholarly attention. Second Suburb uncovers the unique story of Levittown, Pennsylvania, and its significance to American social, architectural, environmental, and political history. The volume offers a fascinating profile of this planned community in two parts. The first examines Levittown from the inside, including oral histories of residents recalling how Levittown shaped their lives. One such reminiscence is by Daisy Myers, part of the first African American family to move to the community, only to become the targets of a race riot that would receive international publicity. The book also includes selections from the syndicated comic strip Zippy the Pinhead, in which Bill Griffith reflects on the angst-ridden trials of growing up in a Levittown, and an extensive photo essay of neighborhood homes, schools, churches, parks, and swimming pools, collected by Dianne Harris. The second part of the book views Levittown from the outside. Contributors consider the community's place in planning and architectural history and the Levitts' strategies for the mass production of housing. Other chapters address the class stratification of neighborhood sections through price structuring; individual attempts to personalize a home's form and space as a representation of class and identity; the builders' focus on the kitchen as the centerpiece of the home and its greatest selling point; the community's environmental and ecological legacy; racist and exclusionary sales policies; resident activism during the gas riots of 1979; and "America's lost Eden." Bringing together some of the top scholars in architectural history, American studies, and landscape studies, Second Suburb explores the surprisingly rich interplay of design, technology, and social response that marks the emergence and maturation of an exceptionally potent rendition of the American Dream.
When developer Abraham Levitt and his two sons conceived the idea for Levittown in 1946, they were probably unaware of the future impact of their radical concept--to build cellarless, affordable tract housing on Long Island farmland. Levittown became the prototype suburban community that has been mirrored in towns throughout America and around the world. This delightful photographic history chronicles the growth and development of Levittown as returning World War II GIs flocked to it in droves, attracted by the promise of the American Dream of becoming homeowners. Despite criticism of its "stunning conformity," Levittown and its residents thrived as they raised families, started businesses, and created a close-knit community that exists to this day. This enchanting collection of photographs reveals the joys and struggles of Levittown's founders and residents as they carved their niche in American history.
The explosive true story of the first African-American family to move into one of America's most iconic suburbs, Levittown, Pennsylvania. In the decade after World War II, one entrepreneurial family helped thousands of people buy into the American dream of owning a home, not just any home, but a good one, with all the modern conveniences. The Levitts--two brothers, William and Alfred, and their father, Abe--pooled their talents in land use, architecture, and sales to create story book town with affordable little houses. They laid out the welcome mat, but not to everyone. Levittown had a whites-only policy. This is the story that unfolded in Levittown, PA, one unseasonably hot summer in 1957 on a quiet street called Deepgreen Lane. There, a white Jewish Communist family named Wechsler secretly arranged for a black family, the Myers, to buy the little pink house next door. What followed was an explosive summer of violence that would transform their lives, and the nation. It would lead to the downfall of a titan, and the integration of the most famous suburb in the world. It's a story of hope and fear, invention and rebellion, and the power that comes when ordinary people take an extraordinary stand.
In 1955, Levitt and Sons purchased most of Willingboro Township, New Jersey and built 11,000 homes. This, their third Levittown, became the site of one of urban sociology's most famous community studies, Herbert J. Gans's The Levittowners. The product of two years of living in Levittown, the work chronicles the invention of a new community and its major institutions, the beginnings of social and political life, and the former city residents' adaptation to suburban living. Gans uses his research to reject the charge that suburbs are sterile and pathological. First published in 1967, The Levittowners is a classic of participant-observer ethnography that also paints a sensitive portrait of working-class and lower-middle-class life in America. This new edition features a foreword by Harvey Molotch that reflects on Gans's challenges to conventional wisdom.
Much has been written about the housing policies of the Depression and the Postwar period. Much less has been written of the houses built as a result of these policies, or the lives of the families who lived in them. Using the houses of Levittown, Long Island, as cultural artifacts, this book examines the relationship between the government-sponsored, mass-produced housing built after World War II, the families who lived in it, and the society that fostered it. Beginning with the basic four-room, slab-based Cape Cods and Ranches, Levittown homeowners invested time and effort, barter and money in the expansion and redesign of their houses. The author shows how this gradual process has altered the socioeconomic nature of the community as well, bringing Levittown fully into the mainstream of middle-class America. This book works on several levels. For planners, it offers a reassessment of the housing policies of the 1940s and '50s, suggesting that important lessons remain to be learned from the Levittown experience. For historians, it offers new insights into the nature of the suburbanization process that followed World War II. And for those who wish to understand the subtle workings of their own domestic space within their lives, it offers food for speculation.
This book is characterized by narrative vitality and emotional range. In Wetherell's stories a suburban retiree's assumptions about the ethos of Long Island life are challenged and dismissed by a younger generation, a young English woman achieves miracles by dancing with wounded soldiers during World War II, a tennis-mad bachelor plays an interior game as real to him as an actual match, and a black drifter converts an Asian couple to his bleak vision of American life and finds strange kinship with them.
LEVITTOWN is the story of two individuals, typical of many, who moved into the new community of Levittown as children and grew up there. Levittown was an original idea of William Levitt and his brothers, brought to Pennsylvania after a successful introduction in New York state. Levitt's plan of a community built out of nothing was just what the returning G.I.s needed in order to start their generation's new families. Levitt provided the homes, streets, pools, and schools, and the new residents provided the necessary enthusiasm and commitment to get the community up and running and to keep it going. The authors' memories provide a lively account of growing up in a time and place where there were no precedents, and everything was new.
"Inverting the conventional history of American suburbanization, Tim Keogh turns the spotlight from wealth and freedom to poverty and inequality. Focusing on the archetypal Long Island communities of the postwar era, Keogh shows that a key driver of suburban development and the segregation it embodied was not housing but employment. Inequality and injustice were baked into suburban development, but housing discrimination was a secondary expression of this, not a primary cause. As a result, equity-minded suburbs that focused on housing policy rather than employment opportunities were doomed to fail. Keogh hopes to motivate more effective approaches to contemporary inequity by changing our understanding of how it took shape historically"--
