Delacroix

Delacroix

Author: Sébastien Allard

Publisher: Metropolitan Museum of Art

Published: 2018-09-12

Total Pages: 331

ISBN-13: 1588396517

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p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cèzanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix’s career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guèrin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding “a call for the liberty of art.”


As Befits a Legend

As Befits a Legend

Author: Michael Paul Driskel

Publisher: Kent State University Press

Published: 1993

Total Pages: 284

ISBN-13: 9780873384841

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This work is an examination of the tomb of Napoleon - its construction process, historical context, and political and social meanings. It documents the problems inherent in building an appropriate monument and the debate it generated.


La Folie Baudelaire

La Folie Baudelaire

Author: Roberto Calasso

Publisher: Macmillan

Published: 2012-10-16

Total Pages: 353

ISBN-13: 0374183341

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Looks at the life, influence, and work of the French writer and founder of modernism.


Bulletin

Bulletin

Author: Cincinnati (Ohio), Public Library

Publisher:

Published: 1884

Total Pages: 166

ISBN-13:

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The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal

Author: The J. Paul Getty Museum

Publisher: Getty Publications

Published: 1989-11-02

Total Pages: 207

ISBN-13: 0892361433

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The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.


Romanticism

Romanticism

Author: Pierre Courthion

Publisher:

Published: 1961

Total Pages: 152

ISBN-13:

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"It is mainly in the light of the work of Eugene Delacroix that we propose to interpret the international development of Romantic painting"--Page 6.


"Interior Portraiture and Masculine Identity in France, 1789?914 "

Author: HeatherBelnap Jensen

Publisher: Routledge

Published: 2017-07-05

Total Pages: 300

ISBN-13: 1351562606

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Focusing specifically on portraiture as a genre, this volume challenges scholarly assumptions that regard interior spaces as uniquely feminine. Contributors analyze portraits of men in domestic and studio spaces in France during the long nineteenth century; the preponderance of such portraits alone supports the book's premise that the alignment of men with public life is oversimplified and more myth than reality. The volume offers analysis of works by a mix of artists, from familiar names such as David, Delacroix, Courbet, Manet, Rodin, and Matisse to less well-known image makers including Dominique Doncre, Constance Mayer, Anders Zorn and Lucien-Etienne Melingue. The essays cover a range of media from paintings and prints to photographs and sculpture that allows exploration of the relation between masculinity and interiority across the visual culture of the period. The home and other interior spaces emerge from these studies as rich and complex locations for both masculine self-expression and artistic creativity. Interior Portraiture and Masculine Identity in France, 1789-1914 provides a much-needed rethinking of modern masculinity in this period.