Illustrated throughout and complemented by detailed genealogical tables and a useful table of marriages, The Letters of the Queens of England 1100-1547 is an invaluable reference source for historians and a fascinating introduction for the general reader to the foremost women of medieval and Tudor England.
While the role and character of England's medieval and Tudor kings are well documented, little attention has been paid to their often powerful and influential consorts. This volume allows the queens to speak for themselves through their own correspondence, with each letter set in context and a general introduction to the role of the queen in medieval and Tudor England. Virtually every English queen from Matilda of Scotland, first wife of Henry I, to Katherine Parr, sixth wife of Henry VIII, is represented. By rescuing them from their traditional role as faceless consorts, this study shows these women as considerable political figures in their own right, and as strong, intelligent, occasionally awkward, members of society.
Medieval women faced many of the problems of their modern counterparts in bringing up their families, balancing family and work, and responding to the demands of their communities. Of many women in the period of a thousand years before 1500 we know little or nothing, though their typical ways of life, on farms or in the towns, can be reconstructed with accuracy from a variety of sources. We know more about a far smaller number of elite women, including queens such as Eleanor of Aquitaine and Margaret of Anjou; noblewomen, whose characters and attitudes can be sensed directly or indirectly; and a variety of religious women. Literary sources help flesh out real attitudes, such as those of Chaucer's Wife of Bath. Jennifer Ward shows the life-cycle of medieval women, from birth, via marriage and child-rearing, to widowhood and death. She also brings out the slow changes in the position of women over a millennium.
Focuses on the lady's role in medieval society, how she was perceived both by herself and by her male counterparts, and how she participated in the prevailing male culture of gentility.
Elizabeth Wydeville, Queen consort to Edward IV, has traditionally been portrayed as a scheming opportunist. But was she a cunning vixen or a tragic wife and mother? As this extraordinary biography shows, the first queen to bear the name Elizabeth lived a tragedy, love, and loss that no other queen has since endured. This shocking revelation about the survival of one woman through vilification and adversity shows Elizabeth as a beautiful and adored wife, distraught mother of the two lost Princes in the Tower, and an innocent queen slandered by politicians.
This book investigates the agency and influence of medieval queens in late fourteenth-century England, focusing on the patronage and intercessory activities of the queens Philippa of Hainault and Anne of Bohemia, as well as the princess Joan of Kent. It examines the ways in which royal women were able to participate in traditional queenly customs such as intercession, and whether it was motherhood that gave power to a queen. This study focuses particularly on types of patronage, and also considers the importance of coronation, especially for Joan of Kent, who was neither a queen consort nor a dowager, yet still fulfilled some queenly duties. Crucially, the author highlights the transactional nature of the queen’s role at court, as she accumulated wealth from land, rights and traditions, which in turn funded patronage activities.
'Between France and England' characterises the role played by most rulers of the duchy of Brittany during the late Middle Ages, before it was finally united with Valois France. These essays (including three appearing for the first time in English) explore political and institutional aspects of the changing relationship between France and Brittany, within the context of Anglo-French relations, as well as social consequences of the development of a largely autonomous state within the larger French kingdom during a period dominated by war and economic crisis. The transformation of medieval France into an early modern state changed the traditional relationship between the king and his great feudal princes. But some princes reacted by imitating the crown, creating their own more advanced administrations and an ideological base for claims to exercise 'regal rights' within their lordships, often expressed in striking visual and symbolic form. These trends are evident in the late medieval duchy of Brittany where the Montfort dynasty all but succeeded in nullifying royal control.
England July 1540: it is one of the hottest summers on record and the court of Henry VIII is embroiled, once again, in political scandal. Anne Cleves is out. Thomas Cromwell is to be executed and, in the countryside, an aristocratic teenager named Catherine Howard prepares to become fifth wife to the increasingly unpredictable monarch... In the five centuries since her death, Catherine Howard has been dismissed as 'a wanton', 'inconsequential' or a naive victim of her ambitious family, but the story of her rise and fall offers not only a terrifying and compelling story of an attractive, vivacious young woman thrown onto the shores of history thanks to a king's infatuation, but an intense portrait of Tudor monarchy in microcosm: how royal favour was won, granted, exercised, displayed, celebrated and, at last, betrayed and lost. The story of Catherine Howard is both a very dark fairy tale and a gripping political scandal.
Edward III (1312-1377) was the most successful European ruler of his age. Reigning for over fifty years, he achieved spectacular military triumphs and overcame grave threats to his authority, from parliamentary revolt to the Black Death. Revered by his subjects as a chivalric dynamo, he initiated the Hundred Years' War and gloriously led his men into battle against the Scots and the French.In this illuminating biography, W. Mark Ormrod takes a deeper look at Edward to reveal the man beneath the military muscle. What emerges is Edward's clear sense of his duty to rebuild the prestige of the Crown, and through military gains and shifting diplomacy, to secure a legacy for posterity. New details of the splendor of Edward's court, lavish national celebrations, and innovative use of imagery establish the king's instinctive understanding of the bond between ruler and people. With fresh emphasis on how Edward's rule was affected by his family relationships--including his roles as traumatized son, loving husband, and dutiful father--Ormrod gives a valuable new dimension to our understanding of this remarkable warrior king.
The riveting story of two women whose divergent personalities and positions impacted the court of Edward III, one of medieval England's greatest kings. There were two women in Edward III's life: Philippa of Hainault, his wife of forty years and bearer of twelve children, and his mistress, Alice Perrers, the twenty-year-old who took the king's fancy as his ageing wife grew sick. After Philippa's death Alice began to dominate court, amassing a fortune and persuading the elderly Edward to promote her friends and punish her enemies. In The Queen and the Mistress, Gemma Hollman brings the story of these two women to life and contrasts the "perfect" medieval queen—the pious, unpolitical, steady Philippa—with the impertinent youth—the wily, charismatic, manipulative Alice. One died a royal, adored, while the full force of the English court united against Alice, wresting both money and power from her and leaving her with nothing but a mission to try to reclaim all that was lost. Both women had wealth and power but used vitally different methods to dispense it. In The Queen and the Mistress, Hollman brings to the fore their differences and similarities in a unique look at women and power in the Middle Ages.