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Alphonse Daudet's novels established him as the most successful writer in France by the end of the XIX century; but it was the LETTERS, first published in book form in 1869, which remained his favourite creation and has proved his most lasting. Throughout his working life in Paris Daudet never lost his almost umbilical attachment to Provence. These tales of that region are characterised by a tenderness and delicacy, a wistfulness and wry humour, which give moving substance to his claim that to invent, for him, was to remember.
Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love. The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend—Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the extraordinary love of the Van Gogh brothers.
A taut, appealing, and often quite funny exploration of existential angst."—Kirkus Reviews In a nameless suburb in an equally nameless country, every house has a room reserved for the president. No one knows when or why this came to be. It’s simply how things are, and no one seems to question it except for one young boy.The room is kept clean and tidy, nobody talks about it and nobody is allowed to use it. It is for the president and no one else. But what if he doesn’t come? And what if he does? As events unfold, the reader is kept in the dark about what’s really going on. So much so, in fact, that we begin to wonder if even the narrator can be trusted...Ricardo Romero has been compared to Franz Kafka and Italo Calvino, and we see why in this eerie, meditative novel narrated by a shy young boy who seems to be very good at lying about the truth. Following in the footsteps of Julio Cortázar and a certain literary tradition of sinister rooms (such as Dr Jekyll’s laboratory), The President’s Room is a mysterious tale based on the suspicion that a house is never just one single home.
Now a Netflix Film, Starring and Directed by Chiwetel Ejiofor of 12 Years a Slave William Kamkwamba was born in Malawi, a country where magic ruled and modern science was mystery. It was also a land withered by drought and hunger. But William had read about windmills, and he dreamed of building one that would bring to his small village a set of luxuries that only 2 percent of Malawians could enjoy: electricity and running water. His neighbors called him misala—crazy—but William refused to let go of his dreams. With a small pile of once-forgotten science textbooks; some scrap metal, tractor parts, and bicycle halves; and an armory of curiosity and determination, he embarked on a daring plan to forge an unlikely contraption and small miracle that would change the lives around him. The Boy Who Harnessed the Wind is a remarkable true story about human inventiveness and its power to overcome crippling adversity. It will inspire anyone who doubts the power of one individual's ability to change his community and better the lives of those around him.
Now a Netflix film starring and directed by Chiwetel Ejiofor, this is a gripping memoir of survival and perseverance about the heroic young inventor who brought electricity to his Malawian village. When a terrible drought struck William Kamkwamba's tiny village in Malawi, his family lost all of the season's crops, leaving them with nothing to eat and nothing to sell. William began to explore science books in his village library, looking for a solution. There, he came up with the idea that would change his family's life forever: he could build a windmill. Made out of scrap metal and old bicycle parts, William's windmill brought electricity to his home and helped his family pump the water they needed to farm the land. Retold for a younger audience, this exciting memoir shows how, even in a desperate situation, one boy's brilliant idea can light up the world. Complete with photographs, illustrations, and an epilogue that will bring readers up to date on William's story, this is the perfect edition to read and share with the whole family.
No water ever tasted better than when it came up clear and cool from deep in the ground, its flow pulsing to the steady rhythm of the wind-driven pump. . . . Windmill men such as Tex Burdick and others described in Baker?s narrative deserve much credit for making life possible in semi-desert rural areas of Texas, New Mexico, and other parts of the West. ?Elmer Kelton, from the forewordDuring the Great Depression the windmillers of the Burdick & Burdick Company of El Paso, one of the largest windmill distributorships in the United States, crisscrossed the desert Southwest to bring wind power and water to a parched land. Battling blazing sun, dust storms, dizzying heights, and the hazards of cacti and rattlesnakes, they worked seven days a week from sunup to sundown and counted themselves lucky to earn two dollars a day. From 1923 to 1942, company owner B. H. ?Tex? Burdick, Sr., photographed his men at work, producing a chronicle of the windmillers? lives. Fifty of his remarkable images, paired here with text by historian T. Lindsay Baker, preserve the fascinating story of the industry that made western settlement possible.
For fifteen years, Carl Steinar and his sons, Peter and Lyle, have maintained a tenuous balance, keeping together their family and farm on the western plains of Nebraska. Like blades in a well-oiled windmill, each works in harmony with the other. But when Abbie Blaire, the new reporter in town comes to write a story about them, a monkey wrench is thrown into their perfect machine: She is the spitting image of the wife and mother the Steinar men lost years ago. They soon find themselves on new trajectories in which their needs and goals can only collide.
