Charles Dickens and His Publishers
Charles Dickens and His Publishers

Author: Robert L. Patten

Publisher: Oxford [Eng.] : Clarendon Press ; New York : Oxford University Press

Published: 1978

Total Pages: 536

ISBN-13:

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"In considering the whole range of Dickens's relations with his English and foreign publishers, Professor Patten relates the story of the novelist's social encounters, violent breaches, and uneasy alliances with John Macrone, Richard Bentley, Edward and Frederic Chapman, William Hall, Bernhard Tauchnitz, William Bradbury, F M Evans, and his American publishers in a compelling record of personal and professional associations. Private drama is subordinated to a narrative of 'a very special ckind of venture', serial publication. Drawing extensively on the hitherto unpublished accounts rendered to Dickens by Bradbury and Evans, and Chapman and Hall every six months from 1846, Robert Patten traces the fluctuating fortunes of each of the books, from Sketches by Boz to Edwin Drood. He shows how Dickens took advantage of developments in the law, popular literacy, and the new techniques of publishing through the periodical issue of his writings, and through four widely-circulated reprint series that vastly extended the market for his work. He identifies the sources and size of Dickens's income, comparing it to that of his contemporaries; and the costs and sales, the printing history, and the profits and losses on all books where Dickens shared copyright are set out in detail in four appendices. The study skillfully establishes that the conditions of publishing had much to do with the shape and success of Dickens's career"--Dust jacket.

The World Republic of Letters
The World Republic of Letters

Author: Pascale Casanova

Publisher: Harvard University Press

Published: 2004

Total Pages: 446

ISBN-13: 9780674013452

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The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.