When North and South went to war, millions of American families endured their first long separation. For men in the armies—and their wives, children, parents, and siblings at home—letter writing was the sole means to communicate. Yet for many of these Union and Confederate families, taking pen to paper was a new and daunting task. I Remain Yours narrates the Civil War from the perspective of ordinary people who had to figure out how to salve the emotional strain of war and sustain their closest relationships using only the written word. Christopher Hager presents an intimate history of the Civil War through the interlaced stories of common soldiers and their families. The previously overlooked words of a carpenter from Indiana, an illiterate teenager from Connecticut, a grieving mother in the mountains of North Carolina, and a blacksmith’s daughter on the Iowa prairie reveal through their awkward script and expression the personal toll of war. Is my son alive or dead? Returning soon or never? Can I find words for the horrors I’ve seen or the loneliness I feel? Fear, loss, and upheaval stalked the lives of Americans straining to connect the battlefront to those they left behind. Hager shows how relatively uneducated men and women made this new means of communication their own, turning writing into an essential medium for sustaining relationships and a sense of belonging. Letter writing changed them and they in turn transformed the culture of letters into a popular, democratic mode of communication.
Republics and empires provides transnational perspectives on the significance of Italy to American art and visual culture and the impact of the United States on Italian art and popular culture. Covering the period from the Risorgimento to the Cold War, it reveals the complexity of the visual discourses that bound two relatively new nations together. It also gives substantial attention to literary and critical texts that addressed the evolving cultural relationship between Italy and the United States. While American art history has tended to privilege French, British and German ties, these chapters highlight a rich body of contemporary research by Italian and American scholars that moves beyond a discussion of influence as a one-way directive towards a deeper understanding of cultural transactions that profoundly affected the artistic expression of both nations.
This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevin as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within range of individual and group effort. William Cullen Bryant (1794–1878) was America's earliest national poet. His immediate followers—Longfellow, Poe, and Whitman—unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his lectures at the National Academy of Design in 1828 to his evocation of the Metropolitan Museum of Art in 1870. Between the appearance of his first major poem, "Thanatopsis," in 1817, and his death sixty-one years later at the age of eight-three, Bryant knew and corresponded with an extraordinary number of eminent men and women. More than 2,100 of his know letters have already been recovered for the present edition. When William Cullen Bryant signed the first of 314 letters in the present volume, in 1809, he was a frail and shy farm boy of fourteen who had nonetheless already won some fame as the satirist of Thomas Jefferson. When he wrote the last, in 1836, he had become the chief poet of his country, the editor of its principal liberal newspaper, and the friend and collaborator of its leading artists and writers. His collected poems, previously published at New York, Boston, and London, were going into their third edition. His incisive editorials in the New York Evening Post were affecting the decisions of Andrew Jackson's administration. His poetic themes were beginning to find expression in the landscape paintings of Robert Weir, Asher Durand, and Thomas Cole. The early letters gathered here in chronological order give a unique picture of Cullen Bryant's youth and young manhood: his discipline in the classics preparatory to an all-too-brief college tenure; his legal study and subsequent law practice; the experiments with romantic versification which culminated in his poetic masterpieces, and those with the opposite sex which led to his courtship and marriage; his eager interest in the politics of the Madison and Monroe Presidencies, and his subsequent activities as a local politician and polemicist in western Massachusetts; his apprenticeship as magazine editor and literary critic in New York City, from which his later eminence as journalist was the natural evolution; the lectures on poetry and mythology which foreshadowed a long career as occasional orator; the collaboration in writing The Talisman, The American Landscape, and Tales of Glauber-Spa, and in forming the National Academy of Design, and the Sketch Club, which brought him intimacy with writers, artists, and publishers; his first trip to the Aemrican West, and his first long visit to Europe, during which he began the practice of writing letters to his newspaper which, throughout nearly half a century, proved him a perceptive interpreter of the distant scene to his contemporaries. Here, in essence, is the first volume of the autobiography of one whom Abraham Lincoln remarked after his first visit to New York City in 1860, "It was worth the journey to the East merely to see such a man." And John Bigelow, who of Bryant's many eulogists knew him best, said in 1878 of his longtime friend and business partner, "There was no eminent American upon whom the judgment of his countrymen would be more immediate and unanimous. The broad simple outline of his character and career had become universally familiar, like a mountain or a sea."
This unique interdisciplinary essay collection offers a fresh perspective on the active involvement of American women authors in the nineteenth-century transatlantic world. Internationally diverse contributors explore topics ranging from women's social and political mobility to their authorship and activism. While a number of essays focus on such well-known writers as Margaret Fuller, Catharine Maria Sedgwick, Harriet Beecher Stowe, George Eliot, Louisa May Alcott, and Charlotte Perkins Gilman, other, perhaps lesser-known authors are also included, such as E. D. E. N. Southworth, Elizabeth Stuart Phelps, Elizabeth Peabody, Jeannette Hart, and Laura Richards. These essays show the spectrum of interests and activities in which nineteenth-century women were involved as they moved, geographically and metaphorically, toward gaining their independence and the right to control their lives. Traveling far and wide - to Italy, France, Great Britain, and the Bahamas - these writers came into contact with realities far different from their own. On topics ranging from homeopathy and literary endeavors to politics and revolution, they conversed with others, reaching and inspiring transnational audiences with their words and deeds, and creating a space for self-expression in the rapidly changing transatlantic world.
At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people. After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. This biography details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom.
Ideals and Politics is a group biography that examines the shifting personal, moral, and intellectual relationships of several prominent Americans from 1820 to 1880. It considers the divergent social visions of William Cullen Bryant, James Fenimore Cooper, William Leggett, Gulian C. Verplanck, Parke Goodwin, and members of the Sedgwick family in an effort to understand various attitudes within a basic liberal democratic ideology, amid the changing demands and opportunities of an American pluralistic society. The members of this group left a considerable record of newspaper editorials, novels, poems, essays, and letters from which the author draws judiciously to illustrate his subjects, whose involvement in the political and social questions of their day demanded from them efforts to reconcile their ideals with political realities. The author discusses in detail the positions of Bryant and the others regarding the issues of government economic policy, the roles of parties and newspapers in a democratic society, poverty, and slavery and race. At another level, this book illustrates the fundamental attitudinal differences that exist beneath the apparent ideological conformity of Americans. Although based on some new information and sound interpretation, the greatest value of this book is in its approach—a group biography which emphasizes not only the members of the group but their relationships with one another. The author succeeds in giving essential human meaning to the major developments of the period.
This Calendar is a catalogue of the letters the editors of the Correspondence of Charles Darwin have found to date. Information on the source and location of each letter is given, together with a brief summary of the content. First published in 1985, the Calendar has been amended to take account of recently-discovered material and re-interpretations or re-dating of known letters. A new supplement lists over 1000 amendments to the main body of the text, together with over 500 addenda relating to newly- discovered material.
In 1806 thousands descended on Lenox, Massachusetts, for the hanging of Ephraim Wheeler, condemned for the rape of his 13-year-old daughter, Betsy. Using the trial report to reconstruct the crime and drawing on Wheeler’s jailhouse autobiography to unravel his troubled family history, the authors illuminate a rarely seen slice of early America.
