The letterbook presented here consists for the most part of copies of the incoming correspondence of George Fitzgerald (1612-1656/7), 16th earl of Kildare, from 1628, when he was sixteen years of age, to 1634, with a few later items. The letters deal principally with matters arising from the acquisition of George's wardship by Richard Boyle, 1st earl of Cork, in 1629 and the attainment of his majority in 1633, but the ever-present theme is the condition of the Kildare estates.The letterbook is in the Public Record Office of Northern Ireland. The text is supplemented by a transcription of BL MS Add. 19337, a schedule of lands in Ireland belonging to the earl of Kildare and relations but in the possession of others. This was to be used to identify and discover lands affected by an ongoing dispute with Lady Lettice Digby.
This groundbreaking book provides the first comprehensive study of the remaking of Ireland's aristocracy during the seventeenth century. It is a study of the Irish peerage and its role in the establishment of English control over Ireland. Jane Ohlmeyer's research in the archives of the era yields a major new understanding of early Irish and British elite, and it offers fresh perspectives on the experiences of the Irish, English, and Scottish lords in wider British and continental contexts. The book examines the resident peerage as an aggregate of 91 families, not simply 311 individuals, and demonstrates how a reconstituted peerage of mixed faith and ethnicity assimilated the established Catholic aristocracy. Tracking the impact of colonization, civil war, and other significant factors on the fortunes of the peerage in Ireland, Ohlmeyer arrives at a fresh assessment of the key accomplishment of the new Irish elite: making Ireland English.
Women’s Life Writing and Early Modern Ireland provides an original perspective on both new and familiar texts in this first critical collection to focus on seventeenth-century women’s life writing in a specifically Irish context. By shifting the focus away from England—even though many of these writers would have identified themselves as English—and making Ireland and Irishness the focus of their essays, the contributors resituate women’s narratives in a powerful and revealing landscape. This volume addresses a range of genres, from letters to book marginalia, and a number of different women, from now-canonical life writers such as Mary Rich and Ann Fanshawe to far less familiar figures such as Eliza Blennerhassett and the correspondents and supplicants of William King, archbishop of Dublin. The writings of the Boyle sisters and the Duchess of Ormonde—women from the two most important families in seventeenth-century Ireland—also receive a thorough analysis. These innovative and nuanced scholarly considerations of the powerful influence of Ireland on these writers’ construction of self, provide fresh, illuminating insights into both their writing and their broader cultural context.
Exploring Irish-Scottish connections in the period 1603–60, this book brings important new perspectives to the study of the early Stuart state. Acknowledging the pivotal role of the Hiberno-Scottish world, it identifies some of the limits of England’s Anglicising influence in the northern and western ‘British Isles’ and the often slight basis on which the Stuart pursuit of a new ‘British’ consciousness operated. Regarding the Anglo-Scottish relationship, it was chiefly in Ireland that the English and Scots intermingled after 1603, with a variety of consequences, often destabilising. The importance of the Gaelic sphere in Irish-Scottish connections also receives much greater attention here than in previous accounts. This Gaedhealtacht played a central role in the transmission of religious radicalism, both Catholic and Protestant, in Ireland and Scotland, ultimately leading to political crisis and revolution within the British Isles.
John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music
