"Vintage Monogram Notebook This is a lined writing journal that's perfect to use every day. The smooth glossy black cover features a Gothic faux silver foiled letter J. Inside, there is room for writing notes, stories, and ideas. It can be used as a notebook, journal, diary, or composition book. This paperback composition book is 6" x 9" and fits perfectly into a purse or backpack. There are 140 medium-ruled pages (70 sheets). Notebooks and journals are perfect gifts for holidays, graduations and celebrations.
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On sale for a limited time! $9.99 Just $4.99 for a limited time This beautifully designed floral monogram notebook features the letter J on the cover. The perfect gift for birthdays and special occasions. Features Monogram journal Letter J floral design Large 8.5" x 11" (letter size) pages Paperback notebook with soft cover 110 lined pages Great gift for women and girls Uses Notebook: Use it for Bible study or Sunday school note taking Diary: Use it for tracking your daily activities, your diet and your fitness Journal: Use it for expressing your thoughts, dreams, practicing gratitude, relieving stress and promoting relaxation Planner: Use it to keep a to-do list and stay productive during the new year Creative outlet: Use it for writing stories, completing daily writing prompts, poems and songs Recipe Book: Use it for keeping your secret family recipes safe Password Keeper: Use it for storing your passwords and other private information Finance: Use it for tracking your expenses and spending when working on a budget And so much more! With this notebook, the possibilities are endless
The Eloquent Blood focuses on the changing construction of femininity and feminine sexuality in interpretations of the goddess Babalon. A central deity in Thelema, the religion founded by the notorious British occultist Aleister Crowley (1875-1947), Babalon is based on Crowley's favorable reinterpretation of the biblical Whore of Babylon, and is associated with liberated female sexuality and the spiritual ideal of passionate union with existence. Combining research on historical and contemporary Western esotericism with feminist and queer theory, the book sheds light on the ways in which esoteric movements and systems of thought have developed over time in relation to political movements.
Born in London in 1912, the youngest child of a Cuban father and an Anglo-Indian mother, Julian Maclaren-Ross led a bizarre and chaotic life, living at one time or another as a vacuuum-cleaner salesman, an author, screenwriter, army deserter, alcoholic, drug-addict, stalker and Soho stalwart. Since his death, his place in literary history has been secured by the acclaimed posthumous publication of Memoirs of the Forties, and he has been memorialised as X. Trapnel in Anthony Powell's celebrated A Dance to the Music of Time. This is his first full and authorised biography.
This comprehensive volume completes Frederic Holmes' notable and detailed biography of Hans Krebs, from the investigator's early development through the major phase of his groundbreaking investigation, which lay the foundations upon which the modern structure of intermediary metabolism is built. With access to Krebs' research notebooks as well as to Krebs himself through more than five years of personal interviews, the author provides an insightful analysis of Hans Krebs and of the scientific process as a whole. The first volume, published in 1991, covered Krebs' formative years in Germany, his work with Otto Warburg, and his discovery of the urea cycle in 1932. This second volume reconstructs the investigative pathway and the professional and personal life of Hans Krebs, from the time of his arrival in England in 1933 until 1937, when he made the discovery for which he is best known--the formulation of the citric acid cycle. Holmes portrays Krebs' activity at the intimate level of daily interactions of thought and action, from which the characteristic patterns of scientific creativity can best be seen. Holmes' fascinating portrait of Krebs integrates the great scientist's investigative pathways with his personal life. The result is an illuminating analysis of both man and scientist that will be of interest to biochemists and historians of science.
This volume takes its title from the first-century Christian catechism called the Didache: "Even as this broken bread was scattered over the hills . . . gathered together and became one, so let Your Church be gathered together from the ends of the earth." For Christians today, these words remain relevant in an era of massive human movements (voluntary and coerced), hybrid identities, and wide-ranging cultural interactions. How do modern Christians live as both a "scattered" and "gathered" people? How do they live out the tension between ecclesial universality (catholicity) and particularity (distinctive ways of being church in a given culture and context)? Do Christians today constitute a "diaspora," a people dispersed across borders and cultures that nonetheless maintains a sense of commonality and mission? Scattered and Gathered: Catholics in Diaspora explores these questions through the work of fourteen scholars in different fields and from different corners of the world. Whether through reflections on Zimbabweans in Britain, Levantines in North America, or the remote island people of Chiloe now living in other parts of Chile, they guide readers along the winding road of insights and challenges facing many of today's Christians.
"More than any other artist in the Impressionist group, Degas was fascinated by ideas and consciously based his work on them. "What I do is the result of reflection and study of the great masters," he once confessed, "of inspiration, spontaneity, temperament I know nothing." Yet his work has been understood very inadequately from that point of view. Publications on him, once dominated by memoirs inspired by his remarkable personality, are now concerned with cataloguing and studying limited aspects of his complex art. Its intellectual power and originality, which were evident to contemporary writers like Duranty and Valery, have not been studied sufficiently by more recent critics. It is this side of Degas's art--as seen in his ingenious pictorial strategies and technical innovations, his use of motifs like the window, the mirror, and the picture within the picture, his invention of striking, psychologically compelling compositions, and his creation of a sculptural idiom at once formal and vernacular--that is the subject of these essays. Inevitably, given the range of his intellectual interests, the essays are also concerned with his contacts with leading novelists and poets of his time and his efforts to illustrate or draw inspiration from their works. Throughout, the author makes use of an important, largely unpublished source, the material in Degas's notebooks, on which he has recently published a complete catalogue"--Publisher's description.
The astronomer Jan Hendrik Oort (1900-1992) left behind an extensive collection of notes and correspondence, both on his research and on matters that concerned him in a variety of official functions. Upon Oort's death, the collection was augmented by more personal papers, letters, journals, and diaries. The resulting collection forms a rich source of information on many aspects of twentieth-century astronomy, in which Oort played such an important role. The scientific and personal material covers the entire span of time from Oort's early youth until his death. To make these papers accessible to a wide circle of users, the collection has now been catalogued and described; the result is presented in this volume. A name index and a subject index have been added to facilitate access. The inventory is accompanied by a short biographical sketch, and a number of photographs, mostly relating to Oort's career as a scientist. The original papers themselves are archived in the Leiden University Library.
