A major new history of the Royal Navy during the tumultuous age of revolution The French Revolutionary Wars catapulted Britain into a conflict against a new enemy: Republican France. Britain relied on the Royal Navy to protect its shores and empire, but as radical ideas about rights and liberty spread across the globe, it could not prevent the spirit of revolution from reaching its ships. In this insightful history, James Davey tells the story of Britain’s Royal Navy across the turbulent 1790s. As resistance and rebellion swept through the fleets, the navy itself became a political battleground. This was a conflict fought for principles as well as power. Sailors organized riots, strikes, petitions, and mutinies to achieve their goals. These shocking events dominated public discussion, prompting cynical—and sometimes brutal—responses from the government. Tempest uncovers the voices of ordinary sailors to shed new light on Britain’s war with France, as the age of revolution played out at every level of society.
Controversy over the role of human activity in causing climate change is pervasive in contemporary society. But, as Anya Zilberstein shows in this work, debates about the politics and science of climate are nothing new. Indeed, they began as early as the settlement of English colonists in North America, well before the age of industrialization. In the seventeenth and eighteenth centuries, many early Americans believed that human activity and population growth were essential to moderating the harsh extremes of cold and heat in the New World. In the preindustrial British settler colonies in particular, it was believed that the right kinds of people were agents of climate warming and that this was a positive and deliberate goal of industrious activity, rather than an unintended and lamentable side effect of development. A Temperate Empire explores the ways that colonists studied and tried to remake local climates in New England and Nova Scotia according to their plans for settlement and economic growth. For colonial officials, landowners, naturalists, and other elites, the frigid, long winters and short, muggy summers were persistent sources of anxiety. These early Americans became intensely interested in reimagining and reducing their vulnerability to the climate. Linking climate to race, they assured would-be migrants that hardy Europeans were already habituated to the severe northern weather and Caribbean migrants' temperaments would be improved by it. Even more, they drew on a widespread understanding of a reciprocal relationship between a mild climate and the prosperity of empire, promoting the notion that land cultivation and the expansion of colonial farms would increasingly moderate the climate. One eighteenth-century naturalist observed that European settlement and industry had already brought about a "more temperate, uniform, and equal" climate worldwide-a forecast of a permanent, global warming that was wholeheartedly welcomed. Illuminating scientific arguments that once celebrated the impact of economic activities on environmental change, A Temperate Empire showcases an imperial, colonial, and early American history of climate change.
Thomas Garnett was a man of science and physician whose career took him from rural obscurity in 18th-century Westmorland to metropolitan prominence as the first professor of natural philosophy and chemistry at the newly founded Royal Institution in London in 1799. His rise to the summit of British science was far from straightforward, but is brought to life in vivid detail by Robert Fox. Fox gives an engrossing and moving account of the trials, triumphs, and tragedies of Garnett's life, exploring his disputes with established doctors concerning the medicinal virtues of mineral waters, his involvement in the contested politics surrounding the creation of the Royal Institution of Great Britain and his premature death. In doing so, Fox deftly shows how Garnett's life can illuminate a wide canvas of the social history of British science and medicine in the crucial period of early industrialisation
This scholarly edition presents for the first time all of the known surviving letters of British novelist Sarah Harriet Burney (1772-1884). The overwhelming majority of these letters--more than ninety percent--have never before been published. Burney's accomplishments, says Lorna J. Clark, have been unjustly overlooked. She published five works of fiction between 1796 and 1839, all of which met with reasonable success, including Traits of Nature (1812), which sold out within three months. These letters position Burney among her fellow women writers and shed light on her relations with her publisher and her ambivalence toward her own work and her readership. Her lively observation of the literary scene evinces the range and scope of her reading, as well as her awareness of literary trends and developments. Burney was, for example, remarkably prescient in recognizing, and praising from the first, the talent of Jane Austen, and met several of the authors of her day. A challenging new perspective on family matters also emerges in the letters. The youngest child of the second marriage of Charles Burney, and the only daughter to remain unmarried, Sarah Harriet had the unenviable task of caring for her father in his later years. Her letters reveal a darker side of Dr. Burney, and also help to round out our image of a more favored daughter, Sarah Harriet's half-sister (and fellow novelist), Frances Burney. As literature, Clark observes, Burney's letters are, arguably, her best work. Thoroughly versed in the epistolary arts, she sought always to amuse and entertain her correspondents. Burney ultimately emerges as a quiet but heroic single woman, relegated to the margins of society where she struggled for independence and self-respect. Displaying literary qualities and a lively sense of humor, the letters provide a fascinating insight into the literary, political, and social life of the day.
With surprising tales of vicious mutineers, imperial riches, and high-seas intrigue, Black Flags, Blue Waters is “rumbustious enough for the adventure-hungry” (Peter Lewis, San Francisco Chronicle). Set against the backdrop of the Age of Exploration, Black Flags, Blue Waters reveals the surprising history of American piracy’s “Golden Age” - spanning the late 1600s through the early 1700s - when lawless pirates plied the coastal waters of North America and beyond. “Deftly blending scholarship and drama” (Richard Zacks), best-selling author Eric Jay Dolin illustrates how American colonists at first supported these outrageous pirates in an early display of solidarity against the Crown, and then violently opposed them. Through engrossing episodes of roguish glamour and extreme brutality, Dolin depicts the star pirates of this period, among them the towering Blackbeard, the ill-fated Captain Kidd, and sadistic Edward Low, who delighted in torturing his prey. Upending popular misconceptions and cartoonish stereotypes, Black Flags, Blue Waters is a “tour de force history” (Michael Pierce, Midwestern Rewind) of the seafaring outlaws whose raids reflect the precarious nature of American colonial life.
We intend this Collection of Letters to be a Supplement to the "Life of Charles Dickens," by John Forster. That work, perfect and exhaustive as a biography, is only incomplete as regards correspondence; the scheme of the book having made it impossible to include in its space any letters, or hardly any, besides those addressed to Mr. Forster.
This is the first scholarly edition of the Memoirs of Laetitia Van Lewen Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift's first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist's private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington's own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions. Originally appearing in three volumes between 1748 and 1754, the Memoirs have been periodically reprinted and are often quoted by scholars in different disciplines. Until now, however, the work has not received serious editorial attention. In this edition, A. C. Elias Jr. has established for the first time a critical text based on the earliest and most definitive printings, which Pilkington and her son oversaw. For the first time there are explanatory notes that identify the many veiled or anonymous figures in the text and establish the reliability of each anecdote about them. Other new features include an index, a census of early editions, a full bibliography, and a chronology. This edition is produced in a two-volume format, the first comprising the actual Memoirs, and the second the commentary. Readers are at last in a position to understand exactly what Pilkington is saying in her Memoirs--and what she may be suppressing in the process. They can now approach Pilkington's Swift with confidence at each step, and appreciate her rendering of the many other real-life personages who populate her disarmingly breezy narrative: bishops, scientists, and statesmen; authors, artists, and printers; and assorted rogues, wits, bawds, and eccentrics. More than any other early-eighteenth-century woman writing in English, says Elias, Pilkington remains accessible to readers today. As a portrayal of Swift, as the recollections of a woman making her way in the male-dominated world of letters, as a source of Irish and English cultural and historical minutiae, and as a delightfully gossipy poke at social pretense, Pilkington's Memoirs are a classic of her era.
