Drawn from five large volumes published between 1825 and 1882, this student's edition showcases the architectural splendor of Renaissance Rome for a new generation. Paul Letarouilly's original work constitutes the standard reference, presenting the most complete collection of plans, elevations, and details of great buildings and monuments designed by Michelangelo, Peruzzi, Vignola, Bernini, and many others.
Paul Letarouilly's masterpiece, Edifices de Rome Moderne, has been hailed as the most beautiful book on Renaissance architecture ever published. Letarouilly (1795–1855) devoted thirty-five years to drawing the plans, sections, elevations, perspectives, and large-scale details of gardens, convents, palaces, and churches of Renaissance Rome. His keen observational ability and immaculate drawing skills make this work an indispensable sourcebook. In many cases his etchings remain the only measured plans or elevations available; he also recorded buildings destroyed by later demolitions. Our 1982 reprint of Edifices de Rome Moderne has been recognized as a classic in its own right: razor-sharp reproductions of the original plates in a usable format. Now we're delighted to offer the Edifices in an even-easier-to-use size, and in a sewn paperback binding to make it an affordable cornerstone of any architecture student's library.
French architect Paul Letarouilly (1795-1855), author of the masterpiece Edifices de Rome Moderne, was unequaled in his observational ability and impeccable drawing skills. He devoted many years of his life living in austerity and refusing paying commissions to compile and draw the intricate details and decorative elements of the most breathtaking buildings in Italy's Vatican City, including St. Peter's Basilica, the Sistine Chapel, the Pontifical Palace, the Museo Pio Clementino, and the Villa Pia. Published in 1882, after his death, Vatican served as an unparalleled sourcebook of everything from plans, elevations, interior room views, and perspective drawings to mosaics, wall panels, door frames, fountains, towers, domes, cornices, and moldings. Prior to the books original publication, these details were not easily replicated in other parts of the world. Vatican gave access to rigorous documentation of the work of some of the most significant Renaissance architects Michelangelo, Bernini, Bramante, Sangallo, and Peruzzi and is now often credited as one of the primary catalysts for the American Renaissance style, the results of which can be seen in any capital city in America. The precision and attention to detail that Letarouilly demanded of his engravers advanced the art of etching in the nineteenth century. Exquisite rendering techniques and precise execution make this book as beautiful as it is useful. Originally published in three volumes, Vatican is presented as a single facsimile edition in our Classic Reprints series and includes a new foreword by architectural historian Ingrid Rowland. Published in association with the Institute of Classical Architecture and Classical America.
Detailed text and illustrations examine the buildings of the great neoclassical period, 1730–1875. The roster of masterpieces pictured and described include The Customs House, Dublin; The Bank of England, Liverpool; Newgate Prison, London; The British Museum, London; The National Gallery, Edinburgh; The Fitzwilliam Museum, Cambridge; and many more. 176 black-and-white illustrations.
Perhaps the finest record of classical architecture ever made. Detailed illustrations offer unparalleled three-dimensionality and effects of scale. Parthenon, Roman temples, Pantheon, Colosseum, many others. Introductory notes. Preface. 127 plates.
Even as oversized McMansions continue to elbow their way into tiny lots nationwide, a much different trend has taken shape. This return to traditional architectural principles venerates qualities that once were taken for granted in home design: structural common sense, aesthetics of form, appropriateness to a neighborhood, and even sustainability. Marianne Cusato, creator of the award-winning Katrina Cottages, has authored and illustrated this definitive guide to what makes houses look and feel right--to the eye and to the soul. She teaches us the language and grammar of classical architecture, revealing how balance, harmony, and detail all contribute to creating a home that will be loved rather than tolerated. And she takes us through the do’s and don’ts of every element of home design, from dormers to doorways to columns. Integral to the book are its hundreds of elegant line drawings--clearly rendering the varieties of lintels and cornices, arches and eaves, and displaying "avoid” and "use” versions of the same elements side by side.
From the golden age of American architecture comes this splendid survey, documenting scores of masterpieces built between 1900 and 1930. More than 260 illustrations include plans, sections, exterior and interior details, and photographs. A sampling of featured buildings include Lincoln Memorial, Boston Public Library, Tribune Tower, and Woolworth Building.
Focusing on buildings of the period between 1418 and 1580 and 35 key architects. Examines social context, religious beliefs, political power-structures, technical innovation, aesthetic judgement . Includes over 300 photographs, drawings, plans and reconstructions. Sure to be the recognized textbook for the foreseeable future.
Gromort (d.1961) wrote two works on Classical architecture, both presented here in English translation for the first time. The texts are introduced by short essays on Gromort (with full bibliography of his writings), the influence of his work on architectural studies, his Art of composition, and American neo-classical architecture. The bulk of the book is made up of Gromort's beautiful line drawings that illustrate his text. Some bandw photos are included. Annotation copyrighted by Book News Inc., Portland, OR
