L'Estampe Originale

L'Estampe Originale

Author: Patricia Eckert Boyer

Publisher: Waanders Publishers

Published: 1991

Total Pages: 140

ISBN-13:

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Overzicht van de Franse prentkunst aan het einde van de negentiende eeuw, met werk van o.a. De Toulouse Lautrec, Rodin, Renoir en Gauguin.


Great Lithographs by Toulouse-Lautrec

Great Lithographs by Toulouse-Lautrec

Author: Henri de Toulouse-Lautrec

Publisher: Courier Corporation

Published: 1982-01-01

Total Pages: 112

ISBN-13: 9780486243597

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This exceptional collection offers one of the finest samplings of Lautrec's deservedly famous lithographs: a spectacular gallery of 89 plates, including 8 in full color. Preface. Biographical Notes. List of Plates. Critic's Comments. Selected Bibliography. Concordance.


The Poster

The Poster

Author: Ruth E. Iskin

Publisher: Dartmouth College Press

Published: 2014-10-07

Total Pages: 431

ISBN-13: 1611686172

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The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.


Art in Reproduction

Art in Reproduction

Author: Robert Verhoogt

Publisher: Amsterdam University Press

Published: 2007

Total Pages: 718

ISBN-13: 9053569138

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This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.


Prints Abound

Prints Abound

Author: Phillip Dennis Cate

Publisher: Ben Uri Gallery & Museum

Published: 2000

Total Pages: 250

ISBN-13:

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Printmaking exploded with creative energy at the end of the nineteenth century in France. Artists such as Pierre Bonnard, Edouard Vuillard, Henri de Toulouse-Lautrec, Paul Gauguin and Odilon Redon were at the forefront of the avant-garde movement to reinvigorate the applied arts through colour printmaking.Prints Abound probes the phenomenal outpouring of print publications in late nineteenth-century France. Exploring the artistic, technical, economic, commercial and cultural circumstances of 1890s Paris, Prints Abound reaches a fuller understanding of Art Nouveau, which emphasised the fusion of exquisite design with the everyday. The achievements of Bonnard are stressed and his work is represented in depth, with spirited posters, contributions to solo and collective portfolios, designs for music primers and illustrated books, and an outstanding four-panel folding screen of a fashionable street scene in fin-de-siècle Paris.Phillip Dennis Cate, Director of the Zimmerli Art Museum at Rutgers University, has written the introduction and a text on illustrated books; Richard Thomson, Chair of the Art History Department at the University of Edinburgh, discusses single-artist print albums; and Gale B. Murray, Chair of the Art History Department at Colorado College, considers music illustration.Prints Abound will be fascinating reading for print collectors and dealers, art historians and all those with an interest in this important period of French culture.


Bulletin

Bulletin

Author: University of Michigan. Museum of Art

Publisher: UM Libraries

Published: 1983

Total Pages: 72

ISBN-13:

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Includes reports of the Kelsey Museum of Archaeology.


The Paris of Toulouse-Lautrec

The Paris of Toulouse-Lautrec

Author: Henri de Toulouse-Lautrec

Publisher: Museum of Modern Art

Published: 2014

Total Pages: 160

ISBN-13: 9780870709135

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Though deeply engaged with painting and drawing, Toulouse-Lautrec's lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography's new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector's living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art's collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec's prints from the Museum's collection, each accompanied by an illuminating essay on the theme.


The Impressionist Print

The Impressionist Print

Author: Michel Melot

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 301

ISBN-13: 0300067925

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A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.


Toulouse-Lautrec in the Metropolitan Museum of Art

Toulouse-Lautrec in the Metropolitan Museum of Art

Author: Colta Feller Ives

Publisher: Metropolitan Museum of Art

Published: 1996

Total Pages: 74

ISBN-13: 0870998048

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Published in conjunction with an exhibition of the Museum's holdings by the artist. An introductory essay is followed by discussion and presentation of the Museum's principal works and a checklist of paintings, drawings, and prints. Annotation copyrighted by Book News, Inc., Portland, OR