From the award-winning, bestselling author of The Girl Who Circumnavigated Fairyland comes Catherynne M. Valente's dark fantasy tale "L’Esprit de L’Escalier", a Tor.com Original. In this provocative and rich retelling of the Greek myth, Orpheus, the musician son of Apollo and Calliope, successfully rescues his wife Eurydice from Hades after her untimely death. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Learn about the feeling of l'Esprit de l'Escalier with iMinds insightful knowledge series. There's nothing like a good comeback. It's witty, snappy and completely devastating to your verbal sparring partner. A woman once said to US President Calvin Coolidge: "I've made a bet with a friend that I can get you to say at least three words to me this evening. What do you have to say to that?" Coolidge looked at her and calmly replied: "You lose." But how many times have you gone completely blank when arguing with someone, only to think of the perfect comeback an hour later? It's too late, of course. More than anything, you wish you could wind back time and deliver your riposte at the perfect moment. That's l'esprit de l'escalier. iMinds brings targeted knowledge to your eReading device with short information segments to whet your mental appetite and broaden your mind.
Stairs, ladders and lifts are the motifs of Thomas Demand's latest monograph, L'Esprit d'Escalier, which is published on the occasion of his show at the Irish Museum of Modern Art in Dublin. The title actually refers to so-called "staircase wit," that concise French expression for the chagrin of missed retorts--those hapless comebacks one only ever thinks up belatedly (i.e. when already descending the stairs): "I should've said (fill in blank)!" etc. One of Demand's ironic allusions to his title is a new work titled "Landing," which shows the shards of broken Qing vases on a staircase--a mishap caused by a visitor to The Fitzwilliam Museum Cambridge in January 2006, who stumbled on his shoelaces and crashed into the three eighteenth-century vases, smashing them to pieces. As ever, Demand combines conceptual rigor and exacting craft in his painstakingly re-created sets, with their eerie edge of artifice. L'Esprit d'Escalier presents an overview of his current work in 23 large photographs, plus a film project and an architectural installation specially prepared for his Irish Museum exhibition. Alongside an excerpt from David Foster Wallace's Girl with Curious Hair, it also includes commissioned writings by Dave Eggers, Paul Oliver, Caoimhín Mac Giolla Leith, Rachael Thomas and Enrique Juncosa.
From 1978 to 1993, the renowned Soviet "paper architects" Alexander Brodsky and Ilya Utkin created an incredible collection of elaborate etchings depicting outlandish, often impossible, buildings and cityscapes. Funny, cerebral, and deeply human, their obsessively detailed work layers elements borrowed from Egyptian tombs, Ledoux's visionary architecture, Le Corbusier's urban master plans, and other historical precedents in etchings of breathtaking complexity and beauty. Back by popular demand following the sold-out original 1991 edition and 2003 reprint, Brodsky & Utkin presents the sum of the architects' collaborative prints and adds new material, including an updated preface by the artists' gallery representative, Ron Feldman, a new introductory essay by architect Aleksandr Mergold, visual documentation of the duo's installation work, and rare personal photographs.
The first English translation of an essential Austrian novel about life in early-twentieth-century Vienna, as seen through a wide and varied cast of characters. The Strudlhof Steps is an unsurpassed portrait of Vienna in the early twentieth century, a vast novel crowded with characters ranging from an elegant, alcoholic Prussian aristocrat to an innocent ingenue to “respectable” shopkeepers and tireless sexual adventurers, bohemians, grifters, and honest working-class folk. The greatest character in the book, however, is Vienna, which Heimito von Doderer renders as distinctly as James Joyce does Dublin or Alfred Döblin does Berlin. Interweaving two time periods, 1908 to 1911 and 1923 to 1925, the novel takes the monumental eponymous outdoor double staircase as a governing metaphor for its characters’ intersecting and diverging fates. The Strudlhof Steps is an experimental tour de force with the suspense and surprise of a soap opera. Here Doderer illuminates the darkness of passing years with the dazzling extravagance that is uniquely his.
The ultimate girl-friendly phrasebook to give les filles américaines in Paris that certain je ne sais quoi Where but Paris would a young woman rather be sipping espresso at a sidewalk café, browsing a fashionable boutique, or strolling along a romantic riverbank hand in hand with her lover? The city of lights is every girl's dream destination, but upon arrival she doesn't want to stick out like an unrefined American. Luckily, with Parisienne French, she'll know just exactly how to speak, act, and dress like she has always lived there. Whether ordering drinks at a hip underground club, discussing Impressionism at the Musée d'Orsay or just chatting about what fashion is ?in” this season, Parisienne French has the entire vocabulary and modern slang a girl needs to know. The French love their language and appreciate when foreigners take the time to know it too. With this book, the reader will be warmly welcomed to la vie parisienne.
Although the era of European colonialism has long passed, misgivings about the inequality of the encounters between European and non-European languages persist in many parts of the postcolonial world. This unfinished state of affairs, this lingering historical experience of being caught among unequal languages, is the subject of Rey Chow's book. A diverse group of personae, never before assembled in a similar manner, make their appearances in the various chapters: the young mulatto happening upon a photograph about skin color in a popular magazine; the man from Martinique hearing himself named "Negro" in public in France; call center agents in India trained to Americanize their accents while speaking with customers; the Algerian Jewish philosopher reflecting on his relation to the French language; African intellectuals debating the pros and cons of using English for purposes of creative writing; the translator acting by turns as a traitor and as a mourner in the course of cross-cultural exchange; Cantonese-speaking writers of Chinese contemplating the politics of food consumption; radio drama workers straddling the forms of traditional storytelling and mediatized sound broadcast. In these riveting scenes of speaking and writing imbricated with race, pigmentation, and class demarcations, Chow suggests, postcolonial languaging becomes, de facto, an order of biopolitics. The native speaker, the fulcrum figure often accorded a transcendent status, is realigned here as the repository of illusory linguistic origins and unities. By inserting British and post-British Hong Kong (the city where she grew up) into the languaging controversies that tend to be pursued in Francophone (and occasionally Anglophone) deliberations, and by sketching the fraught situations faced by those coping with the specifics of using Chinese while negotiating with English, Chow not only redefines the geopolitical boundaries of postcolonial inquiry but also demonstrates how such inquiry must articulate historical experience to the habits, practices, affects, and imaginaries based in sounds and scripts.
