In the forty years after he left Cambridge in 1864, Leslie Stephen (1832-1904) published thirty volumes of his own writings and contributed to another twenty books. He wrote literally hundreds of articles for British and American magazines and worked as editor of The Cornhill Magazine and of Alpine Journal as well as the Dictionary of National Biography. By any standards his literary career was successful, epitomising the life of the Victorian man of letters. But he was never completely satisfied with his endeavours. He remained self-effacing, adopting the pose of an amateur in a field in which, in fact, he was a superb professional; asking, 'Will not the twentieth century laugh at the nineteenth?' Contrary to his expectations, Leslie Stephen has not been relegated to the learned footnotes, as contemporary Victorian scholarship and Bloomsbury studies prove.This bibliography is an account of Leslie Stephen's entire writing and publishing career, based on the author's detailed research into his books and articles as well as unpublished, and in many cases, uncatalogued, autograph material in British and American libraries, museums and publishers' archives. Emphasis is on the composition, publication history and evolution of the works, including new editions and reissues of his books during Leslie Stephen's lifetime.
Trev Lynn Broughton takes an in-depth look at the developments within Victorian auto/biography, and asks what we can learn about the conditions and limits of male literary authority. Providing a feminist analysis of the effects of this literary production on culture, Broughton looks at the increase in professions with a vested interest in the written Life; the speeding up of the Life-and-Letters industry during this period; the institutionalization of Life-writing; and the consequent spread of a network of mainly male practitioners and commentators. This study focuses on two case studies from the period 1880-1903: the theories and achievements of Sir Leslie Stephen and the debate surrounding James Anthony Froude's account of the marriage of Thomas and Jane Welsh Carlyle.
A Handbook on Woolf's achievements as an innovative novelist and pioneering feminist theorist. It studies her life, her works, her relationships with other writers, her professional career, and themes in her work including among others feminism, sexuality, education, and class.
New attitudes towards history in nineteenth-century Britain saw a rejection of romantic, literary techniques in favour of a professionalized, scientific methodology. The development of history as a scientific discipline was undertaken by several key historians of the Victorian period, influenced by German scientific history and British natural philosophy. This study examines parallels between the professionalization of both history and science at the time, which have previously been overlooked. Hesketh challenges accepted notions of a single scientific approach to history. Instead, he draws on a variety of sources—monographs, lectures, correspondence—from eminent Victorian historians to uncover numerous competing discourses.
A comprehensive history of religion in Victorian England, covering such topics as religion and science, religion and society, the press, literature and art, worship, new critical methods, federation and reunion, showing both the relationship between the churches and the society in which they existed and also the major movements within the churches.