A critical reading of sexually radical fiction by British women in the years during and after World War I. Gay Wachman examines work by Sylvia Townsend Warner, Virginia Woolf and Radclyffe Hall, along with the less well known Clemence Dane, Rose Allatini and Evadne Price. These writers, she states, created a modernist literary tradition -one that functioned both within and against the repressive ideology of the British Empire.
Queer Theory: Law, Culture Empire takes up the instability of the label 'queer' in order to consider what queer theory can bring to an exploration of the confines and openings provided by law, culture, and empire.
This book argues that there is an important connection between ethical resistance to British imperialism and the ethical discovery of gay rights. By closely examining the roots of liberal resistance in Britain and resistance to patriarchy in the United States, this book shows that fighting the demands of patriarchal manhood and womanhood plays an important role in countering imperialism. Advocates of feminism and gay rights (in particular, the Bloomsbury Group in Britain) play an important public function in the criticism of imperialism because they resist the gender binary's role in rationalizing sexism and homophobia in both public and private life. The connection between the rise of gay rights and the fall of empire illuminates larger questions of the meaning of democracy and of universal human rights as shared human values that have appeared since World War II. The book also casts doubt on the thesis that arguments for gay rights must be extrinsic to democracy, and that they must reflect Western, as opposed to "African" or "Asian," values. To the contrary, gay rights arise from within liberal democracy, and its critics polemically use such opposition to cover and rationalize their own failures of democracy.
From Ramallah to New York, Tel Aviv to Porto Alegre, people around the world celebrate a formidable, transnational Palestinian LGBTQ social movement. Solidarity with Palestinians has become a salient domain of global queer politics. Yet LGBTQ Palestinians, even as they fight patriarchy and imperialism, are themselves subjected to an "empire of critique" from Israeli and Palestinian institutions, Western academics, journalists and filmmakers, and even fellow activists. Such global criticism has limited growth and led to an emphasis within the movement on anti-imperialism over the struggle against homophobia. With this book, Sa'ed Atshan asks how transnational progressive social movements can balance struggles for liberation along more than one axis. He explores critical junctures in the history of Palestinian LGBTQ activism, revealing the queer Palestinian spirit of agency, defiance, and creativity, in the face of daunting pressures and forces working to constrict it. Queer Palestine and the Empire of Critique explores the necessity of connecting the struggles for Palestinian freedom with the struggle against homophobia.
This book builds upon critical reevaluations of modernism and British literature of the 1930s with a simultaneous focus on discourses of race, gender, and empire. The essays direct attention to the complications and ambivalence accumulating around the meanings of Englishness. They reject analyses of texts as chronicles of personal psychological development in favor of analyses that assume texts are shaped by their authors' public intellectual involvement. In addition, they offer detailed, specific explorations of ways in which British women in the 1930s narrativize empire and war. Thus they will resonate with significance for readers in the early twenty-first century for whom empire and war, as well as terror and security, are part of the discourse of everyday life. Robin Hackett is an Associate Professor of English at the University of New Hampshire. Freda S. Hauser is an independent scholar. Gay Wachman is retired from the State University of New York-Old Westbury.
THE INSTANT NEW YORK TIMES, USA TODAY, AND WALL STREET JOURNAL BESTSELLER From New York Times bestselling author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga. From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night. It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness. Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains. Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail.
The Cambridge Companion to Lesbian Literature examines literary representations of lesbian sexuality, identities, and communities, from the medieval period to the present. In so doing, it delivers insight into the variety of traditions that have shaped the present landscape of lesbian literature.
This book traces the circulation in Britain of three Hollywood films--Basic Instinct, Bram Stoker's Dracula and Natural Born Killers --from marketing and critical reception to consumption in cinemas and on video. It draws on economic discursive contexts and original audience research to trace how meanings, pleasures, and uses are derived from popular film. A significant intervention into methodological debates in film studies and a timely investigation of film culture, it focuses on key questions about genre, taste, sexual pleasure and screen violence.
The first book-length study to explore the importance of genre fiction for the body of literature we call lesbian modernismElizabeth English explores the aesthetic dilemma prompted by the censorship of Radclyffe Hall's novel The Well of Loneliness in 1928. Faced with legal and financial reprisals, women writers were forced to question how they might represent lesbian identity and desire. Modernist experimentation has often been seen as a response to this problem, but English breaks new ground by arguing that popular genre fictions offered a creative strategy against the threat of detection and punishment. Her study examines a range of responses to this dilemma by offering illuminating close readings of fantasy, crime, and historical fictions written by both mainstream and modernist authors. English introduces hitherto neglected women writers from diverse backgrounds and draws on archival material examined here for the first time to remap the topography of 1920s-1940s lesbian literature and to reevaluate the definition of lesbian modernism.Key Features:Rethinks the lesbian modernist project to demonstrate that genre fiction not only influenced modernist writers such as Woolf and Stein but also found its way into their ostensibly highbrow workBrings to light hitherto neglected mainstream writers working in popular genres who contributed to the lesbian modernist aestheticSituates Katharine Burdekin within the context of lesbian modernism for the first time, employing hitherto unseen archive material (including letters and manuscripts)Divided into three broad multi-author genres (fantasy, historical and detective fictions), the study covers popular fictions such as utopian writing, the supernatural, historical biography, historical romance, and the classic country-house crime novel
Woodcutter or witch? Alchemist or scientist? Can Sorin’s duality save their nation? Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the queen’s alchemist is just within reach. But on the day of the fair, Sorin’s mother goes missing, along with the Queen and hundreds of guild masters, forcing Sorin into a woodcutting inheritance they never wanted. With guild legacy at stake, Sorin puts apprentice dreams on hold to embark on a journey with the royal daughter to find their mothers and stop the hemorrhaging of guild masters. Princess Magda, an estranged childhood friend, tests Sorin’s patience—and boundaries. But it’s not just a princess that stands between Sorin and their goals. To save the country of Sorpsi, Sorin must define their place between magic and alchemy or risk losing Sorpsi to rising industrialization and a dark magic that will destroy Sorin’s chance to choose their own future.
