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Author: Deborah Burton
Publisher: UPNE
Published: 2004
Total Pages: 358
ISBN-13: 9781555536169
DOWNLOAD EBOOKDistinguished musicologists, historians, theater professionals, and luminaries of the operatic stage reflect on European history in 1800, 1900 and 2000 through the prism of Puccini's Tosca.
Author: James R. Lehning
Publisher: Indiana University Press
Published: 2007-07-09
Total Pages: 192
ISBN-13: 0253117011
DOWNLOAD EBOOK“This ambitious undertaking is concerned with the melodramatic form in theatre and film and its impact on French political culture.” —H-France Review In France, both political culture and theatrical performances have drawn upon melodrama. This “melodramatic thread” helped weave the country’s political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performance, Lehning affirms the importance of examining the performative aspects of French political culture for understanding the political differences that have marked France in the years since 1789. “In this thoroughly researched and persuasive book, Lehning provides a fascinating reading of public performances in modern France . . . This is an important contribution to the study of French culture and the democratization process . . . Essential.” —Choice “Lehning’s application of the themes of melodrama to French political culture offers new insights into French history. His style is lively, clear, and highly readable.” —Venita Datta, Wellesley College “The analyses in this book make a real contribution to debates about the ways in which art, particularly popular art, and politics interact; how politics itself is theatrical in the French case; and the role of ritual in politics and the function of politics as ritual and ceremony.” —John Gaffney, Aston University
Author: Elena N. Boeck
Publisher: Cambridge University Press
Published: 2015-07-09
Total Pages: 337
ISBN-13: 1107085810
DOWNLOAD EBOOKThe first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.
Author: Susan Vandiver Nicassio
Publisher: University of Chicago Press
Published: 2002-01-15
Total Pages: 370
ISBN-13: 9780226579726
DOWNLOAD EBOOKA timeless tale of love, lust, and politics, Tosca is one of the most popular operas ever written. In Tosca's Rome, Susan Vandiver Nicassio explores the surprising historical realities that lie behind Giacomo Puccini's opera and the play by Victorien Sardou on which it is based. By far the most "historical" opera in the active repertoire, Tosca is set in a very specific time and place: Rome, from June 17 to 18, 1800. But as Nicassio demonstrates, history in Tosca is distorted by nationalism and by the vehement anticlerical perceptions of papal Rome shared by Sardou, Puccini, and the librettists. To provide the historical background necessary for understanding Tosca, Nicassio takes a detailed look at Rome in 1800 as each of Tosca's main characters would have seen it—the painter Cavaradossi, the singer Tosca, and the policeman Scarpia. Finally, she provides a scene-by-scene musical and dramatic analysis of the opera. "[Nicassio] must be the only living historian who can boast that she once sang the role of Tosca. Her deep knowledge of Puccini's score is only to be expected, but her understanding of daily and political life in Rome at the close of the 18th century is an unanticipated pleasure. She has steeped herself in the period and its prevailing culture-literary, artistic, and musical-and has come up with an unusual, and unusually entertaining, history."—Paul Bailey, Daily Telegraph "In Tosca's Rome, Susan Vandiver Nicassio . . . orchestrates a wealth of detail without losing view of the opera and its pleasures. . . . Nicassio aims for opera fans and for historians: she may well enthrall both."—Publishers Weekly "This is the book that ranks highest in my estimation as the most in-depth, and yet highly entertaining, journey into the story of the making of Tosca."—Catherine Malfitano "Nicassio's prose . . . is lively and approachable. There is plenty here to intrigue everyone-seasoned opera lovers, musical novices, history buffs, and Italophiles."—Library Journal
Author: Library of Congress. Copyright Office
Publisher:
Published: 1934
Total Pages: 1310
ISBN-13:
DOWNLOAD EBOOKAuthor: British museum. Dept. of printed books
Publisher:
Published: 1931
Total Pages: 600
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
Published: 1935
Total Pages: 2338
ISBN-13:
DOWNLOAD EBOOKIncludes Part 1, Books, Group 1, Nos. 1-155 (March - December, 1934)
Author: Joanna Richardson
Publisher: London : Weidenfeld and Nicolson
Published: 1978
Total Pages: 320
ISBN-13:
DOWNLOAD EBOOKAuthor: George Joseph Becker
Publisher: Princeton University Press
Published: 2015-12-08
Total Pages: 621
ISBN-13: 1400874645
DOWNLOAD EBOOKUsing selections by American, British, French, German, Russian, Scandinavian, Spanish, Portuguese, and South American critics and authors, Professor Becker illustrates how realism arose as a reaction to romanticism, and how the practitioners of realism developed conflicting ideas about the means they should use and the ends toward which they should strive. The selections are concerned mainly with prose, since, according to the author, prose fiction has been the major vehicle of realism. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Mark Everist
Publisher: Routledge
Published: 2018-11-21
Total Pages: 511
ISBN-13: 1351661019
DOWNLOAD EBOOKStudies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.
