Nofel gyfoes ddoniol a llinyn storiol gref yn arddull Nick Honrby. Stori 'dditectif'. Ond stori dditectif anarferol. A chanddi arwr anarferol. A dweud y gwir, dyw e fawr o arwr o gwbwl.
One woman holds the key to England's most glorious empire in this intimate retelling of the launch of the Tudor dynasty A magnificent portrait of Elizabeth of York, set against the dramatic background of fifteenth century England. Elizabeth, the only living descendant of Edward IV, has the most valuable possession in all of England—a legitimate claim to the crown. Two princes battle to win Britain's most rightful heiress for a bride and her kingdom for his own. On one side is her uncle Richard, the last Plantagenet King, whom she fears is the murderer of her two brothers, the would-be kings. On the other side is Henry Tudor, the exiled knight. Can he save her from a horrifying marriage to a cut-throat soldier? Thrust into the intrigue and drama of the War of the Roses, Elizabeth has a country within her grasp—if she can find the strength to unite a kingdom torn apart by a thirst for power. A richly drawn tale of the woman who launched one of the most dramatic dynasties England has ever seen, The Tudor Rose is a vibrant, imaginative look at the power of a queen.
From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland.
In 1550–51, English Archbishop of Canterbury Thomas Cranmer engaged in a debate with Bishop Stephen Gardiner. Archbishop Cranmer was asserting a new Reformed view for England's Eucharist theology, but he faced opposition from England's leading traditional theologian, Gardiner. Gardiner remained faithful to the traditional doctrine of transubstantiation, while Cranmer was formulating a Spiritual Presence theology. This book analyzes the debate, asking how both Cranmer and Gardiner arrived at opposing theologies despite being involved similarly in English religion and politics. To answer the question, the book examines each author's use of scripture, continental Reformers, and early Church Fathers. The book also argues that the personal and political context surrounding the two men shaped the nature of the theological debate. While trying to push Edward VI's England toward greater Reformation, Cranmer faced continued opposition from Gardiner who was imprisoned throughout Edward's reign. Gardiner sought release from prison and a return to authority, while Cranmer sought validation for his new theology and its associated legislation. To counter Gardiner's challenge, Cranmer had to create a clear Eucharistic theology. This political and personal climate therefore forced Cranmer to create England's Spiritual Presence theology by 1552 that was adopted in the 1558 Elizabethan Settlement and Anglican Church. It was this debate that set Anglicanism for England.
For two centuries, Gesamtkunstwerk—the ideal of the “total work of art”—has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk’s lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea’s evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.