Are you looking for a special and a fun gift ? This is a perfect blank, lined notebook for men, women, and children. Great for taking down notes, reminders, and crafting to-do lists. Also a great creativity gift for decoration or for a notebook for school or office! Your new notebook includes: Fresh white paper 100 pages 6x9 inch format Paper color: White Don't forget to click on the author name for other great notebook ideas! Enjoy it!
Specifications : - Size - 6" x 9" inches. - 120 Pages / high-quality lined paper pages for write-in thoughts/memories... - You can easily fit this journal in your bag.
Legendary Epic Since November 1928 Cool Unicorn With Watercolor Touch, Cute Rainbows And Old Vintage Frame With Words Epic Since November. If you know anyone whose birthday is coming soon (In November 1928), and they love hot unicorns, rainbows and multicoloured journals, this magical legendary gift would grab them, this unicorn is stylish and wearing a rare salmon piece and genuine burgundy leather that's what makes it sexy, funny and charming. ♥♥ ★120 blank lined interior pages ★Perfect to pair with gel pen, ink or pencils ★6" x 9" dimensions so it can be fitted all bags even the backpack ★Perfect for jotting down thoughts, taking notes, writing, organizing, goal setting, meeting notes, doodling, lists, journaling and brainstorming ★Notebooks and journals make a great gift or complimentary item for any gift-giving occasion ★Hottest gift for your dad, mom, kids, sister, brother, grandfather, grandmother, teacher, boss, toddlers or friends
In this hugely appealing book, a finalist for the Pulitzer Prize, acclaimed author and journalist Daniel Okrent weaves together themes of money, politics, art, architecture, business, and society to tell the story of the majestic suite of buildings that came to dominate the heart of midtown Manhattan and with it, for a time, the heart of the world. At the center of Okrent's riveting story are four remarkable individuals: tycoon John D. Rockefeller, his ambitious son Nelson Rockefeller, real estate genius John R. Todd, and visionary skyscraper architect Raymond Hood. In the tradition of David McCullough's The Great Bridge, Ron Chernow's Titan, and Robert Caro's The Power Broker, Great Fortune is a stunning tribute to an American landmark that captures the heart and spirit of New York at its apotheosis.
In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.
Celebrate nearly a century of Mickey Mouse with one of the most expansive illustrated publications on the Disney universe: behind-the-scenes shots, animation art, and vintage comics trace Mickey's 122 cartoons, his comic adventures, and the world of merchandise and memorabilia, as well as the legendary Mickey Mouse Club and unfinished projects.
"Sidney Patrick Grauman (1879-1950) was the dominant movie palace impresario west of Chicago in the 1920s and one of the most flamboyantly successful theatrical talents ever associated with films. His story is the story of early motion pictures in Hollywood, a colorful and fascinating tale that needed to be told. Charles Beardsley has captured the narrative of Grauman's life using the words of the press, the accounts of friends, and analysis of his works. It is indeed a comprehensive and enlightening effort. Gentle and generous, soft-spoken and mild-mannered, possessing a wicked sense of humor and a brilliant imagination, Grauman had a genius for translating his personal visions into stage spectacles of awesome proportions. He was responsible for the design and construction of several famous and highly sophisticated Los Angeles theaters that bore his name over their marquees: Grauman's Million Dollar, Grauman's Egyptian, Grauman's Metropolitan, and Grauman's Chinese. He is credited with creation of the movie prologue, a type of stage show that he developed to precede the first-run silent films he exhibited. Many of the stage features that Grauman introduced have since become standard technical theater procedure and as such are in wide use today. In addition to being an industry giant, Sid Grauman was a friendly, generous, much-loved individual who adored practical jokes and enjoyed playing them upon such people as Charlie Chaplin. An affable man, Grauman was a gregarious personality who numbered among his associates the Hollywood greats: Mary Pickford, Douglas Fairbanks, Rudolph Valentino, Gloria Swanson, Dorothy and Lillian Gish, William S. Hart, Mabel Normand, Marion Davies, Cecil B. DeMille, D.W. Griffith, and Fred Niblo. Within these pages are a wealth of anecdotes about these people and many others who were prominent in developing silent films into the most popular universal entertainment medium of its time. Grauman's sumptuous movie palaces, elaborate and innovative staging, and keen eye for talent and publicity made him a legend in his lifetime, a man who is still remembered with awe and respect by all who saw his work in its prime. While this book deals extensively with the details of Grauman's management of his various houses, it is no mere documentary. Nor is it a chronological biography, since it explains Grauman's career and major professional achievements. Instead, it is a collection of narrative flashes, accurately reproducing the spirit of Grauman's life and times, that pick out an event in one decade to describe and illuminate an event in another. Grauman obtained his first taste of show business working with his father at Dawson, Alaska, during the 1898 Yukon Gold Rush and went on to become "Mr. Show Business" of Hollywood. This affectionate memoir covers Grauman's early years, his San Francisco theaters and his many discoveries, including Fatty Arbuckle, Al Jolson, Jackie Coogan, and Myrna Loy. The brilliant parade of prologues presented in the five Los Angeles Grauman houses and the premieres that drew crowds of over one hundred thousand screaming fans are described in vivid detail. Anecdotal and descriptive, this book goes behind the scenes to explain how Grauman designed and built his unique theaters, how he worked, and how he blended his prologues with live actors and symphony orchestras to enhance every film that he presented. Often called the Barnum of Hollywood, Sid Grauman was a great deal more. Not only did he glorify the movie prologue, he invented the red-carpet premiere. A colorful blend of Max Reinhardt, Sergei Diaghilev, David Belasco, Flo Ziegfeld, and Buffalo Bill Cody, he was still very much an original who left his singular mark on the silent film era. Until this lively, detailed portrait of the maestro, Grauman has never been fully documented. But that gap, a major one in the history of American films, has now been filled by this entertaining volume. Illustrated with period photographs, in black and white and color, a vivid portrait of this master showman has been achieved."--Dust jacket.
Celebrate 90+ years of Mickey Mouse with one of the most expansive illustrated publications on the Disney universe: behind-the-scenes shots, rare animation art, and vintage comics trace Mickey's cartoons, his comic adventures, the world of Mickey merchandise and memorabilia, as well as the legendary Mickey Mouse Club.
Now a Netflix original documentary series, also written by Mark Harris: the extraordinary wartime experience of five of Hollywood's most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors—John Ford, George Stevens, John Huston, William Wyler, and Frank Capra—changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America’s war, shaping the public’s collective consciousness of what we’ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood’s role in the war through the life and work of these five men who chose to go, and who came back. “Five Came Back . . . is one of the great works of film history of the decade.” --Slate “A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.” --The New York Times
The inspiration for the Play It Loud exhibition at the Metropolitan Museum of Art "Every guitar player will want to read this book twice. And even the casual music fan will find a thrilling narrative that weaves together cultural history, musical history, race, politics, business case studies, advertising, and technological discovery." —Daniel Levitin, Wall Street Journal For generations the electric guitar has been an international symbol of freedom, danger, rebellion, and hedonism. In Play It Loud, veteran music journalists Brad Tolinski and Alan di Perna bring the history of this iconic instrument to roaring life. It's a story of inventors and iconoclasts, of scam artists, prodigies, and mythologizers as varied and original as the instruments they spawned. Play It Loud uses twelve landmark guitars—each of them artistic milestones in their own right—to illustrate the conflict and passion the instruments have inspired. It introduces Leo Fender, a man who couldn't play a note but whose innovations helped transform the guitar into the explosive sound machine it is today. Some of the most significant social movements of the twentieth century are indebted to the guitar: It was an essential element in the fight for racial equality in the entertainment industry; a mirror to the rise of the teenager as social force; a linchpin of punk's sound and ethos. And today the guitar has come full circle, with contemporary titans such as Jack White of The White Stripes, Annie Clark (aka St. Vincent), and Dan Auerbach of The Black Keys bringing some of the earliest electric guitar forms back to the limelight. Featuring interviews with Les Paul, Keith Richards, Carlos Santana, Eddie Van Halen, Steve Vai, and dozens more players and creators, Play It Loud is the story of how a band of innovators transformed an idea into a revolution.
