The perfect answer for broken fingers, broken arms, sprained wrists, fingers with band-aids, and arms with casts. Titles are: * Can't Help Singing * Silvery Waves * Deep Valley * Rolling Along * Plus and Minus * Sunset Waltz * Out of the Past * Spring Song * Arkansas Traveler * Serenade * Two Is Company (duet) * Memories of You * Doing Things on a Big Scale * The Futile Courtship * Robin Adair * Halo on the Moon * Longing and more. Federation Festivals 2011-2013 selection.
Titles are: * Dream Dust * The Gypsy Baron (Waltz Theme) * Revolving Door * Washington's March * Spiral Staircase * Evening Sun * Nocturne * The Squirrel and the Acorns * In the Subway * Flashes in the Harbor * Sunken Gardens * Prelude * The Silent Rose * Album Leaf * Scotch Poem * Chorale * Sextet from Lucia. Federation Festivals 2011-2013 selection.
Students with an injured arm or hand can continue their piano studies in spite of their injury with this series by Melody Bober. Each volume features pieces written especially for the right or left hand in a variety of styles, keys, meters, and tempos. Book 5 contains eight pieces for intermediate students---four for the right hand and four for the left hand---each one providing the unique opportunity to develop the other hand while still progressing technically and musically. "This collection is perfect for isolating and curing reading and technical weaknesses associated with a particular hand, as well as developing awareness that one hand is capable of voicing and artistic performance." ---Yiyi Ku, MusicTeachersHelper.com Titles: * Ragtime Romp (RH) * Trumpet Call (RH) * Dance at Twilight (RH) * Chaconne in E Minor (RH) * Malagueña Mood (LH) * Whispers in the Wind (LH) * Bassline Bravo! (LH) * Skater's Dream (LH)
"Bravo to Edel on his excellent presentation of the subject! . . . highly recommended . . . " —ARBA 96 ". . . filled with information for pianists with injured hands and for players and teachers seeking unusual repertoire or ways of developing left-hand technique." —Clavier "Thanks to Edel for cataloging this largely unknown area of piano repertoire and to Indiana University Press for publishing this most welcomed book." —American Music Teacher A descriptive catalog of solos, chamber works, and concertos with piano parts written for one hand, including nearly 1,000 solo compositions for the left hand. Publication data, length, level of difficulty, style, and often brief biographical information about the composer are provided for each piece.
Carl Czerny was a prolific composer who wrote approximately 1,000 published works. As a pupil of Beethoven and the teacher of Franz Liszt, he was a transmitter of ideas from one great master to another. His many collections of exercises and studies range from the easy and progressive to the virtuoso. The Czerny-Schaum edition is based on selections from Op. 599, Op. 139, Op. 821, Op. 718, Op. 636, and Op. 261. The objective is to bring together, in condensed form, excerpts that stress many varieties of technical problems. Special emphasis is placed on equal development of both hands. The technical points are equally divided between the right and the left hands. The exercises are purposely left brief, thereby avoiding stiffness and tension. Using the Czerny-Schaum exercises will improve piano technic when used in conjunction with a program of balanced repertoire.
One-Handed Piano Compositions and Injury Awareness: History, Study of Selected Works, and Mindful Practice calls readers to dive into the realm of one-handed piano works so they can enrich their concert repertoire with new and original works and perform beyond the limitations of their injuries if they are in a period of recovery. Zheni Atanasova wrote this book as a guide meant to inspire fellow musicians in their search for unique musical works and help colleagues navigate their professional career in case of an injury so they can thrive in such a challenging period. The author provides solutions for those who aspire to build a career in music performance even when their professional development is hindered by an injury. She offers a single source that holds the answers to a broad spectrum of questions pertaining to piano performance, wellness, and practice.
PIANO MUSIC FOR LEFT HAND ONLY? "What's this? I have two hands, and I prefer to use my right hand if only one is allowed" "That's you and all of the other pianists in the world then. But you know what they say 'do not let your right hand know what your left hand is doing'. With a little practice you will soon grow to like them equally." "So will my left hand enjoy this book?" "Well that depends on many things, but I hope so!" WHAT THIS BOOK IS ABOUT Most students learning to play the piano struggle more with reading the bass clef notes than they do reading the right hand, treble clef notes. There could be many reasons for this, but one cause is almost certain to be the fact that most piano music is more complex for the right hand than it is for the left. As a result, the right hand is getting far more practice than the left. Well, here is the solution or, at least, a help. A book full of tunes which are in bass clef only. The left hand now has some great tunes, ones which match the quality and interest that, usually, only the right hand gets. The problem of weak bass clef, left hand note reading is one which can effect students who have been learning for several years. So this book offers tunes which are suitable not only for beginners but also for more advanced students. Don't let your left hand languish, under used and bored. Keep this book in your music case and get it out regularly in order to keep your bass clef demons well tamed!
Two Scriabin compositions are presented here for performance by the left hand only, with performance notes and practice suggestions included. For pianists of advanced proficiency these will represent a nice technical challenge, but also two beautiful examples of the romantic Russian styling of Scriabin.
(Piano). Ever wondered how to create better accompaniments for the melodies in your favorite fake books? This "teach yourself" book introduces you to chord building, various rhythmic styles, and much more, so that you play the songs you like just the way you want them. Keyboard players with a basic understanding of notation and sight-reading will be on their way to more fun with fake books. The relaxed tone of the text and selection of fun songs keep How to Play from a Fake Book entertaining throughout perfect for amateur musicians, or as a supplement for keyboard teachers and their students.
100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.
