Pre-war fashion was a matter of circumstance, and post-war fashion was a matter of Americans choosing to follow France's sartorial example to avoid being similar to England. The clothes for men and women during the war were still as complex and multi-layered as ever. This book contains anecdotes, advertisements for, and descriptions of clothing worn by servants, slaves, and more wealthy women in the American Colonies/United States from the time of the French & Indian War to the end of the American Revolution. Gowns, stays, stomachers, petticoats, hoops, stockings, shoes, gloves, mitts, hairstyles, wigs, hair-powdering, jewelry, etc. are described. The patriotic effort to encourage the American production of fabric and clothing is discussed.
Pre-war fashion was a matter of circumstance, and post-war fashion was a matter of Americans choosing to follow France's sartorial example to avoid being similar to England. The clothes for men and women during the war were still as complex and multi-layered as ever. This book contains anecdotes, advertisements for, and descriptions of clothing worn by servants, slaves, and more wealthy women in the American Colonies/United States from the time of the French & Indian War to the end of the American Revolution. Gowns, stays, stomachers, petticoats, hoops, stockings, shoes, gloves, mitts, hairstyles, wigs, hair-powdering, jewelry, etc. are described. The patriotic effort to encourage the American production of fabric and clothing is discussed.
Nearly two hundred portraits and hundreds of drawings highlight a study of styles of clothing worn by men, women, and children in colonial and Revolutionary America.
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement
Uncovers sources from the parish pauper to the gentlewoman to consider relationships with clothing across the social hierarchy in the long eighteenth century.Descriptions of women's clothing increasingly circulated across textual genres and beyond in eighteenth-century England. This book explores the significance of these descriptions across a range of sources including wills, newspapers, accounts, court records, and the records of the old poor law.Attention has rested on women literate and wealthy enough to leave behind textual or material traces, but this book ranges from the parish pauper to the gentlewoman to consider descriptive languages, rhetorical strategies, and relationships with clothing across the social hierarchy. It explores how women described their own clothing, but also looks at how it was described by overseers, family members, retailers, and even strangers. It shows that we must look beyond isolated descriptions to how, why, and who was describing clothing to understand its role. Chapters uncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.ncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.ncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.ncover themes of material obligation, expectation, and entitlement.This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.
In 1730, Edmund Burt was sent to Scotland to work as a contractor for the government. For most of the time, he was based in Inverness, from where he wrote regularly to an acquaintance in London about his experiences. Burt had an insatiable curiosity about everything. From cooking and personal hygiene (the standards of which continually shocked him), to weddings, funerals, public executions and even the activities of witches, no aspect of Highland life or society escaped his scrutiny. Burt's witty and satirical style makes entertaining reading, but whilst he was certainly critical of many things, he draws a very sympathetic picture of the grinding hardship and poverty faced by so much of the ordinary population. His writing is a salutary antidote to many of the Romantic views of the Highlands and Jacobitism, which were later to take hold. It is now available for the first time in one volume, with modernised spelling and includes an Introduction by Charles W. J. Withers, Professor of Geography in the University of Edinburgh.
First published in Portuguese in 1969, this is the only work by Antonio Jose Saraiva available in English and the only single-volume history devoted primarily to the working of the Portuguese Inquisition, a most lucid and compact survey. "The Marrano Factory" argues that the Portuguese Inquisition s stated intention of extirpating heresies and purifying Portuguese Catholicism was a monumental hoax; the true purpose of the Holy Office was the fabrication rather than the destruction of "Judaizers."
