Border-Crossing and Comedy at the Théâtre Italien, 1716–1723

Border-Crossing and Comedy at the Théâtre Italien, 1716–1723

Author: Matthew J. McMahan

Publisher: Springer Nature

Published: 2021-03-30

Total Pages: 264

ISBN-13: 3030700712

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How do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.


Ludwig Holberg: A European Writer

Ludwig Holberg: A European Writer

Author: Rossel

Publisher: BRILL

Published: 2023-12-18

Total Pages: 250

ISBN-13: 900465125X

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Ludvig Holberg is the most important man of letters in eighteenth-century Denmark-Norway and is often referred to as the father of Danish and Norwegian Literature, the Molière of the North, the founder of Scandinavian drama, or even as the first Scandinavian feminist. In all his writings - apart from being a dramatist in his own right - he excelled as a satirist, historian and essayist, Holberg is a true child of the Enlightenment advocating tolerance and moderation. At the same time, however, he transgressed its parameters. He introduced a series of classical genres but also violated their rules; he generally supported absolute monarchy but criticized its deficiencies, sometimes with subtlety, sometimes openly and relentlessly when, for instance, aiming his satire at the outdated educational system. Above all, Holberg was a towering cosmopolitan figure in eighteenth-century intellectual life, extremely well-read not only in the classics but also in contemporary literature. Furthermore, he was one of the most avid travelers of his time. He saw himself foremost as a European writer, attacking provincialism and narrow-mindedness wherever he encountered it. Holberg was strongly influenced by the European intellectual tradition and, in return also impacted literary trends abroad. This volume, written by experts from various countries, attempts to place Holberg in this international context. It highlights both the European influence on him and the influence he exerted in his own time as well as the fascination he holds to this very day because of his probing, critical mind, complex personality and, above all, because of the purely artistic quality and modernity found particularly in his immortal comedies.


Music, Theater, and Cultural Transfer

Music, Theater, and Cultural Transfer

Author: Annegret Fauser

Publisher: University of Chicago Press

Published: 2009-12-15

Total Pages: 450

ISBN-13: 0226239284

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Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.


D'une scène à l'autre, l'opéra italien en Europe: La musique à l'épreuve du théâtre

D'une scène à l'autre, l'opéra italien en Europe: La musique à l'épreuve du théâtre

Author: Damien Colas

Publisher: Editions Mardaga

Published: 2009

Total Pages: 536

ISBN-13: 2870099932

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L'opéra italien n'a cessé de s'enrichir au contact de la littérature française. Les échanges entre ces deux genres se caractérisent par le double jeu de proximité et de distance qui existe entre eux. La recherche en dramaturgie musicale éclaire les questions auxquelles sont confrontés traducteurs, librettistes et compositeurs dans leur travail de réécriture pour la scène lyrique italienne.


Theatre History Studies 2017, Vol. 36

Theatre History Studies 2017, Vol. 36

Author: Sara Freeman

Publisher: University of Alabama Press

Published: 2017-12-12

Total Pages: 371

ISBN-13: 0817371117

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Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.