A History of Modern Criticism, 1750-1950
A History of Modern Criticism, 1750-1950

Author: René Wellek

Publisher: Yale University Press

Published: 1955-01-01

Total Pages: 388

ISBN-13: 9780300054514

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The final volume of René Wellek's monumental history of modern criticism is a comprehensive survey of the main currents of twentieth-century criticism in Western Europe. In this volume, as in the preceding books of the series, Wellek expounds and analyzes the work of the most prominent critics, offering succinct appraisals of his subjects both as individuals and as participants in the broader movements of the century. Contents I. French Criticism, 1900-1950 French Classical Criticism in the Twentieth Century Retrospect: Alain, Rémy de Gourmont The Nouvelle Revue Française: André Gide, Jacques Rivière, Ramón Fernández, Benjamin Crémiuex, Albert Thibaudet Marcel Proust The Catholic Renaissance: Charles Du Bos, Jacques Maritain and Henri Bremond, Paul Claudel Dada and Surrealism The Geneva School: Marcel Raymond, Albert Béguin, Georges Poulet Albert Camus Jean-Paul Sartre Paul Valéry Prospect II. Italian Criticism, 1900-1950 Benedetto Croce The Followers of Croce: Luigi Russo, Francesco Flora, Mario Fubini, Attilio Momigliano The Aestheticians: Giuseppe Antonio Borgese, Alfredo Gargiulo Critics concerned with English and American literature: Cesare Pavese, Mario Praz, Emilio Cecchi Italian Marxism: Antonio Gramesci, Giacomo Debenedetti The Catholic Renaissance: Carlo Bo The Close Readers: Renato Serra, Giuseppe De Robertis, Cesare De Lollis, Eugenio Montale III. Spanish Criticism, 1900-1950 Américo Castro Miguel de Unamuno Marcelino Menéndez y Pelayo and Ramón Menéndez Pidal Azorín Salvador de Madariaga Jorge Guillén Dámaso Alonso José Ortega y Gasset

The French Invention of Menopause and the Medicalisation of Women's Ageing
The French Invention of Menopause and the Medicalisation of Women's Ageing

Author: Alison M. Downham Moore

Publisher: Oxford University Press

Published: 2022-10-06

Total Pages: 501

ISBN-13: 0192654527

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Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years. This is the first comprehensive study of the origins of the medical concept of menopause, richly contextualising its role in nineteenth-century French medicine and revealing the complex threads of meaning that informed its invention. It tells a complex story of how women's ageing featured in the demographic revolution in modern science, in the denigration of folk medicine, in the unique French field of hygiène, and in the fixation on women in the emergence of modern psychiatry. It reveals the nineteenth-century French origins of the still-current medical and alternative-health approaches to women's ageing as something to be managed through gynaecological surgery, hormonal replacement, and lifestyle intervention.

Memory
Memory

Author: Wallace Fowlie

Publisher: Duke University Press

Published: 1990

Total Pages: 176

ISBN-13: 9780822310457

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Wallace Fowlie is known to three generations of students at Duke University for his course in Proust. His observations on the changing interests of college students (Bob Dylan to Jim Morrison, Fellini to Pasolini) are part of this fourth memoir. In Memory, Fowlie brings us once more into his broad range of vision as he examines the offerings of memory, more real to him he tells us than the town in which he now lives. the reader follows his search for words, his early more mystical search for a father-son relationship, his remembering of the small acts that determine life.

The French Writers' War, 1940-1953
The French Writers' War, 1940-1953

Author: Gisèle Sapiro

Publisher: Duke University Press

Published: 2014-04-23

Total Pages: 806

ISBN-13: 0822395126

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The French Writers' War, 1940–1953, is a remarkably thorough account of French writers and literary institutions from the beginning of the German Occupation through France's passage of amnesty laws in the early 1950s. To understand how the Occupation affected French literary production as a whole, Gisèle Sapiro uses Pierre Bourdieu's notion of the "literary field." Sapiro surveyed the career trajectories and literary and political positions of 185 writers. She found that writers' stances in relation to the Vichy regime are best explained in terms of institutional and structural factors, rather than ideology. Examining four major French literary institutions, from the conservative French Academy to the Comité national des écrivains, a group formed in 1941 to resist the Occupation, she chronicles the institutions' histories before turning to the ways that they influenced writers' political positions. Sapiro shows how significant institutions and individuals within France's literary field exacerbated their loss of independence or found ways of resisting during the war and Occupation, as well as how they were perceived after Liberation.

All Puns Intended
All Puns Intended

Author: Walter D. Redfern

Publisher: Routledge

Published: 2017-12-02

Total Pages: 222

ISBN-13: 1351198130

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"The 19th century in France spawned numerous 'fous litteraires, one of them being Jean-Pierre Brisset (1837-1919). An individualist among individualists, he dismantled the existing French tongue, reshaping it to suit his own grandiose purposes, which were to explain afresh the development of human beings (from frogs) and of their language (from croaks). Continuous and ubiquitous punning was a unique feature of his writing. In this study, Redfern examines such themes as the nature of literary madness, the phenomenon of deadpan humour, the role of analogy, and the place of institutional religion in Brisset's creative rewriting of the creation."