Le Mythe Du Sale Boche
Le Mythe Du Sale Boche

Author: Benton L. Bradberry

Publisher: AuthorHouse

Published: 2018-07-17

Total Pages: 366

ISBN-13: 1546251391

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Comme l’indique le titre, Le mythe du sale boche, les Allemands ne sont pas les ultimes « vilains » de l’histoire. Ils ne sont pas non plus, comme le veut la version officielle, les saboteurs de la paix européenne et la cause des deux Guerres mondiales du siècle dernier. Les atrocités qu’ils auraient soi-disant perpétrées durant ces conflits armés furent inventées de toute pièce par la propagande alliée afin d’obtenir l'appui de l'opinion publique. La propagande de la Shoah, qui est apparue après la Seconde Guerre mondiale, a par ailleurs grandement contribué à consolider cette haine du « sale boche ». Mais cette version officielle de l’histoire est-elle véridique ? L'Allemagne est-elle réellement l'incarnation du mal absolu ? Dans ce livre, l'auteur brosse un tableau différent. Il explique en effet que l'Allemagne n'était la cause ni de la Première ni de la Seconde Guerre mondiale, mais dans les deux cas, la victime de l’agression des alliés. L'instabilité engendrée par la guerre 14-18 a permis à la révolution bolchévique russe de 1917 d’éclater, ce qui a apporté au monde le communisme. Or, Hitler et l'Allemagne ont tout de suite compris que le communisme international, de sa base en Union soviétique, était une menace existentielle non seulement pour l'Occident, mais pour toute la civilisation chrétienne. L'Allemagne hitlérienne a dès lors amorcé une lutte à mort contre cette idéologie sanguinaire. Loin d'être le saboteur de la paix européenne, l'Allemagne, en s’érigeant en rempart, a donc empêché la révolution bolchévique de s’étendre à toute l'Europe. Il est dommage que les alliés n'aient pas vu la Russie communiste sous le même jour que l’Allemagne. Cette alliance entre les pays occidentaux et le communisme a eu des conséquences désastreuses sur la civilisation occidentale chrétienne. L'auteur se dit convaincu que la France, la Grande-Bretagne et les États-Unis se sont battus du mauvais côté.

Édith Piaf
Édith Piaf

Author: David Looseley

Publisher: Oxford University Press

Published: 2015

Total Pages: 264

ISBN-13: 1781382573

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The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.

The Slayers of Moses
The Slayers of Moses

Author: Susan A. Handelman

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 294

ISBN-13: 1438405642

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In this groundbreaking study, Susan Handelman examines the theological roots of the modern science of interpretation. She defines current structures of thought and patterns of organizing reality, clearly distinguishes them from previously reigning Hellenic modes of abstract thought, and connects them with important elements of the Rabbinic interpretive tradition. Hers is the first comprehensive treatment of the undeniable, and undeniably significant, influence of Jewish religious thought on contemporary literary criticism. Dr. Handelman shows how they provide a crucial link among several of the most influential modern theories of textual interpretation, from Freud to the Deconstructionist School of Lacan and Derrida, as well as current literary theorists who revive Rabbinic hermeneutics, such as Harold Bloom and Geoffrey Hartman.

Galut
Galut

Author: Arnold M. Eisen

Publisher:

Published: 1986

Total Pages: 264

ISBN-13:

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Pt. 1 deals with biblical and rabbinic texts on exile and relations with non-Jews. Pt. 2 deals with Zionism and the views of thinkers such as Herzl, Jacob Klatzkin, and Yehezkel Kaufmann, who believed that secular messianism would solve the "Jewish question" and tended to view antisemitism as a natural response to the Jewish refusal to assimilate. Examines changes in the perception of Jewish history as a result of the Holocaust and the establishment of the State of Israel.

Beckett in Black and Red
Beckett in Black and Red

Author: Alan Warren Friedman

Publisher: University Press of Kentucky

Published: 2014-07-15

Total Pages: 248

ISBN-13: 0813161622

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In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.

A German-English Dictionary for Chemists
A German-English Dictionary for Chemists

Author: Austin M 1876-1956 Patterson

Publisher: Scholar Select

Published: 2015-08-08

Total Pages: 340

ISBN-13: 9781296567972

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Rhetoric of Religion
The Rhetoric of Religion

Author: Kenneth Burke

Publisher: Univ of California Press

Published: 1970-04

Total Pages: 340

ISBN-13: 9780520016101

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"But the point of Burke's work, and the significance of his achievement, is not that he points out that religion and language affect each other, for this has been said before, but that he proceeds to demonstrate how this is so by reference to a specific symbolic context. After a discussion 'On Words and The Word,' he analysess verbal action in St. Augustine's Confessions. He then discusses the first three chapters of Genesis, and ends with a brilliant and profound 'Prologue in Heaven,' an imaginary dialogue between the Lord and Satan in which he proposes that we begin our study of human motives with complex theories of transcendence,' rather than with terminologies developed in the use of simplified laboratory equipment. . . . Burke now feels, after some forty years of search, that he has created a model of the symbolic act which breaks through the rigidities of the 'sacred-secular' dichotomy, and at the same time shows us how we get from secular and sacred realms of action over the bridge of language. . . . Religious systems are systems of action based on communication in society. They are great social dramas which are played out on earth before an ultimate audience, God. But where theology confronts the developed cosmological drama in the 'grand style,' that is, as a fully developed cosmological drama for its religious content, the 'logologer' can be further studied not directly as knowledge but as anecdotes that help reveal for us the quandaries of human governance." --Hugh Dalziel Duncan from Critical Responses to Kenneth Burke, 1924 - 1966, edited by William H. Rueckert (Minneapolis: University of Minnesota Press, 1969).

Zola and the Craft of Fiction
Zola and the Craft of Fiction

Author: Robert Lethbridge

Publisher: Burns & Oates

Published: 1990

Total Pages: 200

ISBN-13:

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This is the first full-length stufy of Zola's practice as a novelist. Although Zola's literary achievement has been revalued in the last 25 years, critical attention has been concentrated on the contrast between his work's realistic dimension and its poetic power. Now the balance is redressed by this study of Zola as a crafstman. Most of the ten specially commissioned chapters in this book are concerned with its great saga of Les Rougon-Macquart. In each, Zola's techniques are related to problems on genre and representation and several relate his techniques to those used in contemporary melodrama, journalism and impressionist painting.