Le Cid by Pierre Corneille (Book Analysis)

Le Cid by Pierre Corneille (Book Analysis)

Author: Bright Summaries

Publisher: BrightSummaries.com

Published: 2016-02-26

Total Pages: 26

ISBN-13: 2806270553

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Unlock the more straightforward side of Le Cid with this concise and insightful summary and analysis! This engaging summary presents an analysis of Le Cid by Pierre Corneille, one of the most famous plays of this acclaimed French playwright of the 17th century. In this deeply moving tragicomedy based on a Spanish story, the heroes are torn between love and duty because of a destiny which has irremediably set them up against each other. Based on the legend of El Cid, Corneille's work was met with enormous popular success and even inspired an opera. He is now considered to be one of the three greatest French playwrights of the 17th century, along with Molière and Jean Racine. Find out everything you need to know about Le Cid in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!


Le Cid ; And, The Liar

Le Cid ; And, The Liar

Author: Pierre Corneille

Publisher: Houghton Mifflin Harcourt

Published: 2009

Total Pages: 276

ISBN-13: 9780156035835

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Richard Wilbur's translations of the great French dramas have been a boon to acting troupes, students of French literature and history, and theater lovers. He continues this wonderful work with two plays from Pierre Corneille: Le Cid is Corneille's most famous play, a tragedy set in Seville that illuminates the dangers of being bound by honor and the limits of romantic love; The Liar is a farce, set in France and dealing with love, misperceptions, and downright falsifications, which ends, of course, happily ever after. These two plays, together in one volume, work in perfect tandem to showcase the breadth of Corneille's abilities. Taking us back to the time he portrays as well as the time of his greatest success as a playwright, they remind us that the delights to be found on the French stage are truly ageless.


The Theatre of Illusion

The Theatre of Illusion

Author: Pierre Corneille

Publisher: Dramatists Play Service Inc

Published: 2012

Total Pages: 84

ISBN-13: 9780822225034

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THE STORY: THE THEATRE OF ILLUSION is a tale of magic, love, revenge, mistaken identity, and mistaken perspective. Described by the author as a comedy, a caprice and an extravagance, it is widely considered to be Pierre Corneille's masterpiece.


Self-Commentary in Early Modern European Literature, 1400–1700

Self-Commentary in Early Modern European Literature, 1400–1700

Author: Francesco Venturi

Publisher: BRILL

Published: 2019-05-15

Total Pages: 445

ISBN-13: 9004396594

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This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.


Four French Plays

Four French Plays

Author: Jean Racine

Publisher: Penguin UK

Published: 2013-07-04

Total Pages: 332

ISBN-13: 0141392096

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The 'greatest hits' of French classical theatre, in vivid and acclaimed new Penguin translations by John Edmunds and with editorial apparatus by Joseph Harris. The plays in this volume - Cinna, The Misanthrope, Andromache and Phaedra - span only thirty-seven years, but make up the defining period of French theatre. In Corneille's Cinna (1640), absolute power is explored in ancient Rome, while Molière's The Misanthrope (1666), the only comedy in this collection, sees its anti-hero outcast for his refusal to conform to social conventions. Here also are two key plays by Racine: Andromache (1667), recounting the tragedy of Hector's widow after the Trojan War, and Phaedre (1677), showing a mother crossing the bounds of love with her son. This translation of Phaedra was originally broadcast on Radio Three with a cast including Prunella Scales and Timothy West, and was praised by playwright Harold Pinter. This is the first time it has been published. The edition also includes an introduction by Joseph Harris, genealogical tables, pronunciation guides, critiques and prefaces, as well as a chronology and suggested further reading. After a varied career as an actor, teacher, and BBC TV national newsreader, John Edmunds became the founder-director of Aberystwyth University's department of Theatre, Film and Television Studies. Joseph Harris is Senior Lecturer at Royal Holloway, University of London and author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (2005).


Chief Plays of Corneille

Chief Plays of Corneille

Author: Pierre Corneille

Publisher: Princeton University Press

Published: 2015-12-08

Total Pages: 402

ISBN-13: 1400874971

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"Well translated by Lacy Lockert, who provided an excellent critical introduction, this is a valuable selection of the plays of the great French Neo-Classicist. Included are Horace, The Cid, Cinna, Polyeucte, Rodugune, Nicomede."—Library Journal. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Orientalism in French Classical Drama

Orientalism in French Classical Drama

Author: Michèle Longino

Publisher: Cambridge University Press

Published: 2002

Total Pages: 296

ISBN-13: 9780521807210

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Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.


Medee

Medee

Author: Pierre Corneille

Publisher:

Published: 2016-06-10

Total Pages: 72

ISBN-13: 9781534605015

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An English-language translation of Pierre Corneille's first tragedy, Médée (1635)Little remembered in the story of Jason and the Golden Fleece is Médée, the woman without whom his quest would have been a failure and his life forfeit. When Jason betrays his wife to marry the daughter of the king of Corinth, the very meanings of gratitude, indebtedness, criminality, and love-maternal, paternal, filial, romantic-are held up for scrutiny.Médée (1635) was Pierre Corneille's first tragedy; but perhaps because we assume it derivative of versions by Euripides and Seneca, it is little known in the English-speaking Americas. This volume offers readers a chance to explore the great seventeenth-century French dramatist's exploration of Médée's righteous prowess, his de-gendering of warriorhood and heroism, and his challenge to the purity of justice and human motivations.