In this book James E. Westheider explores the social and professional paradoxes facing African-American soldiers in Vietnam. Service in the military started as a demonstration of the merits of integration as blacks competed with whites on a near equal basis for the first time. Yet as the war in Vietnam progressed, many black recruits felt isolated and threatened in an institution controlled almost totally by whites. Consequently, many blacks no longer viewed the military as a professional opportunity, but an undue burden on the black community.
The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
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In the famous photograph of Martin Luther King Jr.’s assassination, one man kneels beside him, trying to staunch the blood: an undercover Memphis police officer embedded with the Invaders, a militant Black group in talks with King. This spy, the kneeling man, was Leta McCollough Seletzky’s father. Marrell ‘Mac’ McCollough was a Black man working secretly with the white power structure. To understand this, Leta began looking into her father’s life—his motivations, his career with the police and the CIA, and the truth behind accusations of his involvement in King’s murder. What would Leta uncover, and did she want to know? How might Mac’s story change her own feelings about her place in Trump’s America? The Kneeling Man is a compelling personal and political tale of alienation and ambivalence; struggle, self-definition and compromised choices. Set vividly in the sharecropper South, on the streets of Memphis and in the halls of power, the twists and turns of this one man’s life tell the story of twentieth-century Black America.