Quelle est la formule chimique d’un être humain ? Quelle est la substance la plus dangereuse de l’histoire ? Quels sont les neuf éléments qui ont radicalement changé le monde ? Ce livre vous emmène à la découverte des 118 briques fondamentales de la matière : les atomes ! Au cours de ce voyage, vous rencontrerez le célèbre savant Dmitri Mendeleïev, inventeur du tableau périodique des éléments, et serez initié avec humour et sans effort aux mystères de la matière, à la radioactivité et même à la fusion nucléaire...
"The World Through Picture Books (WTPB) is a programme of the IFLA Libraries for Children and Young Adults Section in collaboration with IBBY (International Board on Books for Young People) Children's Librarians all over the world understand how important picture books in both traditional and digital formats are for children, for their development, cultural identity and as a springboard into learning to read for themselves. The idea behind the World Through Picture Books was to create a selection of picture books from around the world that have been recommended by librarians, as a way of celebrating and promoting the languages, cultures and quality of children's book publishing globally. The 3rd edition highlights 530 picture books, from 57 countries and featuring 37 languages. It is fully digital and the catalogue as well as a poster and bookmark can be downloaded free of charge." --
Pourquoi mourir? Comment survivre? De la naissance a la mort, c'est par le corps, c'est dans l'habitacle du corps que l'homme se situe dand l'unvers et fair l'expereince de ses congeneres. A l'occasion des rite de passage notamemnt, c'est par le coprps que la societe revendique l'individu comme sien, at c'est sure son corps qu'elle inscrit cette appartenance. Mais nulle branche de la famille humaine ne s'est jamais resignee aux limites naturelles que le corps assignait aux experiences vecues ou aux transformations subies par sa matiere jusqu'a la mort incluse. Toujours at partout on a imagine une ou plusieurs entites qui asurent la continuite de la personne a travers le temps et en illuminent le traits: ame, ombre, double, esprit, etc. Les noms variet, le metaphores aussi. Comment de telles entites accompagnent le corps, le forifient, s'en detachent ou se dressent contre lui, c'est ce que chaque culture a codifie a sa maniere par des pratiques que nous nommons par exemple- epreuves initiatiques, actes de sorcellerie, possession, ou cannibalisme. Tant at si bien que le corps agresse, possed, supplicie, cannibalise, devient en retour un moyen prvilegie d'analyser les cultures. Aux ethnologues at aux historiens de le mettre en oeuvre et de l'ecouter. Neuf d'entre eux se sont attaches a le faire dans des textes nourris de recherches menees en Asie, en Amerique du Sud, en Afrique at en Oceanie.
I WAS seventeen. She was called Uranie. Was Uranie, then, a young girl, fair, with blue eyes, innocent, but eager for knowledge? No, she was simply what she has always been, one of the nine muses; she who presided over astronomy, and whose celestial glance animated and directed the spheral choir; she was the heavenly idea hovering above earthly dullness; she had neither the palpitating flesh, nor the heart whose pulsations can be transmitted through space, nor the soft warmth of humanity; but she existed, nevertheless, in a sort of ideal world, superior to humanity, and always pure; and yet she was human enough in name and form to produce in the soul of a youth a vivid and profound impression; to awaken in that soul an undefined and undefinable sentiment of admiration: almost of love.
The Cahiers/Notebooks of Paul Valéry are a unique form of writing. They reveal Valéry as one of the most radical and creative minds of the twentieth century, encompassing a wide range of investigation into all spheres of human activity. His work explores the arts, the sciences, philosophy, history and politics, investigating linguistic, psychological and social issues, all linked to the central questions, relentlessly posed: 'what is the human mind and how does it work?', 'what is the potential of thought and what are its limits?' But we encounter here too, Valéry the writer: exploratory, fragmentary texts undermine the boundaries between analysis and creativity, between theory and practice. Neither journal nor diary, eluding the traditional genres of writing, the Notebooks offer lyrical passages, writing of extreme beauty, prose poems of extraordinary descriptive power alongside theoretical considerations of poetics, ironic aphorisms and the most abstract kind of analysis. The concerns and the insights that occupied Valéry's inner voyages over more than 50 years remain as relevant as ever for the contemporary reader: for the Self that is his principal subject is at once singular and universal.
Concepts associated with nuclear strategy often go beyond any 'objective' logic of deterrence. Nuclear weapons have special roles in different national belief-systems, myths surround them, they have catalysed tensions already existing in societies, become symbols of power or of past sins. This book delves into the conscious and subconscious beliefs in Britain, France and the Federal Republic of Germany (all voiced in debates about nuclear strategy) about society, the State and power structures, each country's place in the world, the international system, allies and enemies.
