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The Greek Tycoon's Inherited Bride by Lucy Monroe Phoebe's betrothal to Spiros Petronides' brother meant she was forbidden, and honor was the code the Greek billionaire lived by. But with one kiss Spiros knew he had to claim her as his! Back in the Spaniard's Bed by Trish Morey Leah left Alejandro Rodriguez because she'd overstepped the boundaries of a mistress and fallen in love! The Spaniard's arrogance angered her, but his touch ignited her. So when Alejandro storms back into her life, how can Leah deny him?
In recent decades, Latin love poetry has become a significant site for feminist and other literary critics studying conceptions of gender and sexuality in ancient Roman culture. This new volume, the first to focus specifically on gender dynamics in Latin love poetry, moves beyond the polarized critical positions that argue that this poetry either confirms traditional gender roles or subverts them. Rather, the essays in the collection explore the ways in which Latin erotic texts can have both effects, shifting power back and forth between male and female. If there is one conclusion that emerges, it is that the dynamics of gender in Latin amatory poetry do not map in any single way onto the cultural and historical norms of Roman society. In fact, as several essays show, there is a dialectical relationship between this poetry and Roman cultural practices. By complicating the views of gender dynamics in Latin love poetry, this exciting new scholarship will stimulate further debates in classical studies and literary criticism with its fresh perspectives.
Spirited young Megan was only nineteen years old when Alessandro left her. The day her attempt to throw him a surprise birthday party ended in disaster, he chose his work over love. Megan loved him more than anything in the world, but just like that, he dumped her and left for London. Today, seven years later, Megan works as an elementary school teacher at a boarding school. After the school play, Megan is visited by a student’s single mother, who’s soon joined by her fianc?. To Megan'’s shock, her fianc? turns out to be none other than Alessandro!
Duarte’s Child - Lynne Graham Days before she was to give birth, Emily left her husband, Duarte de Monteiro. She’d heard that he wanted to keep their baby — but not his wife. Now Duarte has traced Emily and his baby son. He’s proud but he wants his wife — can he convince the woman who loves him that it’s her he wants? Greek For Beginners - Jackie Braun In Greece for some sun, sea, and sightseeing Darcie Hayes certainly didn’t expect Nick Costas, a modern-day Adonis! Nick is perfectly happy with his single status, but meeting Darcie makes him wonder if falling in love really would be the worst thing in the world. Can the heat of the Greek sun push these two past the Beginners’ stage and on to Advanced? Under The Brazilian Sun - Catherine George When art historian Katherine Lister is hired to value a painting she is shocked to discover the owner is recluse and ex racing driver Roberto de Sousa. Playboy Roberto has not entertained a woman since his accident yet is drawn to Katherine. But when stolen kisses result in a night of passion Katherine flees, believing she is just another woman to Roberto. Can Roberto convince Katherine he is not the man he was and she is the woman for him?
Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.
