This book is concerned with the transmission and reception of Latin literary culture in the early Middle Ages, and with the production of Latin works in Ireland and in Irish centres on the Continent. In these articles, Professor Herren deals with several closely related themes: the introduction of Latin into Ireland and the study of Latin literary heritage; the language and metre of Hiberno-Latin writings; and questions of dating and authorship pertaining to a number of crucial texts, from Columbanus to John Scottus Eriugena.
This book is concerned with the transmission and reception of Latin literary culture in the early Middle Ages, and with the production of Latin works in Ireland and in Irish centres on the Continent. In these articles, Professor Herren deals with several closely related themes: the introduction of Latin into Ireland and the study of Latin literary heritage; the language and metre of Hiberno-Latin writings; and questions of dating and authorship pertaining to a number of crucial texts, from Columbanus to John Scottus Eriugena.
This bibliography is a supplement to the one previously published by Brill in 1988. This one covers material from 1984 to 2003. The chronology has been expanded to begin in the fourth century. Numerous Iberian Church Fathers not represented in the first one are now incorporated. The book contains author and subject indexes and is cross-referenced throughout.
In this first volume of the Royal Irish Academy's multi-volume A New History of Ireland a wide range of national and international scholars, in every field of study, have produced studies of the archaeology, art, culture, geography, geology, history, language, law, literature, music, and related topics that include surveys of all previous scholarship combined with the latest research findings, to offer readers the first truly comprehensive and authoritative account of Irish history from the dawn of time down to the coming of the Normans in 1169. Included in the volume is a comprehensive bibliography of all the themes discussed in the narrative, together with copious illustrations and maps, and a thorough index.
As part of the historicizing corpus of seventh-century Irish writing, the Lives framed the narrative of the early saints as an effective weapon in contemporary political and ecclesiastical conflicts. Cogitosus’s Life of Brigit, Muirchú’s and Tírechán’s accounts of Saint Patrick, and Adomnán’s Life of Columba created the understanding of the history of early Ireland that has endured to this day. How did the writers accomplish this through their literary choices? The authors of Irish saints’ Lives used the literary form of hagiography (Christian biography), miracle stories, and an elaborate rhetorical style to present the words and actions of their subjects. These Lives created a narrative of early Irish history that supported the political/ecclesiastical elites by showing that their power derived from the actions of their patron saints.
By close engagement with both traditional and contemporary approaches to ancient Christian literature, Latin Christian Writers in Late Antiquity and their Texts seeks to delineate a historiographical problem, at the same time rendering patristics as part of the subject-matter of a new literary history. After preliminary essays marking out the field, the volume is organized in three sections by authors, forms of discourse, and disciplines. Released from the theological discipline of patristics, the writings of the church fathers have in recent decades become the common property of students of early Christianity, late antiquity and the classical tradition. In principle, they are now no more (nor less) than sources, documents and literary texts like others from their period and milieux. Yet when replaced in the longer history of Western textual and literary practices, the collective literary oeuvre of Latin clerics, monks and ascetic freelances of the Later Roman Empire may still seem to occupy a place of decisive, if not canonical importance. How does one now account for the abiding formativeness of Latin Christian writing of the fourth and fifth centuries CE? What demands does such writing lay on a modern history of literature? These are the questions asked here, in view of a new literary history of patristic texts.
"This edited volume will make a major contribution to our appreciation of the importance of classical literature and learning in medieval Ireland, and particularly to our understanding of its role in shaping the content, structure and transmission of medieval Irish narrative." Dr Kevin Murray, Department of Early and Medieval Irish, University College Cork. From the tenth century onwards, Irish scholars adapted Latin epics and legendary histories into the Irish language, including the Imtheachta Aeniasa, the earliest known adaptation of Virgil's Aeneid into any European vernacular; Togail Tro , a grand epic reworking of the decidedly prosaic history of the fall of Troy attributed to Dares Phrygius; and, at the other extreme, the remarkable Merugud Uilixis meic Leirtis, a fable-like retelling of Ulysses's homecoming boiled down to a few hundred lines of lapidary prose. Both the Latin originals and their Irish adaptations had a profound impact on the ways in which Irish authors wrote narratives about their own legendary past, notably the great saga T in B C ailnge (The Cattle-Raid of Cooley). The essays in this book explore the ways in which these Latin texts and techniques were used. They are unified by a conviction that classical learning and literature were central to the culture of medieval Irish storytelling, but precisely how this relationship played out is a matter of ongoing debate. As a result, they engage in dialogue with each other, using methods drawn from a wide range of disciplines (philology, classical studies, comparative literature, translation studies, and folkloristics). Ralph O'Connor is Professor in the Literature and Culture of Britain, Ireland and Iceland at the University of Aberdeen. Contributors: Abigail Burnyeat, Michael Clarke, Robert Crampton, Helen Fulton, Barbara Hillers, M ire N Mhaonaigh, Ralph O'Connor, Erich Poppe.
Isidore of Seville (circa 570-636) was the author of the Etymologiae,. the most celebrated and widely circulated encyclopaedia of the western Middle Ages. In addition, Isidore's Synonyma were very successful and became one of the classics of medieval spirituality. Indeed, it was the Synonyma that were to define the so-called 'Isidorian style,' a rhymed, rhythmic prose that proved influential throughout the Middle Ages. Finding the Right Words is the first book-length study to deal with the transmission and reception of works by Isidore of Seville in Anglo-Saxon England, with a particular focus on the Synonyma. Beginning with a general survey of Isidore's life and activity as a bishop in early seventh-century Visigothic Spain, Claudia Di Sciacca offers a comprehensive introduction to the Synonyma, drawing special attention to their distinctive style. She goes on to discuss the transmission of the text to early medieval England and its 'vernacularisation,' that is, its translations and adaptations in Old English prose and verse. The case for the particular receptiveness of the Synonyma in Anglo-Saxon England is strongly supported by both a close reading of primary sources and an extensive selection of secondary literature. This rigorous, well-documented volume demonstrates the significance of the Synonyma to our understanding of the literary pretensions and pedagogical practices of Anglo-Saxon England, and offers new insights into the interaction of Latin and vernacular within its literary culture.
An examination of the ways in which works of Classical literature influenced and were received by the native Irish tradition. Original, innovative work which elucidates a number of individual narratives; but more significantly, by placing these texts in their proper intellectual context, the author demonstrates how the world of learning in eleventh- andtwelfth-century Ireland really worked. He illuminates a world of medieval education and scholarship; he tells us (as no-one has done previously) what medieval Irish classicism was all about. Dr Máire ni Mhaonaigh, St John's College, University of Cambridge. The puzzle of Ireland's role in the preservation of classical learning into the middle ages has always excited scholars, but the evidence from the island's vernacular literature - as opposed to that in Latin - for the study of pagan epic has largely escaped notice. In this book the author breaks new ground by examining the Irish texts alongside the Latin evidence for the study of classical epic in medieval Ireland, surveying the corpus of Irish texts based on histories and poetry from antiquity, in particular Togail Troi, the Irish history of the Fall of Troy. He argues that Irish scholars' study of Virgil and Statius in particularleft a profound imprint on the native heroic literature, especially the Irish prose epic Táin Bó Cúailnge ("The Cattle-Raid of Cooley"). BRENT MILES is a Fellow in Early and Medieval Irish, University College Cork.
