Fifty Key Figures in LatinX and Latin American Theatre
Fifty Key Figures in LatinX and Latin American Theatre

Author: Paola S. Hernández

Publisher: Routledge

Published: 2022-02-25

Total Pages: 232

ISBN-13: 1000522490

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Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.

Seeking Common Ground: Latinx and Latin American Theatre and Performance
Seeking Common Ground: Latinx and Latin American Theatre and Performance

Author: Evelina Ferdandez

Publisher: Bloomsbury Publishing

Published: 2021-09-23

Total Pages: 273

ISBN-13: 1350230235

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Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-Author A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that asks the question: what is the common ground between Latinx and Latin American artists? Featuring a mix of plays and scholarly essays, this work originally emerged from the Latino Theater Company's Encuentro de las Américas festival, produced in partnership with the Latinx Theatre Commons (LTC) at the Los Angeles Theatre Center in 2017. The collection chronicles not only the theatrical productions of the festival, but also features a transnational exploration of U.S. Latinx and Latin American theatre-making. Alongside plays by Evelina Fernández, Alex Alpharaoh, J.Ed Araiza and Carlos Celdrán this anthology also includes a mix of monologues, snapshots, profiles and interviews that together provide a dynamic account of these intersections within U.S. Latinx and Latin American Theater. A unique collection it serves not only as a testament to the diversity of Latinx artists, but also to the strength of the Latinx Theater movement and its ever-growing networks across the Hemispheric Americas. Full playtexts include: Dementia by Evelina Fernández WET: A DACAmented Journey by Alex Alpharoah Miss Julia adapted by J.Ed Araiza 10 Million by Carlos Celdrán

Staging Lives in Latin American Theater
Staging Lives in Latin American Theater

Author: Paola Hernández

Publisher: Northwestern University Press

Published: 2021-04-15

Total Pages: 258

ISBN-13: 0810143380

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Staging Lives in Latin American Theater: Bodies, Objects, Archives examines twenty‐first‐century documentary theater in Latin America, focusing on important plays by the Argentine director Vivi Tellas, the Argentine playwright and director Lola Arias, the Mexican theater collective Teatro Línea de Sombra, and the Chilean playwright and director Guillermo Calderón. Paola S. Hernández demonstrates how material objects and archives—photographs, videos, and documents such as witness reports, legal briefs, and letters—come to life onstage. Hernández argues that present-day, live performances catalog these material archives, expanding and reinterpreting the objects’ meanings. These performances produce an affective relationship between actor and audience, visualizing truths long obscured by repressive political regimes and transforming theatrical spaces into sites of witness. This process also highlights the liminality between fact and fiction, questioning the veracity of the archive. Richly detailed, nuanced, and theoretically wide-ranging, Staging Lives in Latin American Theater reveals a range of interpretations about how documentary theater can conceptualize the idea of self while also proclaiming a new mode of testimony through theatrical practices.

Encyclopedia of Latin American Theater
Encyclopedia of Latin American Theater

Author: Eladio Cortes

Publisher: Bloomsbury Publishing USA

Published: 2003-12-30

Total Pages: 547

ISBN-13: 0313017212

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Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements. The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume.

Theatre of Crisis
Theatre of Crisis

Author: Diana Taylor

Publisher:

Published: 1991

Total Pages: 298

ISBN-13:

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Taylor (Spanish and comparative literature, Dartmouth College) draws on five Latin American plays written 1965-70 to illustrate how theatre both reflects and shapes political and economic events and movements. Of interest to students of either theatre or Latin America. All nations are translated. Annotation copyrighted by Book News, Inc., Portland, OR

Stages of Conflict
Stages of Conflict

Author: Diana Taylor

Publisher: University of Michigan Press

Published: 2008

Total Pages: 346

ISBN-13: 0472050273

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Stages of Conflict brings together an array of dramatic texts, tracing the intersection of theater and social and political life in the Americas over the past five centuries. Historical pieces from the sixteenth century to the present highlight the encounter between indigenous tradition and colonialism, while contributions from modern playwrights such as Virgilio Pinero, Jose Triana, and Denise Stolkos take on the tumultuous political and social upheavals of the past century. The editors have added critical commentary on the origins of each play, affording scholars and students of theater, performance studies, and Latin American studies the opportunity to view the history of a continent through its rich and diverse theatrical traditions.--from publisher's statement.

Latin American Popular Theatre
Latin American Popular Theatre

Author: Judith A. Weiss

Publisher:

Published: 1993

Total Pages: 338

ISBN-13:

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There is little about the evolution of Latin American popular theatre, especially New Popular Theatre, that goes unexplored in this interdisciplinary study. The authors re-examine the history of Latin American theatre to focus on the ruse of the Nuevo Teatro Popular, a radical movement of the mid-1960's that combines dormant forms of Latin America theatre with classical European, pre-Columbian and African theatre, modern experimental theatre, and popular culture. Weiss and her colleagues use detailed social, political, and historical information to show the syncretism and contradictory consciousness that has existed in this form of expression in Latin America since the first encounters between Europeans and indigenous Americans.

Violent Acts
Violent Acts

Author: Severino João Medeiros Albuquerque

Publisher: Wayne State University Press

Published: 1991

Total Pages: 306

ISBN-13: 9780814322444

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Albuquerque analyzes the use of violence in Latin American theatre from the 1950s through the 1980s. He argues that in the face of repression and torture, some playwrights counter victimization with art as urgent as street confrontation. A study from both Spanish and Portuguese-speaking countries. Annotation copyrighted by Book News, Inc., Portland, OR

Dramatists in Revolt
Dramatists in Revolt

Author: Leon F. Lyday

Publisher: University of Texas Press

Published: 2014-08-27

Total Pages: 292

ISBN-13: 1477301283

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Dramatists in Revolt, through studies of the major playwrights, explores significant movements in Latin American theater. Playwrights discussed are those who have made outstanding contributions to Latin American theater during the post–World War II period and who have been particularly sensitive to world currents in literature and drama, while being acutely responsive to the problems of their own areas. They express concern about communication, isolation, and solitude. On a more basic level, they concern themselves with the political and socioeconomic problems that figure importantly in the Third World. The fifteen essays deal with the playwrights Antón Arrufat and José Triana (Cuba); Emilio Carballido and Luisa Josefina Hernández (Mexico); Agustín Cuzzani, Osvaldo Dragún, Griselda Gambaro, and Carlos Gorostiza (Argentina); Jorge Díaz, Egon Wolff, and Luis Alberto Heiremans (Chile); René Marqués (Puerto Rico); and Jorge Andrade, Alfredo Dias Gomes, and Plínio Marcos (Brazil). These are dramatists in revolt, sometimes in a thematic sense, not only in protesting the indignities that various systems impose on modern man, but also in a dramatic configuration. They dare to experiment with techniques in the constant search for viable theatrical forms. Each essay is written by a specialist familiar with the works of the playwright under consideration. In addition to the essays, the book includes a listing of source materials on Latin American theater.

Chicanas/Latinas in American Theatre
Chicanas/Latinas in American Theatre

Author: Elizabeth C. Ramírez

Publisher: Indiana University Press

Published: 2000

Total Pages: 216

ISBN-13: 9780253213716

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Elizabeth C. Ramírez's study reveals the traditions of Chicanas/Latinas in theatre and performance, showing how Latina/Latino theatre has evolved from its pre-Columbian, Spanish, and Mexican origins to its present prominence within American theatre history. This project on women in performance serves the need for scholarship on the contributions of underrepresented groups in American theatre and education, in cultural studies and the humanities, and in American and world history.