Late Victorian Literary Collaboration

Late Victorian Literary Collaboration

Author: Annachiara Cozzi

Publisher: Liverpool University Press

Published: 2024-07-22

Total Pages: 209

ISBN-13: 1835536883

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An exciting new contribution to the expanding but still largely uncharted territory of collaboration studies, Late Victorian Literary Collaboration is the first book-length study of the trend for collaborative writing that emerged in the last decades of the nineteenth century. As a result of the rapidly growing literary market, the years between 1870 and the turn of the century witnessed an unprecedented flow of collaboratively written novels. In the 1890s, co-authorship became a craze, with literary partnerships multiplying and fiction co-written by twenty and more authors appearing in the pages of popular magazines. By 1900, however, the trend had already reversed, and it quickly slipped into oblivion. Late Victorian Literary Collaboration investigates the factors that made the period so conducive to collaboration, tracing the reasons for its success and subsequent decline. Drawing on a vast range of original sources, the book discusses and compares different models of collaboration, from life-long, exclusive partnerships to one-time, widely-advertised collaborative ventures between best-selling novelists. It deals with authors such as Walter Besant, Somerville and Ross, Andrew Lang, H.R. Haggard and Rhoda Broughton, all favourites of the Victorian public but subsequently neglected and only recently reevaluated. By unpacking the debate that developed around co-authorship in the periodical press of the time, the book also sheds light on how collaborative authorship was imagined by the general public, and illustrates how the trend effectively – if temporarily – challenged Victorian assumptions about the author as a solitary genius.


Women's Literary Collaboration, Queerness, and Late-Victorian Culture

Women's Literary Collaboration, Queerness, and Late-Victorian Culture

Author: Jill R. Ehnenn

Publisher: Routledge

Published: 2017-05-15

Total Pages: 234

ISBN-13: 1351871242

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The first full-length study to focus exclusively on nineteenth-century British women while examining queer authorship and culture, Jill R. Ehnenn's book is a timely interrogation into the different histories and functions of women's literary partnerships. For Vernon Lee (Violet Paget) and 'Kit' Anstruther-Thomson; Somerville and Ross (Edith Somerville and Violet Martin); Elizabeth Robins and Florence Bell; and Katharine Bradley and Edith Cooper, the couple who wrote under the pseudonym of 'Michael Field', collaborative life and work functioned strategically, as sites of discursive resistance that critique Victorian culture in ways that would be characterized today as feminist, lesbian, and queer. Ehnenn's project shows that collaborative texts from such diverse genres as poetry, fiction, drama, the essay, and autobiography negotiate many limitations of post-Enlightenment patriarchy: Cartesian subjectivity and solitary creativity, industrial capitalism and alienated labor, and heterosexism. In so doing, these jointly authored texts employ a transgressive aesthetic and invoke the potentials of female spectatorship, refusals of representation, and the rewriting of history. Ehnenn's book will be a valuable resource for scholars and students of Victorian literature and culture, women's and gender studies, and collaborative writing.


Walter Besant

Walter Besant

Author: Kevin A. Morrison

Publisher: Liverpool English Texts and St

Published: 2019

Total Pages: 264

ISBN-13: 178962035X

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In the 1880s and 1890s, Walter Besant was one of Britain's most lionized living novelists. Today he is comparatively unknown. Bringing together literary critics and book historians, as well as social and cultural historians, this volume provides a major reassessment of Besant.


Women's Literary Collaboration, Queerness, and Late-Victorian Culture

Women's Literary Collaboration, Queerness, and Late-Victorian Culture

Author: Jill R. Ehnenn

Publisher: Ashgate Publishing, Ltd.

Published: 2008

Total Pages: 252

ISBN-13: 9780754652946

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As she explores the collaborations of Vernon Lee (Violet Paget) and Kit Anstruther-Thomson; Somerville and Ross (Edith Somerville and Violet Martin); Elizabeth Robins and Florence Bell; and Katharine Bradley and Edith Cooper (the pseudonymous Michael Field), Jill R. Ehnenn offers a timely interrogation into the different histories and functions of women's literary partnerships. Her book will be a valuable resource for scholars of Victorian culture, women's and gender studies, and collaborative writing.


Gender, Collaboration, and Authorship in German Culture

Gender, Collaboration, and Authorship in German Culture

Author: John B. Lyon

Publisher: Bloomsbury Publishing USA

Published: 2019-08-22

Total Pages: 353

ISBN-13: 1501351028

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Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.


Collaborative Writing in the Long Nineteenth Century

Collaborative Writing in the Long Nineteenth Century

Author: Heather Bozant Witcher

Publisher: Cambridge University Press

Published: 2022-03-17

Total Pages: 281

ISBN-13: 1009075500

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Bringing the collaborative process to life through an array of examples, Heather Witcher shows that sympathetic co-creation is far more than the mere act of writing together. While foregrounding the material aspects of collaboration – hands uniting on the page, blank space left for fellow contributors, the writing and exchanging of drafts – this study also illuminates its social aspects and its reliance on Victorian liberalism: dialogue, the circulation of correspondence, the lived experience of collaboration, and, on a less material plane, transhistorical collaborations with figures of the past. Witcher takes a broad approach to these partnerships and, in doing so, challenges traditional expectations surrounding the nature of authorship itself, not least its typical classification as a solitary activity. Within this new framework, collaboration enables the titles of 'coauthor,' 'influencer,' 'editor,' 'critic,' and 'inspiration' to coexist. This book celebrates the plurality of collaboration and underscores the truly social nature of nineteenth-century writing.


Embodying the Tactile in Victorian Literature

Embodying the Tactile in Victorian Literature

Author: Ann Gagné

Publisher: Rowman & Littlefield

Published: 2021-01-28

Total Pages: 151

ISBN-13: 1793617317

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Embodying the Tactile in Victorian Literature: Touching Bodies/Bodies Touching explores the importance of sensory studies in mid to late-Victorian literature. Ann Gagné reconciles the social and cultural issues surrounding embodiment, particularly gendered embodiment, through the lens of tactility and how touch can function as embodied residue. The main focus on tactility highlights bodily interactions through narrative description and positions lived experience as narrated and witnessed on the body through touch. By exploring four distinct types of tactility—reciprocal touch, architectural touch, self-touch, and telepathic touch—found in Victorian literature, Gagné reveals a larger social and cultural focus on ethics, care, the built environment, and pedagogy. Through analyses of more canonical texts such as Goblin Market alongside lesser known works by canonical authors such as Wilkie Collins’s “Mrs. Zant and the Ghost,” Gagné demonstrates how these same sensory considerations continue to be important today.


Writing Double

Writing Double

Author: Bette London

Publisher: Cornell University Press

Published: 2002-01-01

Total Pages: 254

ISBN-13: 0801474663

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Although Roland Barthes and Michel Foucault announced the death of the author several decades ago, critics have been slow to abandon the idea of the solitary writer. Bette London maintains that this notion has blinded us to the reality that writing is seldom an individual activity and that it has led us to overlook both the frequency with which women authors have worked together and the significance of their collaborative undertakings as a form of professional activity. In Writing Double, the first full-length treatment of women's literary partnerships, she goes to the heart of issues surrounding authorial identity. What is an author? Which forms of authorship are sanctioned and which forms marginalized? Which of these forms have particularly attracted women? Such questions are central to London's analysis of the challenge that women's literary collaboration presents to accepted notions of authorship. Focusing on British texts from the nineteenth and twentieth centuries, she considers a fascinating variety of works by largely noncanonical, and in some instances highly unconventional, authors—from the enormously popular novels composed by writing teams at the turn of the century, to the Brontë juvenilia and the occult scripts of Georgie Yeats and W. B. Yeats, to automatic writings produced by mediums purporting to be in communication with the spirit world.


Between Generations

Between Generations

Author: Victoria Ford Smith

Publisher: Univ. Press of Mississippi

Published: 2017-08-07

Total Pages: 348

ISBN-13: 1496813383

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Winner of the Children’s Literature Association’s 2019 Book Award Between Generations is a multidisciplinary volume that reframes children as powerful forces in the production of their own literature and culture by uncovering a tradition of creative, collaborative partnerships between adults and children in nineteenth- and early twentieth-century England. The intergenerational collaborations documented here provide the foundations for some of the most popular Victorian literature for children, from Margaret Gatty's Aunt Judy's Tales to Robert Louis Stevenson's Treasure Island. Examining the publication histories of both canonical and lesser-known Golden Age texts reveals that children collaborated with adult authors as active listeners, coauthors, critics, illustrators, and even small-scale publishers. These literary collaborations were part of a growing interest in child agency evident in cultural, social, and scientific discourses of the time. Between Generations puts these creative partnerships in conversation with collaborations in other fields, including child study, educational policy, library history, and toy culture. Taken together, these collaborations illuminate how Victorians used new critical approaches to childhood to theorize young people as viable social actors. Smith's work not only recognizes Victorian children as literary collaborators but also interrogates how those creative partnerships reflect and influence adult-child relationships in the world beyond books. Between Generations breaks the critical impasse that understands children's literature and children themselves as products of adult desire and revises common constructions of childhood that frequently and often errantly resign the young to passivity or powerlessness.


Collaborative Writing in the Long Nineteenth Century

Collaborative Writing in the Long Nineteenth Century

Author: Heather Bozant Witcher

Publisher: Cambridge University Press

Published: 2022-03-17

Total Pages: 281

ISBN-13: 1316513491

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Examining social and material dimensions of collaboration, this book reveals the diverse networks of nineteenth-century literary exchange.