In an ultimate test of friendship, Olivia and Codman agree to their manic friend Bertucci's plan to to spend one last night with him--the night before their high school graduation--in a movie theater that has been closed permanently.
Olivia, Bertucci, and Codman were the trio no one else in high school could quite figure out, an impenetrable triangle of friendship. Now they're graduating and about to start new lives away at college and without one another. Beyond their friendship, there's one thing they have in common: the Circle Cinema, a once-thriving old movie theater now reduced to a boarded up concrete box, condemned and about to be forgotten forever—which is, as far as Olivia and Codman can tell, a lot like what's going to happen to them. So in one last desperate effort to hold on to the secrets they share, Bertucci hatches a plan—an experiment, really. He convinces Olivia and Codman to join him in spending their last night before graduation locked inside the cinema's concrete walls. None of them can open the box before sunrise. Over the course of the night, the trio is then forced to face one another, the events of the past year, and whatever is to come when the new day dawns. Emily Franklin's Last Night at the Circle Cinema is the story of a friendship's end and moving rebirth.
Would you like to discover a new world of movies that expands your mind, warms your heart, and stirs you soul? If so, this book is sure to become a valuable resource for you.
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
LAUREL and HARDY - The European Tours is a companion to the much acclaimed BRITISH TOURS. It details not only the stage tours Laurel and Hardy played around Denmark, Sweden, France, and Belgium - from October 1947 to January 1948 - but the year the two Hollywood comedians spent in France, during the making of their 1950-51 film Atoll K. Included in this is a whistle-stop promotional visit to Italy, taking in San Remo, Genoa, Milan and Rome. In addition are details of two earlier visits to France - one by Laurel in 1927, and one by both comedians in 1932.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.