Available for the first time in English, a moving prison correspondence between a husband and wife who resisted the Nazis. Tegel prison, Berlin, in the fall of 1944. Helmuth James von Moltke is awaiting trial for his leading role in the Kreisau Circle, one of the most important German resistance groups against the Nazis. By a near miracle, the prison chaplain at Tegel is Harald Poelchau, a friend and coconspirator of Helmuth and his wife, Freya. From Helmuth’s arrival at Tegel in late September 1944 until the day of his execution by the Nazis on January 23, 1945, Poelchau would carry Helmuth’s and Freya’s letters in and out of prison daily, risking his own life. Freya would safeguard these letters for the rest of her long life. Last Letters is a profoundly personal record of the couple’s fortitude in the face of fascism.
Available for the first time in English, a moving prison correspondence between a husband and wife who resisted the Nazis. Tegel prison, Berlin, in the fall of 1944. Helmuth James von Moltke is awaiting trial for his leading role in the Kreisau Circle, one of the most important German resistance groups against the Nazis. By a near miracle, the prison chaplain at Tegel is Harald Poelchau, a friend and coconspirator of Helmuth and his wife, Freya. From Helmuth’s arrival at Tegel in late September 1944 until the day of his execution by the Nazis on January 23, 1945, Poelchau would carry Helmuth’s and Freya’s letters in and out of prison daily, risking his own life. Freya would safeguard these letters for the rest of her long life. Last Letters is a profoundly personal record of the couple’s fortitude in the face of fascism.
In the Third Reich, political dissidents were not the only ones liable to be punished for their crimes. Their parents, siblings and relatives also risked reprisals. This concept - known as Sippenhaft – was based in ideas of blood and purity. This definitive study surveys the threats, fears and infliction of this part of the Nazi system of terror.
From the Trojan Horse to Gulf War subterfuge, this far-reaching military history examines the importance and ingenuity of wartime deception campaigns. The art of military deception is as old as the art of war. This fascinating account of the practice draws on conflicts from around the world and across millennia. The examples stretch from the very beginnings of recorded military history—Pharaoh Ramses II's campaign against the Hittites in 1294 B.C.—to modern times, when technology has placed a stunning array of devices into the arsenals of military commanders. Military historians often underestimate the importance of deception in warfare. This book is the first to fully describe its value. Jon Latimer demonstrates how simple tricks have been devastatingly effective. He also explores how technology has increased the range and subtlety of what is possible—including bogus radio traffic, virtual images, even false smells. Deception in War includes examples from land, sea, and air to show how great commanders have always had, as Winston Churchill put it, that indispensable “element of legerdemain, an original and sinister touch, which leaves the enemy puzzled as well as beaten.”
"Monumental." --New York Times Book Review NEW YORK TIMES BESTSELLER From one of the foremost historians of the period and the acclaimed author of Inferno and Catastrophe: 1914, The Secret War is a sweeping examination of one of the most important yet underexplored aspects of World War II—intelligence—showing how espionage successes and failures by the United States, Britain, Russia, Germany, and Japan influenced the course of the war and its final outcome. Spies, codes, and guerrillas played unprecedentedly critical roles in the Second World War, exploited by every nation in the struggle to gain secret knowledge of its foes, and to sow havoc behind the fronts. In The Secret War, Max Hastings presents a worldwide cast of characters and some extraordinary sagas of intelligence and resistance, to create a new perspective on the greatest conflict in history.
The heart-pounding history of how Pope Pius XII -- often labeled "Hitler's Pope" -- was in fact an anti-Nazi spymaster, plotting against the Third Reich during World War II. The Vatican's silence in the face of Nazi atrocities remains one of the great controversies of our time. History has accused wartime pontiff Pius the Twelfth of complicity in the Holocaust and dubbed him "Hitler's Pope." But a key part of the story has remained untold. Pope Pius in fact ran the world's largest church, smallest state, and oldest spy service. Saintly but secretive, he sent birthday cards to Hitler -- while secretly plotting to kill him. He skimmed from church charities to pay covert couriers, and surreptitiously tape-recorded his meetings with top Nazis. Under his leadership the Vatican spy ring actively plotted against the Third Reich. Told with heart-pounding suspense and drawing on secret transcripts and unsealed files by an acclaimed author, Church of Spies throws open the Vatican's doors to reveal some of the most astonishing events in the history of the papacy. Riebling reveals here how the world's greatest moral institution met the greatest moral crisis in history.
“Helmut James von Moltke [1907-1945] pursued two related goals during the Second World War: to help victims of National Socialism and to prepare for post-National Socialist Germany and Europe. He worked toward the first goal as a specialist in international law in the army’s intelligence department. There he struggled to uphold principles of international law against Nazi policies of racism and aggression. To achieve the second goal, Moltke initiated what later became known as the Kreisau Circle, a group that discussed and drafted plans to rebuild and reorganize Germany after Hitler’s defeat. By birth and character Moltke was particularly well suited for his self-appointed tasks. He succeeded in his work for the army not only because of his exceptional abilities but also because of his name, which bestowed a degree of privilege and immunity. On his father’s side, he was a grandnephew of the famous Prussian field marshal, whose Silesian estate, Kreisau, he inherited. Through his mother, he was the grandson of Sir James Rose Innes, the liberal South African judge. Partly through him, Moltke developed a strong sense of social justice and a cosmopolitanism rare among the Junkers. As an aristocrat and a devout Christian, as an internationalist with socialist sympathies, Moltke won collaborators for the Kreisau Circle in the army, the bureaucracy, the Catholic and Protestant churches, and the trade unions... Moltke was arrested in January 1944 and sentenced to death a year later, while most of his associates were convicted in the trials following the attempt to kill Hitler in July 1944. This biography shows that Moltke not only distinguished between good and evil but, more important, felt a moral imperative to combat evil. His human greatness resulted from this combination of insight and action.” — Erich Hahn, The Journal of Modern History “This book owes much to the nature of [Helmuth and Freya von Moltke’s] relationship and the frequency of the letters, and to the fact that Michael Balfour and Julian Frisby, the English friends of Moltke’s, were able to use them to quote from them extensively. In these letters the man comes alive, though the book as a whole has the merit of putting them in their biographical and historical context.” — Beate Ruhm von Oppen, The New York Times “[An] excellent and moving book... an important contribution to our knowledge of the German resistance to Hitler... For the casual reader who wants to learn how a decent and able man reacted in a situation of brutality and horror, [Balfour and Frisby] have presented an engrossing story. For fellow historians they have made available a set of indispensable documents.” — Gordon R. Mork, History “The authors of this book have had access not only to the [Kreisau] Circle’s hopeful thoughts about the future shape of Germany, but also to Moltke’s revealing and voluminous letters to his wife, who survived him. This material has been admirably employed to construct a biography in the best historical tradition: that is, one which not only brings to life the central figure, but throws abundant light upon the times in which he lived... Moltke raised his own memorial. He has been fortunate in the two biographers who in this book have delineated and interpreted it.” — R. Cecil, International Affairs “This is an important addition to the growing literature on the German Resistance movement.” — Robert E. Neil, The American Historical Review “This new biography is written with real affection by two close personal friends of Moltke... provides a more personal angle, above all by the numerous quotations from Moltke’s letters to his wife which miraculously survived the war... gives us a fascinating picture of the problems any German opposition to Hitler had to face.” — F. L. Carsten, The Slavonic and East European Review “This is Helmuth von Moltke’s story, told by two of the many friends he made in England before the war years. The drama of the story sustains the narrative... Helmuth’s letter to his wife, written the day before his execution, is worth many times the price of the book.” — Worldview
Over the centuries some of the world’s greatest painters have explored and expressed their faith in God through their art. Here, Richard Harries invites you to reflect with him on thirty such artists, and to see how their paintings illuminate important aspects of Christian faith and teaching. Encompassing masterpieces by Rembrandt, Leonardo, Titian and Caravaggio as well as modern works by Chagall, Spencer and Rouault, this book presents the essentials of the faith in a way that will move the reader to respond with heart as well as head.
A haunting and powerful portrait of a young French girl, and her desire to escape the world in which she is born, without losing her identity In the marshy countryside of southwestern France, fourteen-year-old Galla rides her battered bicycle twenty miles, twice a month, from the high school she attends on scholarship back to her family’s rocky, barren farm. Galla’s loving, overwhelmed mother would prefer she stay at home, where Galla can look after her neglected little sisters and defuse her father’s brutal rages. What does this dutiful daughter owe her family, and what does she owe her own ambition? In Inès Cagnati’s haunting and visually powerful novel Free Day, winner of the 1973 Prix Roger Nimier, Galla makes an extra journey one frigid winter Saturday to surprise her mother. As she anticipates their reunion, she mentally retraces the crooked path of her family’s past and the more recent map of her school life as a poor but proud student. Galla’s dense interior monologue blends with the landscape around her, building a powerful portrait of a girl who yearns to liberate herself from the circumstances that confine her, without losing their ties to her heart.
