Ever since legwarmers were cool, best friends Tara, Katherine, and Fintan have survived small-town ennui, big-city heartbreak, and endless giddy nights out on the town. But now that they've graduated to their slightly more serious thirties, only Fintan has what can honestly be called a "love life." With Tara struggling daily with her eternal diet—and her dreadful, penny-pinching boyfriend—and Katherine keeping her single existence as organized as her drawer full of matching bra and panty sets, it seems they'll never locate the exit door out of the "last chance saloon." But it's always when you are least ready for change that fate insists on one. And when catastrophe inevitably follows crisis, the lives of three best friends are sure to change in unexpected ways ... and not necessarily for the worse. You devoured the hilarious antics of Claire in Watermelon. You laughed 'til you cried in Lucy Sullivan Is Getting Married. You took a vacation gone mad in Rachel's Holiday. You flew away with Margaret—good girl gone bad—in Angels. You got a peek inside the cutthroat world of women's fashion magazines in Sushi for Beginners. Now, raise your glass to Tara, Katherine, and Fintan in Last Chance Saloon.
The red warning light on her car dashboard drove Lainie Davis to seek help in the tiny town of Last Chance, New Mexico. But as she encounters the people who make Last Chance their home, it's her heart that is flashing bright red warning lights. These people are entirely too nice, too accommodating, and too interested in her personal life for Lainie's comfort--especially since she's on the run and hoping to slip away unnoticed. Yet in spite of herself, Lainie finds that she is increasingly drawn in to the dramas of small town life. An old church lady who always has room for a stranger. A handsome bartender with a secret life. A single mom running her diner and worrying over her teenage son. Could Lainie actually make a life in this little hick town? Or will the past catch up to her even here in the middle of nowhere? Cathleen Armstrong pens a debut novel filled with complex, lovable characters making their way through life and relationships the best they can. Her evocative descriptions, observational humor, and talent at rendering romantic scenes will earn her many fans.
On the verge of his sixtieth birthday, Bill's wife told him she was leaving for another man. He thought they had a happy marriage. She assured him that since the second week of their honeymoon, she'd known she'd married the wrong person. This all comes as a shock to Bill who must discover post-menopausal dating and sex.
Hannah, a woman in her sixties, thought she had found her last chance at love with Joe. But everything changes when Eamonn, an actor more than twenty years her junior, moves to their village, leaving behind his Hollywood lifestyle and a toxic marriage. Eamonn has returned to Ireland to be closer to his terminally ill father and is in search of inner tranquillity. He finds this with Hannah, who can offer him the peace and security that he needs. Despite Eamonn being smitten with Hannah, she resists him, feeling a little suspicious of his advances and questioning his motives. As well as having loyalty to Joe, she also carries the memory of a past trauma that has prevented her from enjoying her life to the full. Can Hannah forget her fears and suspicions and finally allow herself to be happy with Eamonn? A heart-warming story of love, healing and second chances set in Ireland.
Dope Rider is back in town! After a 30-year hiatus, Paul Kirchner brought back to life his iconic, bony stoner hero whose first adventures were a staple of the psychedelic counter-culture magazine High Times in the 1970s and 1980s. The new stories collected in this book were all created after 2015 and despite the years, Dope Rider has stayed essentially the same, still smoking his ever-present joint, getting high and chasing metaphysical dragons through whimsical realities in meticulously illustrated and colorful one-page adventures. Fans of the original Dope Rider comics will still find the bold graphical innovations, dubious puns and wild dreamscapes inspired by classical painting and western movies that were some of Dope Rider’s trademark. This time though, Kirchner draws from a much larger panel of influences, including modern pop – and pot – culture (lines and characters from Star Wars as well as references to Denver as the US weed capital can be found here and there) and a wider range of artistic references, from Alice in Wonderland to 2001: A Space Odyssey to Ed Roth’s Kustom Kulture. Native American culture and mythology, only hinted at in the classic adventures, is also much more present in the form of Chief, one of Dope Rider’s new sidekicks. Kirchner’s playful, tongue-in-cheek humor binds together all these influences into stories that mock both the mundane and the nonsensical alike. Paul Kirchner lives in Connecticut. He started his career in the 1970s as an assistant to Wally Wood. His original Dope Rider stories are collected among other early works in the book Awaiting the Collapse. He also created the bus, a surrealistic monthly strip published in Heavy Metal magazine from 1979 to 1985 and illustrated the graphic detective novel Murder by Remote Control written by Janwillem van de Wetering. Paul Kirchner went back to comics during the 2010s with the bus 2 in 2015 and Hieronymus & Bosch in 2018. He continues to insist he has never used drugs, not even for research purposes.
Peter Brown’s haunting photographs of the high plains, interspersed with Kent Haruf’s narratives of the people who live there. West of Last Chance is a unique collaboration between celebrated photographer Peter Brown and award-winning author Kent Haruf. The result is a profound visual/verbal dialogue of short prose pieces and large-format color images that brings to life this sometimes brutal and incredibly beautiful part of the country. Awarded the Dorothea Lange–Paul Taylor Prize by the Center for Documentary Studies at Duke University for this project in 2005, the authors write: “Our interest in this part of the world is contemporary but also includes its history and a mix of stories that have passed down over the years, stories that resonate with the land in interesting ways.” It is an evocative work concerned with “moments that describe the beauty, power, tragedy, and cultural complexity of the place itself: the way the land has been used, the way people have lived on it, and the visual record that has been left behind.”
Brett Cassidy, professional gunfighter, has hung up his guns for the peaceful life of a trapper, but one day he receives an urgent letter from a beautiful young widow. The settlers in Lonesome Valley need him. Cheyenne war smoke is rising, and a greedy saloon owner and his hired guns are making life hell for the widow and her friends. Strapping on his guns for one last time, Brett rides to help the homesteaders in their hour of need. But he's alone and faces a stacked deck in the final showdown in the Last Chance Saloon.
A brilliant, authoritative, and fascinating history of America’s most puzzling era, the years 1920 to 1933, when the U.S. Constitution was amended to restrict one of America’s favorite pastimes: drinking alcoholic beverages. From its start, America has been awash in drink. The sailing vessel that brought John Winthrop to the shores of the New World in 1630 carried more beer than water. By the 1820s, liquor flowed so plentifully it was cheaper than tea. That Americans would ever agree to relinquish their booze was as improbable as it was astonishing. Yet we did, and Last Call is Daniel Okrent’s dazzling explanation of why we did it, what life under Prohibition was like, and how such an unprecedented degree of government interference in the private lives of Americans changed the country forever. Writing with both wit and historical acuity, Okrent reveals how Prohibition marked a confluence of diverse forces: the growing political power of the women’s suffrage movement, which allied itself with the antiliquor campaign; the fear of small-town, native-stock Protestants that they were losing control of their country to the immigrants of the large cities; the anti-German sentiment stoked by World War I; and a variety of other unlikely factors, ranging from the rise of the automobile to the advent of the income tax. Through it all, Americans kept drinking, going to remarkably creative lengths to smuggle, sell, conceal, and convivially (and sometimes fatally) imbibe their favorite intoxicants. Last Call is peopled with vivid characters of an astonishing variety: Susan B. Anthony and Billy Sunday, William Jennings Bryan and bootlegger Sam Bronfman, Pierre S. du Pont and H. L. Mencken, Meyer Lansky and the incredible—if long-forgotten—federal official Mabel Walker Willebrandt, who throughout the twenties was the most powerful woman in the country. (Perhaps most surprising of all is Okrent’s account of Joseph P. Kennedy’s legendary, and long-misunderstood, role in the liquor business.) It’s a book rich with stories from nearly all parts of the country. Okrent’s narrative runs through smoky Manhattan speakeasies, where relations between the sexes were changed forever; California vineyards busily producing “sacramental” wine; New England fishing communities that gave up fishing for the more lucrative rum-running business; and in Washington, the halls of Congress itself, where politicians who had voted for Prohibition drank openly and without apology. Last Call is capacious, meticulous, and thrillingly told. It stands as the most complete history of Prohibition ever written and confirms Daniel Okrent’s rank as a major American writer.
New York Times Bestseller Named one of the Best Books of the Year by the Seattle Times The Last Kind Words Saloon marks the triumphant return of Larry McMurtry to the nineteenth-century West of his classic Lonesome Dove. In this "comically subversive work of fiction" (Joyce Carol Oates, New York Review of Books), Larry McMurtry chronicles the closing of the American frontier through the travails of two of its most immortal figures, Wyatt Earp and Doc Holliday. Tracing their legendary friendship from the settlement of Long Grass, Texas, to Buffalo Bill's Wild West Show in Denver, and finally to Tombstone, Arizona, The Last Kind Words Saloon finds Wyatt and Doc living out the last days of a cowboy lifestyle that is already passing into history. In his stark and peerless prose McMurtry writes of the myths and men that live on even as the storied West that forged them disappears. Hailed by critics and embraced by readers, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.
Go further under the covers and stay in bed a little longer with Marian Keyes in this winning follow-up to her smash essay collection, Under the Duvet. Written in the witty, forthright style that has earned her legions of devoted readers, Cracks in My Foundation offers an even deeper and more candid look into this beloved author's mind and heart, exploring such universal themes as friends and family, home, glamour and beauty, children, travel, and more. Marian's hilarious and thoughtful take on life makes her readers feel they are reading a friend, not just an author. Marian continues to entertain with her reports from the trenches, and throws in some original short fiction as well. Whether it's visiting Siberia, breaking it off with an old hairdresser, shopping (of course!), turning forty, living with her beloved husband, Himself (a man beyond description), or musing on the F word (feminism), Marian shares the joys, passions, and sorrows of her world and helps us feel good about our own. So grab a latte and a pillow and get ready to laugh your slippers off!
