Beyond the Rubicon

Beyond the Rubicon

Author: J. H. C. Williams

Publisher: Clarendon Press

Published: 2001-07-12

Total Pages: 284

ISBN-13: 0191541575

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Throughout the middle and late Republican periods (fourth to first centuries BC) the Romans lived in fear and loathing of the Gauls of northern Italy, caused primarily by their collective historical memory of the destruction of the city of Rome by Gauls in 387 BC. By examining the literary evidence relating to the historical, ethnographic, and geographic writings of Greeks and Romans of the period - focusing on invasion and conflict - this book attempts to answer the questions how and why the Gauls became the deadly enemy of the Romans. Dr Williams also examines the problematic notion of the Gauls as 'Celts' which has been so influential in historical and archaeological accounts of northern Italy in the late pre-Roman Iron Age by modern scholars. The book concludes that ancient literary evidence and modern ethnic presumptions about 'Celts' are not a sound basis for reconstructing either the history of the Romans' interaction with the peoples of northern Italy or for interpreting the material evidence.


Celtic Art in Europe

Celtic Art in Europe

Author: Christopher Gosden

Publisher: Oxbow Books

Published: 2014-08-29

Total Pages: 417

ISBN-13: 1782976582

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The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal’s Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Nominated for Current Archaeology Book of the Year 2016.


Art in the Eurasian Iron Age

Art in the Eurasian Iron Age

Author: Courtney Nimura

Publisher: Oxbow Books

Published: 2020-02-28

Total Pages: 400

ISBN-13: 1789253950

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Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.


The Grove Encyclopedia of Medieval Art and Architecture

The Grove Encyclopedia of Medieval Art and Architecture

Author: Colum Hourihane

Publisher:

Published: 2012

Total Pages: 4064

ISBN-13: 0195395360

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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.


Cultural Identity and Archaeology

Cultural Identity and Archaeology

Author: P. Graves-Brown

Publisher: Routledge

Published: 2013-04-15

Total Pages: 312

ISBN-13: 1134683413

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Cultural identity is a key area of debate in contemporary Europe. Despite widespread use of the past in the construction of ethnic, national and European identity, theories of cultural identity have been neglected in archaeology. Focusing on the interrelationships between concepts of cultural identity today and the interpretation of past cultural groups, Cultural Identity and Archaeology offers proactive archaeological perspectives in the debate surrounding European identities. This fascinating and thought-provoking book covers three key areas. It considers how material remains are used in the interpretation of cultural identities, for example ‘pan-Celtic culture’ and ‘Bronze Age Europe’. Finally, it looks at archaeological evidence for the construction of cultural identities in the European past. The authors are critical of monolithic constructions of Europe, and also of the ethnic and national groups within it. in place of such exclusive cultural, political and territorial entities the book argues for a consideration of the diverse, hybrid and multiple nature of European cultural identities.


Barbaric Splendour: The Use of Image Before and After Rome

Barbaric Splendour: The Use of Image Before and After Rome

Author: Toby F. Martin

Publisher: Archaeopress Publishing Ltd

Published: 2020-06-11

Total Pages: 152

ISBN-13: 1789696607

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This book comprises a collection of essays comparing late Iron Age and Early Medieval art. Fundamentally, the book asks what making images meant on the fringe of the expanding or contracting Roman empire, particularly as the art from both periods drew heavily from – but radically transformed – imperial imagery.


Cultural Identity and Archaeology

Cultural Identity and Archaeology

Author: Paul Graves-Brown

Publisher: Psychology Press

Published: 1996

Total Pages: 312

ISBN-13: 9780415106764

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Cultural identity is a key area of debate in contemporary Europe. Despite widespread use of the past in the construction of ethnic, national and European identity, theories of cultural identity have been neglected in archaeology. Focusing on the interrelationships between concepts of cultural identity today and the interpretation of past cultural groups, Cultural Identity and Archaeology offers proactive archaeological perspectives in the debate surrounding European identities. This fascinating and thought-provoking book covers three key areas. It considers how material remains are used in the interpretation of cultural identities, for example 'pan-Celtic culture' and 'Bronze Age Europe'. Finally, it looks at archaeological evidence for the construction of cultural identities in the European past. The authors are critical of monolithic constructions of Europe, and also of the ethnic and national groups within it. in place of such exclusive cultural, political and territorial entities the book argues for a consideration of the diverse, hybrid and multiple nature of European cultural identities.


The Archaeology of Celtic Art

The Archaeology of Celtic Art

Author: D.W. Harding

Publisher: Routledge

Published: 2007-06-11

Total Pages: 646

ISBN-13: 1134264631

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More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.