Language, Science and Popular Fiction in the Victorian Fin-de-Siècle

Language, Science and Popular Fiction in the Victorian Fin-de-Siècle

Author: Christine Ferguson

Publisher: Routledge

Published: 2017-03-02

Total Pages: 166

ISBN-13: 1351923323

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Christine Ferguson's timely study is the first comprehensive examination of the importance of language in forming a crucial nexus among popular fiction, biology, and philology at the Victorian fin-de-siècle. Focusing on a variety of literary and non-literary texts, the book maps out the dialogue between the Victorian life and social sciences most involved in the study of language and the literary genre frequently indicted for causing linguistic corruption and debasement - popular fiction. Ferguson demonstrates how Darwinian biological, philological, and anthropological accounts of 'primitive' and animal language were co-opted into wider cultural debates about the apparent brutality of popular fiction, and shows how popular novelists such as Marie Corelli, Grant Allen, H.G. Wells, H. Rider Haggard, and Bram Stoker used their fantastic narratives to radically reformulate the relationships among language, thought, and progress that underwrote much of the contemporary prejudice against mass literary taste. In its alignment of scientific, cultural, and popular discourses of human language, Language, Science, and Popular Fiction in the Victorian Fin-de-Siècle stands as a corrective to assessments of best-selling fiction's intellectual, ideological, and aesthetic simplicity.


Writing Popular Fiction

Writing Popular Fiction

Author: Dean Ray Koontz

Publisher: Writers Digest Books

Published: 1973

Total Pages: 232

ISBN-13: 9780911654219

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Aspiring novelists are given advice on writing polishing, and marketing mysteries, suspense tales, Westerns, science fiction, and romances


Popular Fiction

Popular Fiction

Author: Ken Gelder

Publisher: Psychology Press

Published: 2004

Total Pages: 196

ISBN-13: 9780415356473

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In this important book, Ken Gelder offers a lively and comprehensive account of popular fiction as a distinctive literary and cultural field, tied directly to the logics and practices of entertainment and industry.


Sanskrit Computational Linguistics

Sanskrit Computational Linguistics

Author: Gérard Huet

Publisher: Springer

Published: 2009-02-18

Total Pages: 439

ISBN-13: 3642001556

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This volume constitutes the thoroughly refereed post-conference proceedings of the First and Second International Symposia on Sanskrit Computational Linguistics, held in Rocquencourt, France, in October 2007 and in Providence, RI, USA, in May 2008 respectively. The 11 revised full papers of the first and the 12 revised papers of the second symposium presented with an introduction and a keynote talk were carefully reviewed and selected from the lectures given at both events. The papers address several topics such as the structure of the Paninian grammatical system, computational linguistics, lexicography, lexical databases, formal description of sanskrit grammar, phonology and morphology, machine translation, philology, and OCR.


The Fictions of Language and the Languages of Fiction

The Fictions of Language and the Languages of Fiction

Author: Monika Fludernik

Publisher: Routledge

Published: 2003-12-16

Total Pages: 548

ISBN-13: 1134872879

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Monika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory, and the crucial problematic of how speech and thought are represented in fiction. Building on the insights of Ann Banfield's Unspeakable Sentences, Fludernik radically extends Banfield's model to accommodate evidence from conversational narrative, non-fictional prose and literary works from Chaucer to the present. Fludernik's model subsumes earlier insights into the forms and functions of quotation and aligns them with discourse strategies observable in the oral language. Drawing on a vast range of literature, she provides an invaluable resource for researchers in the field and introduces English readers to extensive work on the subject in German as well as comparing the free indirect discourse features of German, French and English. This study effectively repositions the whole area between literature and linguistics, opening up a new set of questions in narrative theory.


Twenty-First-Century Popular Fiction

Twenty-First-Century Popular Fiction

Author: Bernice M. Murphy

Publisher: Edinburgh University Press

Published: 2017-12-04

Total Pages: 257

ISBN-13: 1474414869

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This groundbreaking collection provides students with a timely and accessible overview of current trends within contemporary popular fiction.


Encyclopedia of American Popular Fiction

Encyclopedia of American Popular Fiction

Author: Geoff Hamilton

Publisher: Infobase Publishing

Published: 2010-05-12

Total Pages: 412

ISBN-13: 1438116942

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Covers contemporary authors and works that have enjoyed commercial success in the United States but are typically neglected by more "literary" guides. Provides high school and college students with everything they need to know to understand the authors and works of American popular fiction.


Prose Fiction: An Introduction to the Semiotics of Narrative

Prose Fiction: An Introduction to the Semiotics of Narrative

Author: Ignasi Ribó

Publisher: Open Book Publishers

Published: 2019-12-13

Total Pages: 119

ISBN-13: 1783748125

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This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.


About Writing

About Writing

Author: Samuel R. Delany

Publisher: Wesleyan University Press

Published: 2014-09-15

Total Pages: 433

ISBN-13: 0819574244

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From the four-time Nebula Award–winning novelist and literary critic, essential reading for the creative writer. Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster’s Aspects of the Novel and Lajos Egri’s Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere. “Delany has certainly spent more time thinking about the process of generating narratives—and subsequently getting the fruits of his lucubrations down on paper?than any other writer in the genre. . . . Delany’s latest volume in this vein (About Writing) might be his best yet... Truly, as the jacket copy boasts, this book is the next best thing to taking one of Delany’s courses. . . . [R]eaders will find many answers here to the mysteries of getting words down on a page.” —Paul DiFilippo, Asimov’s Science Fiction “Useful and thoughtful advice for aspiring (and practicing apprentice) authors. About Writing is autobiography, criticism, and a guidebook to good writing all in one.” —Robert Elliot Fox, Professor of English, Southern Illinois University at Carbondale “Should go on the short list of required reading for every would-be writer.” —New York Times Book Review (on Of Doubts and Dreams in About Writing)


The Cambridge Companion to Popular Fiction

The Cambridge Companion to Popular Fiction

Author: David Glover

Publisher: Cambridge University Press

Published: 2012-04-05

Total Pages: 245

ISBN-13: 0521513375

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An overview of popular literature from the early nineteenth century to the present day from a historical and comparative perspective.