Language and Typography
Author: Cal Swann
Publisher: Van Nostrand Reinhold Company
Published: 1991
Total Pages: 110
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Cal Swann
Publisher: Van Nostrand Reinhold Company
Published: 1991
Total Pages: 110
ISBN-13:
DOWNLOAD EBOOKAuthor: Jason Tselentis
Publisher: Rockport Publishers
Published: 2012-02-01
Total Pages: 400
ISBN-13: 1610582055
DOWNLOAD EBOOKTypography, Referenced is the single most comprehensive volume covering every aspect of typography that any design student, professional designer, or design aficionado needs to know today. In these pages, you'll find: —Thousands of illustrated examples of contemporary usage in design —Historical developments from Greek lapidary letters to the movie Helvetica —Landmark designs turning single letters into typefaces —Definitions of essential type-specific language, terms, ideas, principles, and processes —Ways technology has influenced and advanced type —The future of type on the web, mobile devices, tablets, and beyond In short, Typography, Referenced is the ultimate source of typographic information and inspiration, documenting and chronicling the full scope of essential typographic knowledge and design from the beginnings of moveable type to the present "golden age" of typography.
Author: John D. (ed.). Berry
Publisher: Graphis Incorporated
Published: 2002
Total Pages: 398
ISBN-13: 9781932026016
DOWNLOAD EBOOKLanguage Culture Type grew out of the first international type-design competition, the 2001 bukva: raz!, whose goal was to promote global cultural pluralism, interaction, and diversity in typographic communications. The book lavishly presents the winning entries, along with information about each typeface, its language, and its designer. A series of essays gives context for the interplay of types and languages in the world today -- including the attempt to mesh all existing scripts into a single digital encoding system called Unicode. It also delves into the specific issues around developing typefaces for the many linguistic cultures in the world, from the various Cyrillic letterforms to Vietnam's ancient ideographic script.
Author: Philip B. Meggs
Publisher: John Wiley & Sons
Published: 1992-03-15
Total Pages: 220
ISBN-13: 9780471284925
DOWNLOAD EBOOKType and Image The Language of Graphic Design Philip B. Meggs What is the essence of graphic design? How do graphic designers solve problems, organize space, and imbue their work with those visual and symbolic qualities that enable it to convey visual and verbal information with expression and clarity? The extraordinary flowering of graphic design in our time, as a potent means for communication and a major component of our visual culture, increases the need for designers, clients, and students to comprehend its nature. In this lively and lavishly illustrated book, the author reveals the very essence of graphic design. The elements that combine to form a design— sings, symbols, words, pictures, and supporting forms—are analyzed and explained. Graphic design’s ability to function as language, and the innovative ways that designers combine words and pictures, are discussed. While all visual arts share common spatial properties, the author demonstrates that graphic space has unique characteristics that are determined by its communicative function. Graphic designs can have visual and symbolic properties which empower them to communicate with deep expression and meaning. The author defines this property as graphic resonance and explains how it occurs. After defining design as a problem-solving process, a model for this process is developed and illustrated by an in-depth analysis of actual case histories. This book will provide insight and inspiration for everyone who is interested or involved in graphic communications. While most materials about form and meaning in design have a European origin, this volume is based on the dynamic and expressive graphic design of America. The reader will find inspiration, hundreds of exciting examples by many of America’s outstanding graphic designers, and keen insights in Type and Image.
Author: Fernand Baudin
Publisher: Ben Uri Gallery & Museum
Published: 1989
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOKAuthor: Nikki Villagomez
Publisher: Simon and Schuster
Published: 2015-06-25
Total Pages: 208
ISBN-13: 1440338558
DOWNLOAD EBOOKInspire your type designs with the side-by-side travel photo comparisons in Culture+Typograhpy by Nikki Villagomez. Each image features examples of typography in culture and is accompanied by cultural and historical commentary. Explore how design choices can be informed by the language of the cultural surroundings, and learn more about type selection, color usage and more with this book.
Author: Phil Baines
Publisher: Laurence King Publishing
Published: 2005
Total Pages: 226
ISBN-13: 9781856694377
DOWNLOAD EBOOKProviding an essential grounding for both students and professionals, this text takes readers through every aspect of typography, from the history of language and writing systems to the invention of moveable type and the evolution of the digital systems of today.
Author: Michael Mitchell
Publisher:
Published: 2005
Total Pages: 452
ISBN-13:
DOWNLOAD EBOOKBooks depend on good design to communicate. This practical guide to typography explains the principles of good design, why they exist and when and how to put them into practice.
Author: Alex W. White
Publisher: Allworth
Published: 2016-10-25
Total Pages: 272
ISBN-13: 9781621535355
DOWNLOAD EBOOKWith this visually stunning primer, designers will develop the skills and vision to produce truly innovative, eye-catching type design. All the basics of type design are covered, and in-depth information is provided on more advanced topics such as the differences between type applications, how typography creates identity, and what best inspires readers. Chapters cover: The language of type Space and type Typographic unity What makes readers respond Type and identity Evolving type treatments Readability and legibility A timeline of the evolution of writing and typography Designer Alex W. White packs the pages with fifteen hundred images—modern and ancient, specially created and found—that illustrate typographic concepts and continue to yield more complexity and connectivity with each viewing. Listening to Type proves that type is much more than groups of letterforms on a page; it is a language with the ability to convey meaning and evoke emotions beyond the spoken words it symbolizes. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Jim Kacian
Publisher:
Published: 2021-09-15
Total Pages:
ISBN-13: 9781947271876
DOWNLOAD EBOOKIf you look at the history and the specialities of monoku and collage, you will come to the interesting conclusion that both genres are amazingly different and similar at the same time?-?and can therefore complement and expand each other excellently due to their complexities and ambiguities.Jim Kacian and Terry Ann Carter, both masters of their respective genres, unerringly and creatively explore new boundaries with their joint works in this book, and yet?-?or precisely because of this?-?allow the spark of poetry to jump over in new and surprising ways. Both monoku and collage seem to bring together fragments of this world here, the "traces" of their origins remain visible sometimes only imaginable, at the same time narrative lines are interrupted . . . the viewer's imagination becomes part of the artistic process.The deliberate omission (elision) in monoku and pos-sible free spaces (ma) in collages are two techniques that can astonishingly complement and enrich each other in their interplay. Seen in this light, the works in this book certainly correspond to the overall conception of a haiga.