The World Walls separating the "real world" from the alternate world of Faerie are becoming so thin that Faerie can now be seen in satellite photographs. As craven mortal land developers threaten to exploit the magic lands, David Sullivan finds that it is up to him and his friends to prevent the High King Lugh from implementing his "final solution" to a most vexing problem—humankind.
The discovery of a powerful gemstone leads to a desperate conflict between Ixti, an overpopulated desert kingdom, and Eron, a snowy land trying to cope with a deadly plague.
David Sullivan, a Georgia teenager, enjoys reading Irish myth. When he develops Second Sight, however, the reality of the Faerie world proves as dangerous as it is fantastic. When David'ss brother is stolen and his uncle felled by Faery magic, David enlist
By identifying similarities in various books, this annual selection guide helps readers to independently choose titles of interest published in the last year.Each entry describes a separate book, listing everything readers need to know to make selections. Arranged by author within six genre sections, detailed entries provide: Title Publisher and publication dateSeriesNames and descriptions of charactersTime period and geographical settingReview citationsStory typesBrief plot summarySelected other books by the authorSimilar books by different authorsAuthor, title, series, character name, character description, time period, geographic setting and genre/sub-genre indexes are included to facilitate research.
Magical tracks of silver and gold connect our world to others. But now an evil wind blows among them all—bringing with it the scent of war... Lugh Samildinach, High King of Tir-Nan-Og, has been deposed and imprisoned, and the throne of Faerie is under siege. Those who would seize its power bear little love for humankind, and will risk everything to defend their weakening borders from the unwitting invasion of mortal land developers—even if it means drowning the entire state of Georgia. David Sullivan, human liason between mortal and Faerie, must summon his friends to aid both races. Armed with weapons of iron and magic, they must rescue the captured Faerie King and forestall the despoilers of David's beloved homeland. But even as the fate of thousands hangs in the balance, a very personal tragedy raises the stakes for David alone...who has discovered just what he stands to lose if he should fail.
Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Encyclopedia of Fantasy and Horror Fiction provides comprehensive coverage of the major authors and works in these popular genres. Each entry includes a brief discussion of the author's life and work and includes a full bibliography. Each entry on
A FISH COULD LOVE A BIRD recounts the interracial marriage between Lauren, a Caucasian Canadian artist, and Chen, a Chinese Malaysian physician, who met at the University of British Columbia. The newly-weds will live with his parentsWong, a rubber plantation owner, and Tan, who runs a beauty salon. Lauren, coming directly from a privileged life in Vancouver with her BFA degree in her suitcase, faces crucial challenges entering the home and culture of a Chinese family. Feeling like an alien, she is battered by superstitions, treated with mysterious potions from the apothecary and pressured from the beginning to have a boy baby. As eldest son, Chen is torn between the bounden duty to his parents and the expectations of his feisty, energetic wife. The novel gives a close look at many facets of Malaysian lifefrom hot ginger compresses to devils peeking in windows. In the face of overwhelming socio-cultural differences, can the marriage of Lauren and Chen survive?
