Landscape And Power In Ancient Mesoamerica
Landscape And Power In Ancient Mesoamerica

Author: Rex Koontz

Publisher: Routledge

Published: 2018-02-23

Total Pages: 400

ISBN-13: 0429979045

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From the early cities in the second millennium BC to the Aztec capital of Tenochtitlan on the eve of the Spanish conquest, Ancient Mesoamericans created landscapes full of meaning and power in the center of their urban spaces. The sixteenth century description of Tenochtitlan by Bernal Diaz del Castillo and the archaeological remnants of Teotihuacan attest to the power and centrality of these urban configurations in Ancient Mesoamerican history. In Landscape and Power in Ancient Mesoamerica, Rex Koontz, Kathryn Reese-Taylor, and Annabeth Headrick explore the cultural logic that structured and generated these centers.Through case studies of specific urban spaces and their meanings, the authors examine the general principles by which the Ancient Mesoamericans created meaningful urban space. In a profoundly interdisciplinary exchange involving both archaeologists and art historians, this volume connects the symbolism of those landscapes, the performances that activated this symbolism, and the cultural poetics of these ensembles.

Landscape And Power In Ancient Mesoamerica
Landscape And Power In Ancient Mesoamerica

Author: Rex Koontz

Publisher: Westview Press

Published: 2001-05-03

Total Pages: 418

ISBN-13: 0813337321

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The authors of this volume investigate the meaning of Ancient Mesoamerican space, specifically, how the elements of urban landscape were related to each other, and to other fundamental aspects of Ancient Mesoamericans. Essays in this volume highlight the importance of performance, poetics, and politics in the construction of meaningful space and its deployment in performance.

Houses in a Landscape
Houses in a Landscape

Author: Julia A. Hendon

Publisher: Duke University Press

Published: 2010-04-22

Total Pages: 311

ISBN-13: 0822391724

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In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces. Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.

Power, Political Economy, and Historical Landscapes of the Modern World
Power, Political Economy, and Historical Landscapes of the Modern World

Author: Christopher R. DeCorse

Publisher: State University of New York Press

Published: 2019-04-15

Total Pages: 420

ISBN-13: 1438473443

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This interdisciplinary volume brings together a richly substantive collection of case studies that examine European-indigene interactions, economic relations, and their materialities in the formation of the modern world. Research has demonstrated the extent and complexity of the varied local economic and political systems, and diverse social formations that predated European contact. These preexisting systems articulated with the expanding European economy and, in doing so, shaped its emergence. Moving beyond the confines of national or Atlantic histories to examine regional systems and their historical trajectories on a global scale, the studies within this volume draw examples from the Caribbean, Mesoamerica, North America, South America, Africa, and South Asia. While the contributions are rooted in substantive studies from different world areas, their overarching aim is to negotiate between global and local frames, revealing how the expanding world-system entangled the non-Western world in global economies, yet did so in ways that were locally articulated, varied and, often, non-European in their expression.

Landscapes of Movement
Landscapes of Movement

Author: James E. Snead

Publisher: University of Pennsylvania Press

Published: 2011-09-01

Total Pages: 383

ISBN-13: 1934536539

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The essays in this volume document trails, paths, and roads across different times and cultures, from those built by hunter-gatherers in the Great Basin of North America to causeway builders in the Bolivian Amazon to Bronze Age farms in the Near East, through aerial and satellite photography, surface survey, historical records, and excavation.

Memory Traces
Memory Traces

Author: Cynthia Kristan-Graham

Publisher: University Press of Colorado

Published: 2015-10-15

Total Pages: 263

ISBN-13: 160732377X

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In Memory Traces, art historians and archaeologists come together to examine the nature of sacred space in Mesoamerica. Through five well-known and important centers of political power and artistic invention in Mesoamerica—Tetitla at Teotihuacan, Tula Grande, the Mound of the Building Columns at El Tajín, the House of the Phalli at Chichén Itzá, and Tonina—contributors explore the process of recognizing and defining sacred space, how sacred spaces were viewed and used both physically and symbolically, and what theoretical approaches are most useful for art historians and archaeologists seeking to understand these places. Memory Traces acknowledges that the creation, use, abandonment, and reuse of sacred space have a strongly recursive relation to collective memory and meanings linked to the places in question and reconciles issues of continuity and discontinuity of memory in ancient Mesoamerican sacred spaces. It will be of interest to students and scholars of Mesoamerican studies and material culture, art historians, architectural historians, and cultural anthropologists. Contributors: Laura M. Amrhein, Nicholas P. Dunning, Rex Koontz, Cynthia Kristan-Graham, Matthew G. Looper, Travis Nygard, Keith M. Prufer, Matthew H. Robb, Patricia J. Sarro, Kaylee Spencer, Eric Weaver, Linnea Wren

The Political Economy of Ancient Mesoamerica
The Political Economy of Ancient Mesoamerica

Author: Vernon Lee Scarborough

Publisher: UNM Press

Published: 2007

Total Pages: 248

ISBN-13: 9780826342980

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One of the most culturally diverse regions of the ancient world, Mesoamerica was also one of the fledgling areas for state formation. The case studies in this volume interpret Mesoamerican civilization through the emergence, resilience, and occasional demise of Mesoamerica's early and developing political economies. An exploration of the unique adaptations and approaches taken by Mesoamerican societies to cope with their evolving landscapes provides insight on how these states were organized and the varying ways in which state affairs were conducted between regions and through time. Although several factors are presented and discussed for the rise and fall of the many complex societies, the book maintains a consistent emphasis on the political economy and its transformative effects over labor, land, and water. Inspired by the impact of the annual yearbook Research in Economic Anthropology (REA) and its longstanding editor, Barry L. Isaac, the contributors in this volume were assembled to honor Isaac and selected based on their previous association with Isaac and REA as well as their knowledge of particular regions of Mesoamerica.

The Art of Urbanism
The Art of Urbanism

Author: William Leonard Fash

Publisher: Harvard University Press

Published: 2009

Total Pages: 496

ISBN-13: 9780884023449

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The Art of Urbanism explores how the royal courts of powerful Mesoamerican centers represented their kingdoms in architectural, iconographic, and cosmological terms. Through an investigation of the ecological contexts and environmental opportunities of urban centers, the contributors consider how ancient Mesoamerican cities defined themselves and reflected upon their physicalâe"and metaphysicalâe"place via their built environment. Themes in the volume include the ways in which a kingdomâe(tm)s public monuments were fashioned to reflect geographic space, patron gods, and mythology, and how the Olmec, Maya, Mexica, Zapotecs, and others sought to center their world through architectural monuments and public art. This collection of papers addresses how communities leveraged their environment and built upon their cultural and historical roots as well as the ways that the performance of calendrical rituals and other public events tied individuals and communities to both urban centers and hinterlands. Twenty-three scholars from archaeology, anthropology, art history, and religious studies contribute new data and new perspectives to the understanding of ancient Mesoamericansâe(tm) own view of their spectacular urban and ritual centers.

The Codex Mendoza: new insights
The Codex Mendoza: new insights

Author: Jorge Gómez Tejada

Publisher: USFQ Press

Published: 2022-02-16

Total Pages: 536

ISBN-13: 9978682074

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Conceived as a contribution to the continuous construction of the identity of the Codex Mendoza, the present volume is organized around three axes: material analysis, textual and stylistic interpretation, and reception and circulation studies. The works of Barker-Benfield and MOLAB further our objective of understanding the manuscript's materiality. The re-binding and conservation process registered by Barker-Benfield has allowed us to do away with speculation regarding the method of production used to create the manuscript and its previous bindings. This, in turn, has allowed heretofore accepted connections, such as the authorship of Francisco Gualpuyogualcal, to be reexamined. Similarly, the analysis undertaken by the MOLAB team and headed by Davide Domenici has settled the debate on the nature of the pigments used in the production of the manuscript. This has added additional layers of nuance to previously held interpretative hypotheses on the meaning of specific pigments and the strictness of their application in the tlacuilolli. While color holds meaning for the tlacuilo, color is not inexorably linked to its materiality. These observations have the potential to inspire a new generation of interpretative studies, based on ever more accurate data regarding the material nature of the Codex Mendoza. Interpretative studies of the manuscript in this volume represent a line of inquiry that, by considering the manuscript from the complex perspectives of the work of art, literature, and bibliography, complement previous anthropological and historical readings of the Codex Mendoza. My essays as well as those by Diana Magaloni and Daniela Bleichmar reconsider the number and style of the artists who produced the manuscript in order to understand both the process by which it was created as well as the place it occupies in the artistic context of the early viceroyalty. Far from entering a binary relation between subjugator and subjugated, the decisions made by these artists and intellectuals manifest the forms of thinking and seeing time and space in the Mesoamerican world. I demonstrate that the pictures in the Codex Mendoza were painted in a workshop in which one, two, or more individuals collaborated on each page to create a single composition; as such, the creation of these pictures took on an air of rituality and functioned as "an instrument to recreate, reactualize, and make coherent the historical becoming linked to territory with cosmic patterns" (Magaloni, this volume). This last observation complements and reinforces Joanne Harwood's proposed reading of the third section of the manuscript. For Harwood, notwithstanding the originality of the visual solutions used to compose this section of the manuscript, the Codex Mendoza's pre-Columbian model resonates with a Mesoamerican religious genre: the teoamoxtli.