Back-breaking days of lifting potatoes; excruciating hours of pulling thistles; total inadequacy when faced with a group of belligerent sows - these are the stories that Pat Peters recalls. The language is strong: 'Get the 'ell away. What do 'ee think you're playing at. Bloody Land girls.' He looked straight at me. 'Get the 'ell out of 'ere before the sows drop their young 'uns.' The girls felt that they were being shunted around like cattle and in the end rebelled at their treatment. Some of the members left the service and returned to city life. Others, like Pat, who became a farmer's wife in Cornwall, stayed in the countryside for the rest of their lives.
The physical, emotional, and social milestones of every girl's life: what we've lost and gained in the 21st century. The physical, emotional, and social milestones of every girl's life: what we've lost and gained in the 21st century. Caitlin Flanagan's essays about marriage, sex, and families have sparked national debates. Now she turns her attention to girls: the biological and cultural milestones for girls today, and how they shape a girl's sense of herself. The transition from girl to woman is an experience that has changed radically over the generations: everything from how a girl learns about her period to how she expects to be treated by boys and men. Girls today observe these passages very differently, and yet the landmarks themselves have remained remarkably constant-proof, Flanagan believes, of their significance. In a world where protections of girls' privacy and personal freedom seem to disappear every day, the ultimate challenge modern parents face is finding a way to defend both.
It was the 1960s -- a time of economic boom and social strife. Young women poured into the workplace, but the "Help Wanted" ads were segregated by gender and the "Mad Men" office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek, renowned for its cutting-edge coverage of civil rights and the "Swinging Sixties." Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job -- for a girl -- at an exciting place. But it was a dead end. Women researchers sometimes became reporters, rarely writers, and never editors. Any aspiring female journalist was told, "If you want to be a writer, go somewhere else." On March 16, 1970, the day Newsweek published a cover story on the fledgling feminist movement entitled "Women in Revolt," forty-six Newsweek women charged the magazine with discrimination in hiring and promotion. It was the first female class action lawsuit--the first by women journalists -- and it inspired other women in the media to quickly follow suit. Lynn Povich was one of the ringleaders. In The Good Girls Revolt, she evocatively tells the story of this dramatic turning point through the lives of several participants. With warmth, humor, and perspective, she shows how personal experiences and cultural shifts led a group of well-mannered, largely apolitical women, raised in the 1940s and 1950s, to challenge their bosses -- and what happened after they did. For many, filing the suit was a radicalizing act that empowered them to "find themselves" and fight back. Others lost their way amid opportunities, pressures, discouragements, and hostilities they weren't prepared to navigate. The Good Girls Revolt also explores why changes in the law didn't solve everything. Through the lives of young female journalists at Newsweek today, Lynn Povich shows what has -- and hasn't -- changed in the workplace.
INSTANT NEW YORK TIMES BESTSELLER! “If you liked Where the Crawdads Sing, you’ll love This Tender Land...This story is as big-hearted as they come.” —Parade The unforgettable story of four orphans who travel the Mississippi River on a life-changing odyssey during the Great Depression. In the summer of 1932, on the banks of Minnesota’s Gilead River, Odie O’Banion is an orphan confined to the Lincoln Indian Training School, a pitiless place where his lively nature earns him the superintendent’s wrath. Forced to flee after committing a terrible crime, he and his brother, Albert, their best friend, Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own. Over the course of one summer, these four orphans journey into the unknown and cross paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds. With the feel of a modern classic, This Tender Land is an enthralling, big-hearted epic that shows how the magnificent American landscape connects us all, haunts our dreams, and makes us whole.
Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost? FantasticLand is a modern take on Lord of the Flies meets Battle Royale that probes the consequences of a social civilization built online. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
In the early 1930s an elderly mole catcher became the subject of one of East Anglia's best-loved tales of country life: "I Walked by Night". Over sixty years later, Norfolk writer Charlotte Paton became fascinated by this man and set out to find the truth about him, beginning with his name: Frederick Rolfe. Charlotte conducted exhaustive research provide a vibrant account with plenty of social history. This book is the biography of a difficult man who could inspire devotion but came to a tragic end.
In the early 1930s an elderly mole catcher became the subject of one of East Anglia's best-loved tales of country life: "I Walked by Night". Over sixty years later, Norfolk writer Charlotte Paton became fascinated by this man and set out to find the truth about him, beginning with his name: Frederick Rolfe. Charlotte conducted exhaustive research provide a vibrant account with plenty of social history. This book is the biography of a difficult man who could inspire devotion but came to a tragic end.
In this acclaimed novel from Newbery Medalist Erin Entrada Kelly, two sisters from the Philippines, abandoned by their father and living in impoverished circumstances in Louisiana, fight to make their lives better. School Library Journal called The Land of Forgotten Girls “A charming and affecting novel about sisterhood, the magic of imagination, and perseverance.” For readers of Pam Muñoz Ryan, Rita Williams-Garcia, and anyone searching for the true meaning of family. Winner of a Parents’ Choice Gold Award. Soledad has always been able to escape into the stories she creates. Just like her mother always could. And Soledad has needed that escape more than ever in the five years since her mother and sister died, and her father moved Sol and her youngest sister from the Philippines to Louisiana. After her father leaves, all Sol and Ming have is their evil stepmother, Vea. Sol has protected Ming all this time, but then Ming begins to believe that Auntie Jove—their mythical, world-traveling aunt—is really going to come rescue them. Can Sol protect Ming from this impossible hope? Acclaimed and award-winning author Erin Entrada Kelly writes masterfully about the challenges of finding hope in impossible circumstances, in this novel that will appeal to fans of Cynthia Kadohata and Thanhha Lai. Booklist said, “Kelly’s sophomore novel is both hopeful and heartfelt, but strong emotions are only part of the successful equation here. Told in Sol’s true voice, the direct dialogue brings the diverse characters to vivid life.”
Women on the Land tells the remarkable story of women's contribution to agriculture and forestry during the two World Wars. It traces the formation and history of the Women's Land Army, and shows how women, mostly untrained and from non-farming backgrounds, helped maintain food production for a beleaguered nation, by filling the places of men away at the war. At the height of the First World War the Land Army had a full-time membership of 23,000 members, a number that was to exceed 80,000 during the Second World War. The book pays tribute to women like Lady Denman, who administered the Land Army during the Second World War and who was its chief inspiration and driving force, and also outlines the part played by other women's groups in wartime. Containing many first-hand reminiscences by the women who served, and a number of evocative illustrations, Women on the Land highlights the years when women were effectively to challenge long-established preconceptions as to what properly constituted 'women's work'.
