In the sequel to Sword of Fire and Sea, Vidarian Rulorat faces the consequences of opening the gate between worlds. Called into service by the desperate young emperor of Alorea, Vidarian must lead sky ships in a war against the neighboring southern empire, train the demoralized imperial Sky Knights to ride beasts that now shapeshift, master his own amplified elemental magic, and win back Ariadel—all without losing his mind. From the Trade Paperback edition.
Vidarian Rulorat, called the Tesseract, a powerful magic-user whose abilities spread across multiple elements, finds himself at war with the Alorean Import Company, a powerful cabal of merchants wealthy enough to buy nations. By opening the gate between worlds, Vidarian released the Starhunter, goddess of chaos. With her coming, wild magic returned to the world of Andovar, bringing with it shape- changers and strange awakened elemental technologies, including many-sailed ships powered by air magic, and mechanical automata lit from within by earth and fire. Now, Vidarian discovers that the Alorean Import Company is determined to eliminate two- thirds of this new life on Andovar in the hopes of hoarding more magic for themselves in a new, worldwide plutocracy. Along with his human, gryphon, and shapechanger allies, he must stop the Company if he is to safeguard any future for the diverse life of Andovar, including his and Ariadel's newborn daughter. With the existence of whole species hanging in the balance, Vidarian is locked in a race for the future of the world.
Captain Vidarian Rulorat's great-grandfather gave up an imperial commission to commit social catastrophe by marrying a fire priestess. For love, he unwittingly doomed his family to generations of a rare genetic disease that follows families who cross elemental boundaries. Now Vidarian, the last surviving member of the Rulorat family, struggles to uphold his family legacy, and finds himself chained to a task as a result of the bride price his great-grandfather paid: The priestess Endera has called upon Vidarian to fulfill his family's obligation by transporting a young fire priestess named Ariadel to a water temple far to the south, through dangerous pirate-controlled territory. Vidarian finds himself at the intersection not only of the world's most volatile elements, but of the ancient and alien powers that lurk between them...
A vampire ancestor, a five-clawed golden dragon, a Flaming Mirror of Emperor, a Sorrowful God Sword, and a young man in white clothes floating over from Hua Xia, stepping into the underworld with a sword. In this great dark yellow world, laughing at the buddhas of the world, wanting to break the will of heaven to die, to live to the end of time, until the mountains and rivers are reborn, until the universe is cleared, the gods are silent, the sky is clear, the end of cultivation, we cultivators will bear the burden of our hearts!
When Ellis, a bullied teen, is betrayed by those she should call her family and sent to a brutal wilderness therapy camp, she'll do anything to break free. But when her chance arrives, a terrified stranger shows up at the camp with terrifying news--a deadly, mysterious virus is sweeping the world. And escaping could mean a fate worse than anything the camp can dish out. With Ellis’s brother—her only true family—across the country, she’ll take the risk. She and her companions must flee safety. Join Ellis on a heart-pounding journey of survival, redemption, and a mysterious pandemic in this gripping post-apocalyptic tale. Will they make it out alive? Dive into the chaos and find out!
The interwar British author Jeffery Farnol is known for writing romance novels, adventure yarns and detective thrillers. Along with Georgette Heyer, he largely established the Regency romantic genre of literature. For over 40 years, his swashbuckling historical romances were ranked among the best-selling fiction of the world, winning the admiration of millions of readers. For the first time in publishing history, this eBook presents Farnol’s complete works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Farnol’s life and works * Concise introductions to the major works * All 39 novels, with individual contents tables * Many rare novels appearing for the first time in digital publishing * The complete Jasper Shrig mystery novels, digitised here for the first time! * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete short story collections, available in no other collection * Special chronological and alphabetical contents tables for the short stories * Easily locate the tales you want to read * Includes Farnol’s rare non-fiction – available in no other collection * Ordering of texts into chronological order and genres CONTENTS: The Jasper Shrig Books The Amateur Gentleman (1913) Peregrine’s Progress (1922) The Loring Mystery (1925) The High Adventure (1925) The Quest of Youth (1927) The Way Beyond (1933) The Crooked Furrow (1937) The Happy Harvest (1939) Murder by Nail (1942) Heritage Perilous (1946) My Lord of Wrybourne (1948) The Ninth Earl (1950) Waif of the River (1952) Treasure and Vengeance Series Black Bartlemy’s Treasure (1920) Martin Conisby’s Vengeance (1921) Other Novels My Lady Caprice (1907) The Broad Highway (1910) The Money Moon (1911) The Honourable Mr. Tawnish (1913) Beltane the Smith (1915) The Definite Object (1917) Our Admirable Betty (1918) The Geste of Duke Jocelyn (1919) Sir John Dering (1923) Guyfford of Weare (1928) Another Day (1929) Over the Hills (1930) The Jade of Destiny (1931) Charmian, Lady Vibart (1932) Winds of Fortune (1934) John o’ the Green (1935) A Pageant of Victory (1936) The Lonely Road (1938) Adam Penfeather, Buccaneer (1940) The King Liveth (1942) The Piping Times (1945) The Fool Beloved (1949) The Glad Summer (1951) Justice by Midnight (1955) The Short Story Collections The Shadow and Other Stories (1929) Voices from the Dust (1932) Portrait of a Gentleman in Colours (1935) A Matter of Business (1940) Uncollected Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction Some War Impressions (1918) Famous Prize Fights (1928)
Killing intent filled the sky, and the stars began to spin. Killing intent filled the air. Dragons, snakes, and landings. The people in the area were filled with killing intent, and the Heavens were overturned. In the four directions of the universe, smoke and dust began to rise. The people of the world appeared one after another. Within the seemingly powerful imperial court, a hundred sons of bitches were fighting to ascend to the throne, and the world was in turmoil. The fallen prince Hong Yu, who had obtained a martial talisman by chance, rose to prominence at the end of the day. He continued to push himself forward, reaching the ninth heaven just for the sake of proving himself to be the Primordial God Emperor. PS. Baby who likes this book, can add penguin group: 596284486
A young man named Qin Feng, who was the ninth son of Dragon Emperor in the previous life, was attacked by his brother in a war, and his army was overwhelmed. Not only that, even his family was killed by his brother and his beloved woman was token away. Unwilling to die like this, he practiced for a full 10,000 years, and finally practiced his martial arts. In this life, he must return to the peak and revenge ten times.☆About the Author☆Dengxia Wuyu is a well-known online novelist. He has rich creative experience, strong writing ability, and has authored many novels. Among his representative works are: Sword Master Close to the Sky, Supreme Emperor. His novels are loved for deeply describeing the characters.
About The Book Finding Home: Earth, Sky, Ocean Spirit This book of poems, new and selected, has been years in the making. Nearing a seventieth decade, one is reminded of Leonard Cohens admonition to make a record of ones life. Adrienne Rich suggests that one finds the deepest truths of a womans life in her poetry, poetry that draws from and illuminates her autobiography. Its language is precocious and uncanny in its efforts to explicate the nature of her lived experience. I have taught creative writing in a number of contexts: with troubled adolescents, in colleges and universities, in a womens prison, and with patients and clients in my own private practice in New London, Connecticut. It was always the journaling that revealed and explicated the individuals trauma and allowed them to move to what might be called a quotidian delight, which they had not been able to find beforethat life might hold a quotidian ecstasy was a new and wondrous idea to them, and one they could find access to. The earth, sky, ocean, spirit, and their own embodied and ensouled selves were the means to their own connectedness to the universe. Human language began with womans singing, her music, her natural response to giving life, and perceiving the plenitude around her. A mother murmuring vowels and consonants, soft language of warmth, comfort, and tenderness. There is reason to believe that at one time on the island of Crete, long ago, there was a woman-centered culture in which the values of nurturing, living in harmony with the natural world, using a language that emerged from this matrix. Warriors came, the earlier culture was destroyed, and the language reflected the new and violent warring culture. The new patriarchal lexicon focused on the lived experience of the men. It concerned power, victory, defeat, and death. It was literal, denotative as opposed to connotative; it was didactic, hierarchical, and dismissive of the language and life of the womans perspective. It would seem that in contemporary American culture, the exclusion of what we might call poetic languagethat is, language that expresses the truth and affects of the human beinghas become obsolete, replaced by patriarchal language ubiquitous in the political violence of the day and the seeming waning of what we thought was an American way of life. These poems attempt to illuminate a womans experience of her world. They further attempt to suggest the need for Whitmans notion of the need for an increasingly capacious imagination. Perhaps men are not from Mars and women from Venus. Adrienne Rich suggests, there is hope for a common language more in harmony with the truth, reality, and ambiguity of the natural world. And perhaps after all, even with the angst and anxiety of living in this world, we are all poets, soul-searching people, all of whom experience quotidian ecstasymoments of the pure joy of living, mystery, and incomprehensibleness, bringing delight and clarity, affirming and confirming the wondrous miracle of our lives.
