Colour-Coded

Colour-Coded

Author: Constance Backhouse

Publisher: University of Toronto Press

Published: 1999-11-20

Total Pages: 505

ISBN-13: 1442690852

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Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society


Dickens and Popular Entertainment

Dickens and Popular Entertainment

Author: Paul Schlicke

Publisher: Routledge

Published: 2003-09

Total Pages: 303

ISBN-13: 1134997264

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Dickens and Popular Entertainment is the first extended study of this vital aspect of Dicken's life and work. Ranging widely through showmen's memoirs, playbills, advertisements, journals, drawings and imaginative literature, Paul Schlicke explores the ways in which Dickens channelled his love of entertainment into incomparable artistry. Circus, fair, theatre and street performances provided the novelist with subject matter and with the sources of imaginative stimulus essential to his art. Splendidly illustrated with nineteenth-century engravings, many reprinted here for the first time, this study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the important place entertainment held in Dicken's journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life.


Connecting Women

Connecting Women

Author: Barton C. Hacker

Publisher:

Published: 2021

Total Pages: 0

ISBN-13: 9781944466442

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« Women's networks proliferated during the long nineteenth century in the Atlantic World and began spreading globally. Abetted by transformative changes in communication and transportation (the subject of the first chapter), women established links among themselves, sometimes informally, sometimes as part of formal organizations. Most goal-oriented networks, particularly those with social and political agendas, were personal, national or transnational in nature and inevitably excluded those who did not share the goal. Such activist networks and their influences are the main focus of Part One. Topics addressed include women's national and international networks in British temperance associations; British anti-slavery societies; Italian crime syndicates; the Istanbul region of the Ottoman Empire; Philippine suffragism, early twentieth-century Portuguese political organizations, and Great War relief efforts in France. The chapters in Part Two examine the diverse literary networks that women writers enjoyed, abided, or disdained during the long nineteenth century. Included are the themes of British female utopia and dystopia; how the work of some British women poets both affected and reflected the variety of networks in which they were enmeshed; the intensely personal networks of American writers Mary Moody Emerson, Margaret Fuller, Emily Dickinson, and Alice James; Salem witches reimagined as Romantic heroines by American novelists Caroline Rosina Derby and Ella Taylor; the efforts of Southern autobiographers Rebecca Harding Davis and Elizabeth Avery Meriwether early in the twentieth century to negotiate a place for themselves and the South in American national history; and the significance of women's networks present in the South and absent in Brazil as depicted in Evelyn Scott's 1923 memoir. »--