Labanotation

Labanotation

Author: Ann Hutchinson Guest

Publisher: Routledge

Published: 2014-04-08

Total Pages: 503

ISBN-13: 1136775129

DOWNLOAD EBOOK

A definitive book for students of dance and movement studies, Labanotation is now available in a fourth edition, the first complete revision of the text since 1977. Initiated by the movement genius Rudolf Laban, and refined through fifty years of work by teachers here and abroad, Labanotation, the first wholly successful system for recording human movement, is now having the effect on ballet and other forms of dance that the prefection of music notation in the Renaissance had on the development of music. This book makes it possible to record accurately, for study and reconstruction, the great dance creations of the theater, as well as such diverse activities as time/motion studies for industry, personnel assessment and physical therapy. So comprehensive that it can indicate even facial expressions, the system is also simple enough for a child to learn easily as an integral part of athletic or dance training.


International Handbook of Research in Arts Education

International Handbook of Research in Arts Education

Author: Liora Bresler

Publisher: Springer Science & Business Media

Published: 2007-09-04

Total Pages: 1568

ISBN-13: 1402030525

DOWNLOAD EBOOK

Providing a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), this essential handbook synthesizes existing research literature, reflects on the past, and contributes to shaping the future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the live practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each focusing on a major area or issue in arts education research.


Teaching Dance as Art in Education

Teaching Dance as Art in Education

Author: Brenda Pugh McCutchen

Publisher: Human Kinetics

Published: 2006

Total Pages: 568

ISBN-13: 9780736051880

DOWNLOAD EBOOK

Brenda McCutchen provides an integrated approach to dance education, using four cornerstones: dancing and performing, creating and composing, historical and cultural inquiry and analysing and critiquing. She also illustrates the main developmental aspects of dance.


Moving Notation

Moving Notation

Author: Jill Beck

Publisher: Taylor & Francis

Published: 1998

Total Pages: 402

ISBN-13: 9789057021794

DOWNLOAD EBOOK

Compact disc contains music cues, chiefly by Joseph Reiser.


Identity and Diversity

Identity and Diversity

Author: Wang Yunyu

Publisher: Taylor & Francis

Published: 2020-11-29

Total Pages: 209

ISBN-13: 1000084396

DOWNLOAD EBOOK

Reflecting the breadth and diversity of dance in the Asia–Pacific region, this volume provides an in-depth and comprehensive study of Taiwan’s dance history. Taiwan is home to several indigenous tribes with unique rituals and folk dance traditions, with an array of eclectic influences including martial arts and Peking Opera from China, and dance forms such as contemporary, neo-classical, post-modern, jazz, ballroom, and hip-hop from the West. Dance in Taiwan, led by pioneers such as choreographers Liu Feng-shueh and Lin Hwai-min, continues to have a strong presence in both performance and educational arenas. In 1973, Lin Hwai-min created Cloud Gate Dance Theatre, the country’s internationally acclaimed modern dance company, and simultaneously produced a generation of dancers not only trained in modern dance and ballet, but also in Chinese aesthetics and history, tai-chi and meditation. Including the voices of dance professionals, scholars and critics, this collection of articles highlights the emerging trends and challenges faced by dance in Taiwan. It examines the history, creative development, education, training, and above all, the hybrid practices that give Taiwanese dance a unique identity, making it central to the renaissance of Asian contemporary dance. In describing how the intersections of dance cultures are marked by exchanges, research and pedagogy, it shows the way choreographers, performers, associated artists and companies of the region choose to imaginatively invent, blend, fuse, select and morph the multiple influences, revitalising and preserving cultural heritage while oscillating between tradition and change.


Pattern Recognition

Pattern Recognition

Author: Shutao Li

Publisher: Springer

Published: 2014-11-05

Total Pages: 498

ISBN-13: 366245646X

DOWNLOAD EBOOK

The two-volume set CCIS 483 and CCIS 484 constitutes the refereed proceedings of the 6th Chinese Conference on Pattern Recognition, CCPR 2014, held in Changsha, China, in November 2014. The 112 revised full papers presented in two volumes were carefully reviewed and selected from 225 submissions. The papers are organized in topical sections on fundamentals of pattern recognition; feature extraction and classification; computer vision; image processing and analysis; video processing and analysis; biometric and action recognition; biomedical image analysis; document and speech analysis; pattern recognition applications.


Labanotation

Labanotation

Author: Alec Finlay

Publisher: Polygon

Published: 2002

Total Pages: 140

ISBN-13:

DOWNLOAD EBOOK

Records the notation of Gemmill's famous goal from the Scotland v. Holland 1978 World Cup game, and shows via photographs 3 dance versions of the goal.


Dance Notations and Robot Motion

Dance Notations and Robot Motion

Author: Jean-Paul Laumond

Publisher: Springer

Published: 2015-11-24

Total Pages: 433

ISBN-13: 3319257390

DOWNLOAD EBOOK

How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others.