La Female Heroines is a small sample of rich, enlightening, entertaining female empowerment fiction available by Cupideros. The subject stories cover everything from spiritual, political, historical, humor, narrative, human nature, music, philosophical in prose and poetry. You will come away from these stories seeing the world as you've never seen it before and feel differently about the greatest mystery of life LOVE.
The Heroine’s Journey describes contemporary woman’s search for wholeness in a society where she has been defined according to masculine values. Drawing on cultural myths and fairy tales, ancient symbols and goddesses, and the dreams of contemporary women, Murdock illustrates the need for—and the reality of—feminine values in Western culture. This special anniversary edition, with a new foreword by Christine Downing and preface by the author, illuminates that this need is just as relevant today as it was when the book was originally published thirty years ago.
In a bathtub in a rooming house in Montreal in 1980, a woman tries to imagine a new life for herself: a life after a passionate affair with a man while falling for a woman, a life that makes sense after her deep involvement in far left politics during the turbulent seventies of Quebec, a life whose form she knows can only be grasped as she speaks it. A new, revised edition of a seminal work of edgy, experimental feminism. With a foreword by Eileen Myles.
"A haunting, slim novel which has the mesmeric inevitability of a classical tragedy." --Independent on Sunday La Femme de Gilles tells the story of a fatal love triangle—written on the eve of World War II. Set among the dusty lanes and rolling valleys of rural 1930s Belgium, La Femme de Gilles is the tale of a young mother, Elisa, whose world is overturned when she discovers that her husband, Gilles, has fallen in love with her younger sister, Victorine. Devastated, Elisa unravels. As controlled as Elena Ferrante's The Days of Abandonment and as propulsive as Jenny Offill's Dept. of Speculation, La Femme de Gilles is a hauntingly contemporary story of desperation and lust and obsession, from an essential early-feminist writer. Just after her novel was first published in 1937, Madeleine Bourdouxhe disassociated herself from her publisher (which had been taken over by the Nazis) and spent most of World War II in Brussels, actively working for the resistance. Though she continued to write, her work was largely overlooked by history . . . until now.
The book that changed the consciousness of a country—and the world. Landmark, groundbreaking, classic—these adjectives barely describe the earthshaking and long-lasting effects of Betty Friedan's The Feminine Mystique. This is the book that defined "the problem that has no name," that launched the Second Wave of the feminist movement, and has been awakening women and men with its insights into social relations, which still remain fresh, ever since. A national bestseller, with over 1 million copies sold.
This anthology explores a little-examined period of European film history (1945-1951) and places gender at the centre of struggles around national identity. Ulrike Sieglohr compares and contrasts the post-war cinemas of Britain, France, Germany, Italy, and Spain in order to examine how representations of women in this period emerged from specific national contexts. She further analyzes the appeal of particular stars and the political and social conditions that contributed to their popularity.
In this broad-ranging study of German fiction by women between 1770-1914, the author aims to add a new dimension to existing debates on the association of women and illness in literature. She constructs a history of women's self-starvation, eating behaviour and wasting diseases.
Collects 100 tales from around the world, including Africa, Western Europe, Native American cultures, Asia, and the Middle East, that feature a heroine.
The Heroic Female: Redefining the Role of the Heroine in the Tragedies of Vittorio Alfieri fills a void in critical inquiry on the works of eighteenth-century tragedian Vittorio Alfieri – perhaps the most important figure of the Italian Enlightenment – by exploring in depth the often neglected female characters and their function within the tragic structure. In this re-reading of the Alfierian tragedies, the author redefines the role of the heroine, and challenges traditional analyses that marginalize the female character and orient her to an abstract ideal characterized by fragility and tragic victimization. The author argues persuasively that, in Alfieri’s search for psychological realism, he undermines traditional assumptions of gender roles by his modern portrayal of the tragic characters. The heroine’s different orientation towards reality endows her with intuitive and intelligent reasoning that contradicts eighteenth-century views of women as catalysts of anarchy and disorder. Alfieri’s tragic heroines are represented also as surprisingly independent and powerful. The resultant image of determined, active, and intelligent women refutes the traditional critical view. In exploring Vittorio Alfieri’s pre-modern sensibilities in the representation of his tragic heroines, this book is an important contribution to the growing body of critical works that study the representation of gender in post-Renaissance and pre-modern Italian literature. This book will be of particular interest to: scholars of Italian literature, especially the Enlightenment and Romantic periods; scholars of 18th-century European, American and other literatures; scholars of 18th-century history and sociology; and Women’s Studies and Gender Studies scholars.
