The Phantom Lady

The Phantom Lady

Author: Pedro Calderón de la Barca

Publisher: Editorial Edinumen

Published: 2002

Total Pages: 162

ISBN-13: 9781895537680

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The Golden Age Comedia

The Golden Age Comedia

Author: Charles Ganelin

Publisher: Purdue University Press

Published: 1994

Total Pages: 438

ISBN-13: 9781557530868

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Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.


The Calderonian Stage

The Calderonian Stage

Author: Manuel Delgado

Publisher: Bucknell University Press

Published: 1997

Total Pages: 302

ISBN-13: 9780838753316

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"This collection of essays invites the contemporary reader to consider the works of Pedro Calderon de la Barca (1600-81), who became the most important and influential dramatist of the second period of the Spanish Golden Age, just as Lope de Vega (1562-1635) was for the preceding generation. A follower of Lope in his youth, Calderon, as a mature playwright, developed a drama all of his own, a drama that was highly conceptual, tightly knit, symbolic, and, in many cases, spectacular. Calderon's artistry in verbal and visual symbolism made the performance of his works a feast for both the senses and the intellect." "Until now, many of Calderon's critics have focused their attention on how the poetic devices, particularly metaphors and symbols, appearing in his plays represent his philosophy or his ideas. But as some scholars of Spanish Golden Age drama have argued, the study of Calderon's theater must take into account not only the literary text, but also the physical conditions of the stage, the elements used in the representation - decor, costumes, lighting, music - and the house dynamics at each performance. In other words, each play must be considered as a composition of the soul and body, of poetry and spectacle, in which both elements support, complement, and explain one another in performance." "This is the task that has been undertaken by the contributors to this volume. By focusing on the relationship between text and performance, they have highlighted several areas that are often overlooked in traditional text-based approaches. From different perspectives, they show how Calderon gives concrete shape to the concepts and tales from the Bible, theology, mythology, the Corpus Hermeticum, emblematic literature, philosophy, and realities of civic and domestic origin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


A Companion to Golden Age Theatre

A Companion to Golden Age Theatre

Author: Jonathan Thacker

Publisher: Boydell & Brewer Ltd

Published: 2007

Total Pages: 248

ISBN-13: 9781855661400

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As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.


Role-Play and the World as Stage in the Comedia

Role-Play and the World as Stage in the Comedia

Author: Jonathan Thacker

Publisher: Liverpool University Press

Published: 2002-04-01

Total Pages: 218

ISBN-13: 1781388296

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The theatrum mundi metaphor was well-known in the Golden Age, and was often employed, notably by Calderón in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatise themselves, who re-invent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Calderón de la Barca and Guillén de Castro, reveals a fascination with role-playing and its implications. Thacker argues that in comedy, these playwrights saw role-playing as a means by which they could comment on and criticise the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.


Language and the Comedia

Language and the Comedia

Author: Catherine Larson

Publisher: Bucknell University Press

Published: 1991

Total Pages: 196

ISBN-13: 9780838751800

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This study illustrates how a focus on language, which is manifest in so much of contemporary literary theory, can help to open some of the canonical texts of Spanish Golden Age theater to new readings.


Critical Reflections

Critical Reflections

Author: James A. Parr

Publisher: Bucknell University Press

Published: 2006

Total Pages: 222

ISBN-13: 9780838756423

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This volume seeks to explore developments in the study of sixteenth- and seventeenth-century Spanish literature over the past decade through the prism of a homage volume that recognizes the contributions of James A. Parr. In his ground-breaking 1974 essay in Hispania, he challenged Hispanists to take note of developments in the fields of English and Comparative Studies, not to jump on the bandwagon, but to explore the emerging approaches to textual study in order to identify and adapt those aspects that could help to illuminate the field. In his own work, Parr followed that advice, with studies that incorporated new approaches to genre theory, narratology, and canonicity in order to explore dramatic and prose texts, and Don Quixote. The studies in this anthology make use of many of Parr's innovations, indicating that his work has had a long-lasting impact on the field of Golden Age Hispanism.


Spanish Literature

Spanish Literature

Author: David William Foster

Publisher: Taylor & Francis

Published: 2001

Total Pages: 454

ISBN-13: 9780815335641

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This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.


The Mind and Art of Calderón

The Mind and Art of Calderón

Author: Alexander Augustine Parker

Publisher: Cambridge University Press

Published: 1988

Total Pages: 434

ISBN-13: 0521323347

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Professor Parker's essays provide a wide-ranging survey of the work of Calderón, the greatest exponent of Spanish Golden Age drama.


A New Anthology of Early Modern Spanish Theater

A New Anthology of Early Modern Spanish Theater

Author: Bárbara Mujica

Publisher: Yale University Press

Published: 2015-01-13

Total Pages: 708

ISBN-13: 0300163223

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This anthology of plays from the Spanish Golden Age brings together the work of canonical writers, female writers who are rapidly achieving canonical status, and lesser-known writers who have recently gained critical attention. It contains the full text of fifteen plays; an introduction to each play with information about the author, the work, performance issues, and current criticism; and glosses with definitions of difficult words and concepts. The extensive bibliography provides opportunities for further research.