The Photographic Journal

The Photographic Journal

Author:

Publisher:

Published: 1989

Total Pages: 642

ISBN-13:

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Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.


The Lumiere Autochrome

The Lumiere Autochrome

Author: Bertrand Lavédrine

Publisher: Getty Publications

Published: 2013-12-15

Total Pages: 404

ISBN-13: 1606061259

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Louis Lumière is perhaps best known in the U.S. for his seminal role in the invention of cinema, but his most important contribution to the history of photography was the autochrome. Engagingly written and marvelously illustrated with over 300 images, The Lumière Autochrome: History, Technology, and Preservation tells the fascinating story of the first industrially produced form of color photography. Initial chapters present the Lumière family enterprise, set out the challenges posed by early color photography, and recount the invention, rise, and eventual decline of the autochrome, which for the first four decades of the twentieth century was the most widely used form of commercial color photography. The book then treats the technology of the autochrome, including the technical challenges of plate fabrication, described in step-by-step detail, and a thorough account of autochrome manufacture. A long final chapter provides in-depth recommendations concerning the preservation of these vulnerable objects, including proper storage and display guidelines. There are also engaging portfolios throughout the book showcasing autochrome photographs from around the world as part of an initiative founded by the French banker Albert Kahn, as well as engrossing testimonials by children of men who worked in the Lumière factories in the early twentieth century. The appendix includes transcriptions and facsimile reproductions from the Lumière notebooks as well as original patent documents.


Photobiography

Photobiography

Author: Akane Kawakami

Publisher: Routledge

Published: 2017-12-02

Total Pages: 349

ISBN-13: 1351191578

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"Why do photographs interest writers, especially autobiographical writers? Ever since their invention, photographs have featured - as metaphors, as absent inspirations, and latterly as actual objects - in written texts. In autobiographical texts, their presence has raised particularly acute questions about the rivalry between these two media, their relationship to the 'real', and the nature of the constructed self. In this timely study, based on the most recent developments in the fields of photography theory, self-writing and photo-biography, Akane Kawakami offers an intriguing narrative which runs from texts containing metaphorical photographs through ekphrastic works to phototexts. Her choice of Marcel Proust, Herve Guibert, Annie Ernaux and Gerard Mace provides unusual readings of works seldom considered in this context, and teases out surprising similarities between unexpected conjunctions. Akane Kawakami is a Senior Lecturer in French and francophone literature at Birkbeck University of London."


The Perfect Medium

The Perfect Medium

Author: Clément Chéroux

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 294

ISBN-13: 0300111363

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In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published. The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.


Lost Angeles

Lost Angeles

Author: Michael Dressel

Publisher: Gingko Press

Published: 2022-02-22

Total Pages: 176

ISBN-13: 9781584237716

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Michael Dressel's street photography relies on his long practiced ability to anticipate events that are about to happen and the readiness to capture these moments. In Lost Angeles, the viewer is invited to view some of Dressel's most poignant portraits and to be transported to that moment and place. Dressel professes to loving Los Angeles "warts and all" and is clearly comfortable moving through the city's streets, angling for those "magical" moments and showing us things that most would rather look away from. Mr. Dressel was born in East Berlin and spent 2 years in a Stasi prison after being captured while climbing the Berlin wall. He moved from Berlin to Los Angeles in 1986 and has spent the past 35 years taking photos while making a living as a movie sound editor. Lost Angeles features an interview with F. Scott Hess, artist and associate professor at Laguna college of Art along with an afterword by Matthias Harder, the director of the Helmut Newton Foundation, Berlin. The black & white photographs collected for Lost Angeles were taken between 2014 - 2020. "I do believe in magic. The magic that happens when I am pointing a camera at life and freeze a few hundredths of a second into an image. Afterwards that image turns into this thing that communicates what I think and feel about the world This magic allows me to photograph myself into the world." - Michael Dressel


All the Mighty World

All the Mighty World

Author: Gordon Baldwin

Publisher: Metropolitan Museum of Art

Published: 2004

Total Pages: 305

ISBN-13: 1588391280

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"Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.