This study focuses on a single Korean "chaebol", the business conglomerate which dominates the Korean economy. Hyundai, the largest chaebol, is examined in the context of Korean history, ancient and modern, and the Confucian value system that permeates all Korean life.
Never before translated into English, this official history of the reign of King T’aejo—founder of Korea’s long, illustrious Chosŏn dynasty (1392–1910 CE)—is a unique resource for reconstructing life in late-fourteenth-century Korea. Its narrative of a ruler’s rise to power includes a wealth of detail not just about politics and war but also about religion, astronomy, and the arts. The military general Yi Sŏnggye, posthumously named T’aejo, assumed the throne in 1392. During his seven-year reign, T’aejo instituted reforms and established traditions that would carry down through the centuries. These included service to Korea’s overlord, China, and other practices reflecting China’s influence over the peninsula: creation of a bureaucracy based on civil service examinations, a shift from Buddhism to Confucianism, and official records of the deeds of kings, which in the Confucian tradition were an important means of educating succeeding generations. A remarkable compilation process for the sillok, or “veritable records,” was instituted to ensure the authority of the annals. Historiographers were present for every royal audience and wrote down each word that was uttered. They were strictly forbidden to divulge the contents of their daily drafts, however—even the king himself could not view the records with impunity. Choi Byonghyon’s translation of the first of Korea’s dynastic histories, The Annals of King T’aejo, includes an introduction and annotations.
Containing over 100 photos of Korean art pieces along with thoughtful essays, Goryeo Dynasty: Korea's Age of Enlightenment 918-1392 captures this fundamental period of Korean history. Few people are aware that the name Korea is derived from Goryeo of the Goryeo dynasty (918-1392). Under the patronage of the royal court, the aristocracy and the Buddhist elite—whose taste are for luxury and refinement was unprecedented in the history of Korea—spectacular achievements were made in all areas of the arts during this period. This catalogue documents not only the famous Goryeo achievements in ceramics but also lesser known Buddhist paintings, illuminated sutras, sculpture, lacquer, and metal crafts. Drawing from thirty-five contributing institutions, it brings together some of the most exquisite works of Korean art from the tenth to the fourteenth century, including many that have never before traveled to the West. A valuable resource to anyone interested in the classic arts of East Asia.
The Origins of the Choson Dynasty provides an exhaustive analysis of the structure and composition of Korea's central officialdom during the transition from the Koryo dynasty (918-1392) to the Choson dynasty (1392-1910) and offers a new interpretation of the history of traditional Korea.
The Joseon dynasty left a substantial legacy for modern Korea, influencing contemporary etiquette, cultural norms, and societal attitudes. This book intends to survey the artistic production of the world's longest-ruling Confucian dynasty, which reigned on the Korean peninsula from 1392 to 1910.
Early in the seventeenth century, Northeast Asian politics hung in a delicate balance among the Chosŏn dynasty in Korea, the Ming in China, and the Manchu. When a Chosŏn faction realigned Korea with the Ming, the Manchu attacked in 1627 and again a decade later, shattering the Chosŏn-Ming alliance and forcing Korea to support the newly founded Qing dynasty. The Korean scholar-official Na Man’gap (1592–1642) recorded the second Manchu invasion in his Diary of 1636, the only first-person account chronicling the dramatic Korean resistance to the attack. Partly composed as a narrative of quotidian events during the siege of Namhan Mountain Fortress, where Na sought refuge with the king and other officials, the diary recounts Korean opposition to Manchu and Mongol forces and the eventual surrender. Na describes military campaigns along the northern and western regions of the country, the capture of the royal family, and the Manchu treatment of prisoners, offering insights into debates about Confucian loyalty and the conduct of women that took place in the war’s aftermath. His work sheds light on such issues as Confucian statecraft, military decision making, and ethnic interpretations of identity in the seventeenth century. Translated from literary Chinese into English for the first time, the diary illuminates a traumatic moment for early modern Korean politics and society. George Kallander’s critical introduction and extensive annotations place The Diary of 1636 in its historical, political, and military context, highlighting the importance of this text for students and scholars of Chinese and East Asian as well as Korean history.
"Pathways to Korean Culture explores the various social, cultural and political perspectives of the Joseon era (1392-1910), introducing the major painting and currents of this dynamic, dynastic period and uncovering the fascinating history of more than 500 years of Korean art and visual culture. Il closely examines the many themes and socio-cultural aspects of the Joseon art world, from the ink painting tradition of the literati elite to the role of women as both patrons and artists. It looks at the various functions paintings had during this period, where they were as important for foreign exchange as they were as a means of escapism. The Joseon dynasty's overarching Confucian ideology was constantly at odds with the culture's Buddhist projects. Burglind Jungmann investigates select clusters of objects to shed light on the multiple layers of personal, intellectual, aesthetic, religious, socio-political and economic contexts in which they are embedded. From palace decorations to formal artworks, Pathways to Korean Culture takes a sweeping, comprehensive look at Korean history and visual culture, exploring its engagement with the West, its political affiliations with China, and its uniquely varied artists and artistic output."--Rabat de la jaquette.
Contemporary North and South Korea are nations of radical contrasts: one a bellicose totalitarian state with a failing economy; the other a peaceful democracy with a strong economy. Yet their people share a common history that extends back more than 3,000 years. In this comprehensive new history of Korea from the prehistoric era to the present day, Jinwung Kim recounts the rich and fascinating story of the political, social, cultural, economic, and diplomatic developments in Korea's long march to the present. He provides a detailed account of the origins of the Korean people and language and the founding of the first walled-town states, along with the advanced civilization that existed in the ancient land of "Unified Silla." Clarifying the often complex history of the Three Kingdoms Period, Kim chronicles the five-century long history of the Choson dynasty, which left a deep impression on Korean culture. From the beginning, China has loomed large in the history of Korea, from the earliest times when the tribes that would eventually make up the Korean nation roamed the vast plains of Manchuria and against whom Korea would soon define itself. Japan, too, has played an important role in Korean history, particularly in the 20th century; Kim tells this story as well, including the conflicts that led to the current divided state. The first detailed overview of Korean history in nearly a quarter century, this volume will enlighten a new generation of students eager to understand this contested region of Asia.
This Korean art book is an exploration of the Joseon Dynasty. In Korea, life milestones have traditionally been celebrated with festivals and feasts. Such celebrations helped to define and honor an individual's identity. In Grand Style presents rare and exquisite objects drawn from some ten museums in Korea. Highlights include a ten-panel folding screen of Celebrations on the Crown Prince's Birth from 1874, a portrait of Emperor Gojong from 1897, a Royal Procession to the Royal Tomb at Hwaseong from 1795, and kings' thrones and palanquins. The book documents Korea's taste for splendor and grandeur. It explores the meaning and obligations of kingship, the elite culture of the court and the upper class during the Joseon dynasty (1392-1910), and the complex roles of women in organizing and presenting elaborate celebrations, in the grandest of styles.