Bold, sophisticated, engaging, and startlingly modern, Buncheong ceramics emerged as a distinct Korean art form in the 15th and 16th centuries, only to be eclipsed on its native ground for more than 400 years by the overwhelming demand for porcelain. Elements from the Buncheong idiom were later revived in Japan, where its spare yet sensual aesthetic was much admired and where descendants of Korean potters lived and worked. This innovative study features 60 masterpieces from the renowned Leeum, Samsung Museum of Art in Seoul, as well as objects from The Metropolitan Museum of Art, and presents current scholarship on Buncheong's history, manufacture, use, and overall significance. The book illustrates why this historical art form continues to resonate with Korean and Japanese ceramists working today and with contemporary viewers worldwide.
Korea boasts a ceramics history that dates back 10,000 years. It is distinguished by its infinite embrace of nature. Through a continued mutual exchange with China, Korea developed a ceramics style that captured the Korean spirit. The uniqueness of Korean ceramics stems from the austere humility of the earthenware, the jade-green color of Goryeo celadon, the wit of Joseon buncheong ware and the refined beauty of Joseon white porcelain.
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
Including a representative range of ceramics from the fifth to the twentieth century and items in various other materials, the collection of Korean art in the Fitzwilliam Museum, Cambridge, is one of the finest outside of the Far East. Although Korea's ceramics equal China's in quality and technique, they are far less known. Compiled by Yun Yong-i and edited by Regina Krahl, this richly illustrated catalog provides detailed information on each object, as well as background studies on Korean culture and ceramic technology.
In celebrating the 25th anniversary of the Arts of Korea Gallery, this issue of the Bulletin invites us to reflect on the past while embracing the future. Featuring objects from the Bronze Age to the present, Lineages: Korean Art at The Met illustrates both the continuities and ruptures of style, form, and medium that have defined the dynamic terrain of Korean art. The 47 works included—from lacquer and ceramics to paintings and collage—express Korean tradition, history, and socio-cultural change over more than three centuries of creativity. This volume honors one of the first museum galleries in the United States dedicated to Korean art by offering readers a greater understanding of the nation's aesthetic past and future.
This catalog highlights one hundred of the finest examples of Korean ceramics, metalwork, and decorative arts, Buddhist sculpture, and painting. One of the few English-language volumes to be published on the subject, Arts of Korea is a comprehensive introduction to an important East Asian cultural and artistic tradition. -- Metropolitan Museum of Art website.
Imperial tombs, Buddhist architecture, palaces, and art treasures in Korea and Japan have attracted scholars, collectors, and conservators—and millions of tourists. As iconic markers of racial and cultural identity at home and abroad, they are embraced as tangible sources of immense national pride and popular “must-see” destinations. This book provides the first sustained account to highlight how the forces of modernity, nationalism, colonialism, and globalization have contributed to the birth of museums, field disciplines, tourist industry, and heritage management policies. Its chapters trace the history of explorations, preservations, and reconstructions of archaeological monuments from an interregional East Asian comparative perspective in the past century.
This is one of three titles to be published in the 'Handbooks of Korean Art' series. This book focuses on earthenware and celadon and is written by Youngsook Pak and Roderick Whitfield. They both teach in the Department of Art and Archaeology in the School of Oriental and African Studies, University of London.
An illustrated history of Korean ceramics from ancient origins to today. This book is a captivating, richly illustrated history of fired clay in Korea, spanning ancient times to the present day. Drawing on the latest research, this book features a wide range of examples from archaeological sites and museums. In addition, it offers a rare glimpse into the world of modern North Korean ceramics. The authors devote substantial chapters to the refined celadons of the Goryeo and porcelains of the Joseon dynasties (tenth to twentieth centuries), as well as an array of blue-and-white vessels. Merging maritime archaeology, textual evidence, and kiln excavation reports, this overview reveals a remarkable and enduring ceramic tradition in Korea.
