Knoxy little tales are honest and heart-endearing stories on love, loyalty, and friendship. These stories are of people like you and me. Some of them are inspired by real events of my own life, while the rest are about people who crossed my path. These stories show the strength of the relationships we have. They might make you laugh or cry. They might also make you sit back for a moment and relate them with your very own life. These are stories of our friends, our families, our pets, and even the people we are faintly acquainted with. I genuinely feel that every relationship leaves a mark. And through my collection of short stories, I have tried my best to portray them all. So come and hop on this beautiful journey of life with me.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The life of the legendary pioneer of outback travel - the man who opened up Australia to adventure travel. A modern - day explorer who took everyday Australians along for the ride.Bill King is the pioneer who put the Australian outback on the map for both local and international tourists. Through an enterprise founded on hope and grit - now operating as AAT Kings - he opened up a completely new branch of Australian tourism. Thousands of Australians have experienced the adventure of a lifetime in Bill's capable hands, often walking in the footsteps of explorers such as Burke and Wills, Leichhardt, Sturt and Stuart.Eccentric drivers, mad passengers and sticky situations abound against the backdrop of the glorious Australian outback. Bill and his tour groups sometimes got lost, bogged or stranded - sometimes even scared out of their wits - but there was always a fierce determination to bring the show back home. Bill never lost a passenger or brought one to harm, though by heck they did sometimes try his monumental patience.
Amanda Knox spent four years in a foreign prison for a crime she did not commit, as seen in the Nexflix documentary Amanda Knox. In the fall of 2007, the 20-year-old college coed left Seattle to study abroad in Italy, but her life was shattered when her roommate was murdered in their apartment. After a controversial trial, Amanda was convicted and imprisoned. But in 2011, an appeals court overturned the decision and vacated the murder charge. Free at last, she returned home to the U.S., where she has remained silent, until now. Filled with details first recorded in the journals Knox kept while in Italy, Waiting to Be Heard is a remarkable story of innocence, resilience, and courage, and of one young woman’s hard-fought battle to overcome injustice and win the freedom she deserved. With intelligence, grace, and candor, Amanda Knox tells the full story of her harrowing ordeal in Italy—a labyrinthine nightmare of crime and punishment, innocence and vindication—and of the unwavering support of family and friends who tirelessly worked to help her win her freedom. Waiting to Be Heard includes 24 pages of color photographs.
This book is an analysis of not only the literal merits of the bard but also the influences and impacts of his works on society, as well as the different incantations of the human mind and interpersonal relationships. From addressing the status of Jews in Venice, to the differences between fate and destiny, to the vainglorious villainy of Iago, it delves at times deep into human psyche. It addresses issues that were not only relevant then but seem to transgress the eons. Its significance lies in identifying and challenging beliefs of characters and conditions. Was Caesar heroic or was Brutus the great devil? What role did the essence of time and timing play in the tale of Romeo and Juliet? How was gender ambiguity presented in The Tempest? It examines the tiny sliver that separates hate and love and what it might take to unite or cross that divide. Reviews: “I am so impressed with your study of historical positions to contradict some of the playwright’s assumptions. But equally awesome is your sensitive interpretation of communal bias in those times and Shakespeare’s role in portraying it. You will certainly have a great future as a scholar and writer.” –Coomi Kapoor, Contributing Editor, The Indian Express “Extremely well-written blogs… You have brought out so clearly the role played by fate and destiny in this story of the star-crossed lovers while also drawing attention to the manner in which character determines the crucial choices made by the protagonists. Your analysis of the paradox of a love story interspersed with violence was also very interesting. You evidently have the ability and the inclination to look at Shakespeare’s plays critically. Wonderful and so unusual in a young person today. Do keep writing.” –Dr. Ranjana Kaul, Associate Professor, Delhi University
Award-winning author and journalist Nina Burleigh’s mesmerizing literary investigation of the murder of Meredith Kercher, the controversial prosecution, the conviction and twenty-six-year sentence of Amanda Knox, the machinations of Italian justice, and the underground depravity and clash of cultures in one of central Italy’s most beloved cities. The sexually violent murder of twenty-one-year-old British student Meredith Kercher in Perugia, Italy, on the night of November 1, 2007, became an international sensation when one of Kercher’s housemates, twenty-year-old Seattle native Amanda Knox, as well as her Italian boyfriend and a troubled local man Knox said she “vaguely” knew, was arrested and charged with the murder. When Perugia authorities concluded that the murder was part of a dark, twisted rite—a “sex game”—led by the American with an uncanny resemblance to Perugia’s Madonna, they unleashed a media frenzy from Rome to London to New York and Seattle. The story drew an international cult obsessed with “Foxy Knoxy,” a pretty honor student on a junior year abroad, who either woke up one morning into a nightmare of superstition and misogyny—the dark side of Italy—or participated in something unspeakable. The investigation begins in the old stone cottage overlooking bucolic olive groves where Kercher’s body was found in her locked bedroom. It winds through the shadowy, arched alleys of Perugia, a city of art that is also a magnet for tens of thousands of students who frequent its bars, clubs, and drug bazaar on the steps of the Duomo. It climaxes in an up-close account of Italy’s dysfunctional legal system, as the trial slowly unfolds at the town’s Tribunale, and the prosecution’s thunderous final appeal to God before the quivering girl defendant resembles a scene from the Inquisition. To reveal what actually happened on that terrible night after Halloween, Nina Burleigh lived in Perugia, attended the trial, and corresponded with the incarcerated defendants. She also delved deeply into the history, secrets, and customs of Perugia, renowned equally for its Etruscan tunnels, early Christian art, medieval sorcerers, and pagan roots. A New York Times bestseller, The Fatal Gift of Beauty is the thoughtful, compelling examination of an enduring mystery, an ancient, storied place, and a disquieting facet of Italian culture: an obsession with female eroticism. By including the real story of Rudy Guede, it is also an acute window into the minds and personalities of the accused killers and of the conservative Italian magistrate striving to make sense of an inexplicable act of evil. But at its core is an indelible portrait of Amanda Knox, the strangely childlike, enigmatic beauty, whose photogenic face became the focal point of international speculation about the shadow side of youth and freedom.
Rakoshi Devis came to me as a shock since they happened to rescue my senses at a time when extreme anger overwhelmed my consciousness and it was waiting to annihilate my sanity. They salvaged me from the predicament of devastation which hovered around me like an eagle waiting to pounce upon its prey. The Rakoshi Devis I saw in my vision were three gruesome-looking figures ready to overthrow conventional wisdom that often enforces the norm of propriety on a woman. These introduced themselves to me as strong opponents of the egocentric MANHOOD that’s born to obliterate feminine identity. A ‘Demonic Man’ happens to challenge the Devis’ feminine prowess; not evidently by oppressing them but implicitly until he brings them to the point where they become vulnerable to his attack. The Rakoshis then blend their feminine benignity with their demonic ire and manifest themselves into a transformed version of the fierce ‘Demonic Goddess’ to counteract the refractory Egoistic Masculine Vampire.”
The story revolves around Prince Sundar of the Ahom dynasty in Assam in North-East India during the medieval period. Sundar, the crown prince, is seriously searching for the complete liberation of his soul and thereby shuns the company of women. The Queen Mother forces him to get married against his will to Princess Kanchanmoti, who is in love with Ananga, Sundar’s friend. Expectedly, the marriage ends in disaster. Enter Shewali, an innocent maidservant. Shewali is devoted to the service of the prince, and she loves to serve. She becomes a victim of jealousy and deceit of the palace staff. The Queen Mother holds Shewali responsible for Sundar’s actions and wreaks vengeance. One day, Sundar calls for Shewali, and she fails to turn up. Where is Shewali? Now the story moves to the serene, natural surroundings of the Naga Hills where Ananga, in exile, is dwelling in a cave. Sundar arrives there in disguise with a group of Chaodangs. What is his intention? Written in simple language, the story highlights the pure love of a simple maidservant who becomes a victim of palace intrigues. How her ultimate sacrifice leaves a deep impression on the crown prince’s heart is bound to keep the readers engrossed. “The Palace Maid is an engrossing book. The story is told in an uncomplicated manner. It has been translated quite smoothly from the Assamese novel Karengor Ligiri. Brig Ranjit Borthakur (Retd.), eminent writer, TV commentator and former Chairman of Assam Public Service Commission
Red Marks is a compelling satire about sexual harassment, otherwise known as sexually transmissible marks, a canker worm which is eating deep into the fabric of the society. The plot of the play revolves around the personal dilemma of Laura, an innocent University undergraduate with powerful emotions and rare determination who becomes the unwitting target of the concupiscence of the self-righteous philanderer, Bao. Will she succeed in escaping from his vicious and repulsive seduction and so preserve her virginity, or will she naively succumb to his lustful intrigues and allow herself to be deflowered? The play gives a beautifully poised insight into what happens in situations where the powerful feed fat on the powerless.
