A Historical Archaeology of the Ottoman Empire

A Historical Archaeology of the Ottoman Empire

Author: Uzi Baram

Publisher: Springer Science & Business Media

Published: 2006-03-16

Total Pages: 278

ISBN-13: 0306471825

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Archaeology in the Middle East and the Balkans rarely focuses on the recent past; as a result, archaeologists have largely ignored the material remains of the Ottoman Empire. Drawing on a wide variety of case studies and essays, this volume documents the emerging field of Ottoman archaeology and the relationship of this new field to anthropological, classical, and historical archaeology as well as Ottoman studies.


Poverty and Charity in Middle Eastern Contexts

Poverty and Charity in Middle Eastern Contexts

Author: Michael Bonner

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 358

ISBN-13: 0791486761

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Offering insights and analysis in a field that has only recently come into existence, this book explores the ideals and institutions through which Middle Eastern societies—from the rise of Islam in the seventh century C.E. to the present day—have confronted poverty and the poor. By introducing new sources and presenting familiar ones with new questions, the contributors examine ideas about poverty and the poor, ideals and practices of charity, and state and private initiatives of poor relief over this extensive time span. They avoid easy generalizations about Islam and the Middle East as they seek to set the ideals and practices in comparative perspective.


Three Essays on Style

Three Essays on Style

Author: Erwin Panofsky

Publisher: MIT Press

Published: 1995

Total Pages: 262

ISBN-13: 9780262661034

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with a memoir by William S. Heckscher Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures,andThe Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their significance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigr & e ́, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art--the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)--as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.


Foucault on Freedom

Foucault on Freedom

Author: Johanna Oksala

Publisher: Cambridge University Press

Published: 2005-06-16

Total Pages: 252

ISBN-13: 9780521847797

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Oksala identifies the different interpretations of freedom in Foucault's philosophy and examines its three major divisions.


A Companion to Film Theory

A Companion to Film Theory

Author: Toby Miller

Publisher: John Wiley & Sons

Published: 2004-05-21

Total Pages: 448

ISBN-13: 9780631206453

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This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject. Provides a major collection of specially commissioned work by experts in the field of film studies. Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship. Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology. Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future. Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.


Worldly Goods

Worldly Goods

Author: Lisa Jardine

Publisher: W. W. Norton & Company

Published: 1998

Total Pages: 516

ISBN-13: 9780393318661

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'Worldly Goods' provides a radical interpretation of the Golden Age of European culture. During the Renaissance, Jardine argues, vicious commercial battles were being fought over silks and spices, and who should control international trade.


Twenty-first Century Biopolitics

Twenty-first Century Biopolitics

Author: Bogdana Koljević

Publisher: Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus

Published: 2015

Total Pages: 0

ISBN-13: 9783631659779

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In order to articulate contemporary biopolitics the author examines Foucault's, Hardt's and Negri's theories. Phenomena of military interventions, terrorism and wars against terrorism are presented as contemporary biopolitics. The events such as the Arab Spring, OWS movement and the gap between EU forms and European realities are also analyzed.


Democracy in What State?

Democracy in What State?

Author: Giorgio Agamben

Publisher: Columbia University Press

Published: 2012

Total Pages: 146

ISBN-13: 023115299X

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"Is it meaningful to call oneself a democrat? And if so, how do you interpret the word?" In responding to this question, eight iconoclastic thinkers prove the rich potential of democracy, along with its critical weaknesses, and reconceive the practice to accommodate new political and cultural realities. Giorgio Agamben traces the tense history of constitutions and their coexistence with various governments. Alain Badiou contrasts current democratic practice with democratic communism. Daniel Bensaid ponders the institutionalization of democracy, while Wendy Brown discusses the democratization of society under neoliberalism. Jean-Luc Nancy measures the difference between democracy as a form of rule and as a human end, and Jacques Rancière highlights its egalitarian nature. Kristin Ross identifies hierarchical relationships within democratic practice, and Slavoj Zizek complicates the distinction between those who desire to own the state and those who wish to do without it. Concentrating on the classical roots of democracy and its changing meaning over time and within different contexts, these essays uniquely defend what is left of the left-wing tradition after the fall of Soviet communism. They confront disincentives to active democratic participation that have caused voter turnout to decline in western countries, and they address electoral indifference by invoking and reviving the tradition of citizen involvement. Passionately written and theoretically rich, this collection speaks to all facets of modern political and democratic debate.