The Battle of Agincourt was a major turning point during the Hundred Years War. England's victory against the numerically superior French army was totally unexpected. It crippled the French army and began a period of military success for the English. In this book the author has researched countless references and compiled a full colour armorial of as many of the known combatants from both sides. This colourful and useful reference includes 159 English and 324 French heraldic Coats of Arms.
The overwhelming victory of Henry V's English army at Agincourt in October 1415 has passed into myth _ as one of the defining events of the Hundred Years War against France, as a feat of arms outshining the previous famous English victories at Cr_cy and Poitiers, and as a milestone in English medieval history. This epic story of how an exhausted, outnumbered army, commanded by an inspirational leader, crushed a huge French force on French soil has given rise to legends and misconceptions that make it difficult for us to reach a clear understanding of what really happened on the battlefield 600 years ago. But that is what Stephen Cooper attempts in this thoroughgoing, perceptive and fascinating reconstruction and reassessment of the battle and its history. In graphic detail he describes the battle itself and the military expedition that led to it. He examines the causes of the conflict and the controversies associated with it, and traces how the story of the battle has been told over the centuries, by eyewitnesses and chroniclers and by the historians of the present day.??As featured in the Yorkshire Post, The Star (Sheffield) and Rotherham Advertiser.
The Roll of Battle Abbey contains the names of several hundred of the noble companions of William the Conqueror. The work in hand, a compilation by John Bernard Burke, is a heavily annotated list of the companions of the Conqueror, the annotations providing an account of the origins of each companion and his relationship to William, a description of his baronies and estates, an assessment of his position in the feudal hierarchy, and a concise history of his life and times.
Collects the names of every soldier known to have served the English Crown from 1369 to the loss of Gascony in 1453, and seeks to investigate the different types of soldier, their regional and national origins, and movement between ranks.
World War 1 Roll of Honour of Royal Navy, Royal Marines and Royal Naval Division men and women lost, including Dominions and Empire, 1914-18. Listed by Date and Ship/Unit. Complements the separately issued volume arranged by Name. Compiled from original sources including Admiralty Death Ledgers and Admiralty Communiques. Foreword by Capt Christopher Page RN Rtd, Head, Naval Historical Branch of the Naval Staff. Downloaded version, available from www.naval-history.net, is searchable.
Henry V became King of England in 1413. He was one of the great warrior kings of the country, cast in the same mould as Edward I and Edward III. He was just, pious, athletic, chivalrous, acquisitive, ruthless and eager to gain honour on the field of battle. Henry hoped that a successful campaign against the nation's traditional enemy would draw the people together and establish the popularity of the Lancastrian dynasty. This splendid addition to Osprey's Men-at-Arms series explores the background, organisation and equipment of the armies which fought in one of the most famous conflicts in England's history – the Battle of Agincourt.
Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.
The story is set in Normandy during the Hundred Years' War. When king orders Lady Margaret de Villeroy to leave her castle for Paris as hostages, she obeys the order. The situation in Paris was troublous and soon the guild of the butchers, adopting white hoods as their uniform, seized the city, and besieged the house where our hero and his charges lived. After desperate fighting, the white hoods were beaten and our hero and his charges escaped from the city, and from France.
