Wanted fugitive and secret were-tiger Angel Tomassini is about to find himself in the center of an age-long war between other hidden were-people for the fate of the world.
Irving Klaw was the legendary New York-based mail order merchant who, between around 1949 and his eventual prosecution for obscenity in 1966, produced thousands of films, photographic sets and printed booklets based on themes of fetishism, bondage, and sado-masochism. Although best-known for his discovery and promotion of the iconic bondage model Betty Page, Klaw's greatest legacy undoubtedly lies in his pioneering publishing work in the field of bondage illustration. Klaw's earliest bondage art series -- which he published as photographs in sets of episodes -- were mostly themed around images of girls fighting. But Klaw's activities soon attracted other artists, such as Eric Stanton and Gene Bilbrew ("Eneg"), who offered work more firmly based on bondage, restraint, and cruelty. The popularity of this type of art was quickly established, and Klaw went on to produce dozens of sets by a whole range of like-minded artists throughout the 1950s. PSYCHO GIRLS IN BONDAGE is a new anthology which collects some of the most outstanding examples of bondage art and fiction originally published by Klaw. The featured artists are Stanton, Eneg, Jim, Ruiz, and Dixon, all stalwarts of Klaw's bondage-art catalogue. The book includes over 200 images. Klaw Klassix is a new illustrated book series of classic "non-nude" erotic art and fiction, dedicated to preserving and presenting the very best works originally published by Irving Klaw.
Following the events of the first two volumes (or "cycles"), like seasons of an ever-deepening, binge-worthy TV show, this new cycle introduces a new generation of were-warriors who have come out of hiding to bring about a new world order.
Revelatory insights into the early life and thought of the preeminent French feminist philosopher Dating from her years as a philosophy student at the Sorbonne, this is the 1926-27 diary of the teenager who would become the famous French philosopher, author, and feminist, Simone de Beauvoir. Written years before her first meeting with Jean-Paul Sartre, these diaries reveal previously unknown details about her life and offer critical insights into her early philosophy and literary works. Presented here for the first time in translation and fully annotated, the diary is completed by essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical and literary significance. The volume represents an invaluable resource for tracing the development of Beauvoir's independent thinking and influence on the world.
Set during the 19th century, and combining an unusual mix of racial unrest, odd ball characters, and strange happenings, Red Range is a unique take on “The Western.” During a Klan lynching, a mysterious rider appears, and proves to be a deadly shot! It is the Red Mask, a tough, lethal, black man who wisely keeps his identity concealed, especially while battling his enemies. Through a series of events, the Red Mask continues to thwart the violent and hateful actions of the Klan, while picking up an orphan along the way, and teaching him how to turn his hate into something more positive.
Betty Page remains the ultimate icon of 1950s glamour photography. Her daring photo sessions with photographers such as Bunny Yeager and, especially, Irving Klaw, made her the most recognizable face of an underground mail-order industry with customers across America and the world. As well as hundreds of photo shoots, she also made numerous films with Klaw, often on themes of bondage and discipline which verged on transgressing the laws of the time. A 7-volume booklet collection of Betty’s most striking photographic bondage poses, accompanied by descriptive text throughout, was published by Klaw between 1960 and 1962, under the generic title BETTY PAGE IN BONDAGE. This special ebook edition of BETTY PAGE IN BONDAGE, VOLUME 3 presents all 30 original photographs along with all 30 pages of original text.